NONDA (born Epaminondas Papadopoulos in Athens on October 11, 1922; died October 30, 2005) was a leading Greek artist of the school of Paris. He was one of the handful of Greek artists who received scholarships from the French government to attend the Ecole De Beaux Arts in the late 40's. He was represented primarily by the Galerie Charpentier in the 50's and early 60's and was well known for his outdoor installations under the Pont Neuf Bridge in 1960's Paris as well as his unconventional use of cow's blood as a medium. His work is often associated with large scale figurative and abstract expressionist canvases, and monumental sculpture in post-war Paris.
Nonda studied drawing and painting under Spiros Vikatos, who encouraged him in the classical tradition and praised his particular gift in portraiture. His first works were portraits of his family, bold nudes, as well as landscapes, seascapes. Many of these works survived the destruction of his atelier in Athens during the Second World War. While his temperament was clearly precocious, his early paintings were deeply influenced by his interest in El Greco, Ingres, Delacroix and Frans Hals among others, and showed a great respect for the masters. In 1947 he left Greece on a scholarship to the Ecole des Beaux-Arts in Paris where he studied in the ateliers Narbonne and Le Magny. Once in Paris, Nonda began to develop the image of the archetypal “ Femme Parisenne” (“Parisian Woman”) which was to remain a source of inspiration throughout his life’s work.
Nonda may refer to:
One, two, three, here comes the danger
Love's not free it's not a legend
I can't stand into the fire
I can't wait my burning love goes
Fightin' for the right to live my
Life the way I feel
Waiting for the weapon then I'll
Shoot him to the heart
Love Killer (oh oh oh love killer)
In my dreams I feel like a rambo that killed the
Love Killer (oh oh oh love killer)
And the world will scream to me louder so happy
It destroys the generations
It is like the radiation
To the core I'll put my finger