Nowhere may refer to:
According to 19th-century directories, Nowhere or No-Where is a marshy area by the River Bure where the villagers of Acle, Norfolk had salt-pans to produce salt for food preservation, etc. Originally an extra-parochial liberty it was formally incorporated into Acle parish in 1862 and the name no longer appears in maps and gazetteers. In 1861 there were four inhabited houses and 16 people.
Coordinates: 52°36′49″N 1°38′39″E / 52.61365°N 1.64417°E / 52.61365; 1.64417
"Hitomi no Kakera" (瞳の欠片, Fragments of a Gaze) is the debut single of J-pop duo FictionJunction Yuuka, from their debut album Destination. It was composed by Yuki Kajiura and released on May 8, 2004. The single debuted at #22 on the Oricon Weekly Charts and had 20 weeks on chart. Both Hitomi no Kakera and its B-side, nowhere, featured in the Bee Train anime series Madlax.
Hitomi no Kakera was originally composed by FictionJunction Yuuka as a theme song for the anime Madlax. The song originally featured on the OST for the series before it was released as a single, which gained the band significant fame on the J-pop scene. Both Hitomi no Kakera and its B-side track nowhere were used throughout the anime, Hitomi no Kakera being opening theme for the series, and nowhere being used mainly during the fights and action scenes. Both songs feature on the series' OST as well as on FictionJunction Yuuka's album.
Pulse-code modulation (PCM) is a method used to digitally represent sampled analog signals. It is the standard form of digital audio in computers, Compact Discs, digital telephony and other digital audio applications. In a PCM stream, the amplitude of the analog signal is sampled regularly at uniform intervals, and each sample is quantized to the nearest value within a range of digital steps.
Linear pulse-code modulation (LPCM) is a specific type of PCM where the quantization levels are linearly uniform. This is in contrast to PCM encodings where quantization levels vary as a function of amplitude (as with the A-law algorithm or the μ-law algorithm). Though PCM is a more general term, it is often used to describe data encoded as LPCM.
A PCM stream has two basic properties that determine the stream's fidelity to the original analog signal: the sampling rate, which is the number of times per second that samples are taken; and the bit depth, which determines the number of possible digital values that can be used to represent each sample.
PCM or pulse-code modulation is a digital representation of an analog signal.
PCM may also refer to:
The pulse code modulation (PCM) technology was patented and developed in France in 1938, but could not be used because suitable technology was not available until World War II. This came about with the arrival of digital systems in the 1960s, when improving the performance of communications networks became a real possibility. However, this technology was not completely adopted until the mid-1970s, due to the large amount of analog systems already in place and the high cost of digital systems, as semiconductors were very expensive. PCM’s initial goal was that of converting an analog voice telephone channel into a digital one based on the sampling theorem.
PCM30 describes an application of pulse-code modulation (PCM) in which 30 telephony analog signals are binary coded into a digital signal stream. The term is used today mostly as a synonym for the encoding of 30 channels each with a signalling rate of 64-kbit/s. This rate is also used in the first stage of European PDH technique, so PCM30 is also known as E1.