Nome (Egypt)

A nome (/noʊm/; from Greek: Νομός, “district”) was a subnational administrative division of ancient Egypt. Today's use of the Greek νομή, nomé rather than the Egyptian term sepat came about during the Ptolemaic period, when use of Greek was widespread in Egypt. The availability of Greek records on Egypt influenced the adoption of Greek terms by later historians.

Ancient Egypt

The division of ancient Egypt into nomes can be traced back to the Predynastic Period (before 3100 BC). These nomes originally existed as autonomous city-states, but later began to unify. According to ancient tradition, the ruler Menes completed the final unification.

Not only did the division into nomes remain in place for more than three millennia, the areas of the individual nomes and their ordering remained remarkably stable. Some, like Xois in the Delta or Khent in Upper Egypt, were first mentioned on the Palermo stone, which was inscribed in the Fifth Dynasty. The names of a few, like the nome of Bubastis, appeared no earlier than the New Kingdom. Under the system that prevailed for most of pharaonic Egypt's history, the country was divided into 42 nomes.

Spotted flycatcher

The spotted flycatcher (Muscicapa striata) is a small passerine bird in the Old World flycatcher family. It breeds in most of Europe and western Asia, and is migratory, wintering in Africa and south western Asia. It is declining in parts of its range.

This is an undistinguished looking bird with long wings and tail. The adults have grey-brown upperparts and whitish underparts, with a streaked crown and breast, giving rise to the bird's common name. The legs are short and black, and the bill is black and has the broad but pointed shape typical of aerial insectivores. Juveniles are browner than adults and have spots on the upperparts.

Behaviour and ecology

Spotted flycatchers hunt from conspicuous perches, making sallies after passing flying insects, and often returning to the same perch. Their upright posture is characteristic.

Spotted flycatchers exhibit an atypical molt strategy, that is they molt their primaries and some of their secondaries in the reverse order from what is seen in most passerines.

Egypt (band)

There is/has been more than one band called Egypt over the years. This can cause confusion with albums & tracks from different 'Egypts' often listed together as if they were one band. This Egypt (1987 to the present) is best known for its close connections to 1960s/70s band The Groundhogs and, just to add to the confusion, had a very different style and line-up in the early days, making many people believe they were two different bands.

The early years

Egypt's original line-up first got together in a squat in Shepherds Bush, London in late 1987, but the story really begins a few weeks before when ex-Groundhogs bass player Alan Fish and ex-Jethro Tull drummer Clive Bunker were asked to record the very first album release (literally serial number 001) for the then fledgling record label HTD Records (HTD are now Talking Elephant Records and deal with Wishbone Ash, Fairport Convention, Ritchie Blackmore, Steven Stills, etc.). Also included was guitarist Don Greer (ex-Bachman Turner Overdrive and others).

Egypt (TV series)

Egypt is a BBC television docudrama serial portraying events in the history of Egyptology from the 18th through early 20th centuries. It originally aired on Sunday nights at 9 pm on BBC1 in 2005. The first two episodes explored the work of Howard Carter and his archaeological quest in Egypt in the early part of the twentieth century. The next two episodes focused on the eccentric explorer "The Great Belzoni". played here by ]Matthew Kelly. The final two episodes dramatise the discovery and deciphering of the Rosetta Stone by Jean-François Champollion (Elliot Cowan).

The music was recorded by the Warsaw Radio Orchestra and is featured on the CD Timeless Histories by Chappell music, produced by Clare Isaacs.

Production

The series was a major new docudrama series produced by the BBC for the Autumn 2005 schedule.

In order to create a sense of "seeing the treasures of Ancient Egypt for the first time", Dolling and Bradshaw felt it essential to film at the actual archaeological sites referenced in the series.