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Chad Jackson

Chad Wolfegang Jackson (born March 6, 1985) is an American former college and professional football player who was a wide receiver in the National Football League (NFL) for three seasons. He played college football for the University of Florida. Jackson was drafted by the New England Patriots of the National Football League (NFL) in the second round of the 2006 NFL Draft, and also played for the Denver Broncos of the NFL, and the Omaha Nighthawks of the United Football League (UFL).

Early years

Jackson was born in Birmingham, Alabama in 1985. He was a three-year starter at football powerhouse Hoover High School in Birmingham, where he recorded 202 receptions for 3,553 yards and forty touchdowns. Jackson also found time to pass and run for twelve more touchdowns and try his hand at free safety. His high school career ended with a 41–3 record and two Alabama Class 6A championships, and he was recognized as a Parade magazine prep All-American.

Jackson also played basketball and ran track before concentrating on football as a senior.

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Chad Jackson (DJ)

Mark Chadwick, better known by his stage name, Chad Jackson, is an English DJ, remixer and record producer. He is best known for his hit single "Hear the Drummer (Get Wicked)", but he also created member only mixes for the Disco Mix Club (DMC).

Music career

Jackson was born in St Helens Merseyside, England.

He won the DMC World Championships competition in 1987. His career started in 1990, with his debut single "Freedom to Party (Construction Mix)", which failed to chart. However, his second single "Hear the Drummer (Get Wicked)", which consisted of samples, was a hit, peaking at number 1 on the UK Dance Chart and number 3 on the UK Singles Chart. It was based on "900 Number" by the 45 King, which has also been the theme music for BBC Radio 1's dance music show The Big Beat. He then made a remix of "Under my Skin" by Frank Sinatra along with DJ Luca. It was released on Juno Records in 2011.

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No Way Out (The Chocolate Watchband album)

No Way Out is the debut album by the American garage rock band The Chocolate Watchband, and was released in September 1967 on Tower Records (see 1967 in music). It blended both garage and psychedelic rock influences, and was marked by distorted guitar instrumentals that were early examples of protopunk. It features the band's harder-edged interpretations of songs, with only three original compositions. The album was preceded by two non-album singles, "Sweet Young Thing" and "Misty Lane", and track singles, "No Way Out" and "Are You Gonna be There (At the Love-in)". However, none of the singles managed to chart. Like its singles, No Way Out failed to reach the Billboard 200, but it established the group as a popular live act, and later became noted as a garage rock classic.

Background

Recording sessions took place in mid-1967 at American Recording Studios, located in Los Angeles, California, with record producer, Ed Cobb. Progress on the album was rapid, although the percussion, harmonica, and vocals were overdubbed onto the tracks after the initial instrumental recordings were complete. The band held little power in the recording studio as Cobb selected the compositions that appeared on the album. Only the title song, "No Way Out", was an original song written by a Chocolate Watchband member. In all, only four tracks included the whole band, and were released in their intended form. The remaining songs replaced David Aguilar's vocals with session musician Don Bennett and added embellished instrumentals.Music critic Bruce Eder described the material on the album as "highly potent, slashing, exciting, clever pieces of music".

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No Way Out (song)

"No Way Out" is a song by the English singer Phil Collins from the Brother Bear film soundtrack.


Production

Two different versions of the song are placed onto the Brother Bear soundtrack. One is 4:18 minutes long and rock-driven, while the other is 2:37 minutes long and a more mellow keyboard-driven version.

Scene

The scene where the song is heard sees Kenai being forced to tell Koda that he killed his mother when he was a human. He is remorseful but Koda looks horrified and runs away in fear.

Critical reception

GenesisNews said the song is a "compact...strong balled" and reminiscent of older Phil Collins songs such as I Wish It Would Rain Down due to its "speed, harmonies and female backing vocals". Allmusic deemed it "forgettable ".

In the context of the film, No Way Out has been highly criticised for drowning out the dialogue in the film's climactic scene with generic pop lyrics.

Track listing

  • "No Way Out"
  • "No Way Out" (Radio Edit)
  • "No Way Out" (Instrumental)

    • Charts

    References

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    No Way Out of Texas: In Your House

    No Way Out of Texas: In Your House was the twentieth pay-per-view event under the In Your House name produced by the World Wrestling Federation (WWF). It took place on February 15, 1998, at the Compaq Center in Houston, Texas and was presented by Western Union.

    It was the first of a series of In Your House events which later became the title of annual pay-per-views, replacing the method at the time of making new names for all events aside from the 'Big Four' (the Royal Rumble, WrestleMania, SummerSlam and the Survivor Series) and King of the Ring. However, because later events did not take place in Texas, it was truncated to No Way Out and would not become a regular feature until 2000.

    Shawn Michaels did not appear in the main event as advertised, owing to a severe back injury that resulted in his first retirement after the following month's WrestleMania XIV. He was replaced by Savio Vega.

    Background

    Due to jealousy over his wife and valet, Sable, receiving all the attention of the audience, Marc Mero sought to annoy the crowd by sending Sable from ringside and instead being accompanied by The Artist Formerly Known as Goldust who first dressed up as Sable and then later, in a nod to the popular song "The Beautiful People", as Marilyn Manson. Metalheads and cross dressers The Headbangers, took exception to this.

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    Chad (chess variant)

    Chad is a chess variant for two players created by Christian Freeling in 1979. It is played on an uncheckered 12×12 gameboard with one king and eight rooks per side, where rooks are able to promote to queens.

    The inventor's aim was "to create a game of tactical and strategical depth that was both simple and elegant to express the concept of mate—the 'pure' chess game". The game was played for many years at the Fanaat games club in the Netherlands and was featured in the periodical The Gamer 6 in May–June 1982.

    Game rules

    Each player owns a castle consisting of 3×3 squares surrounded by a wall of 12 squares. A king may not leave its 3×3 castle, but the rooks are free to move unimpeded by castles or walls.

  • The king can move and capture like a chess king or a chess knight.
  • A rook moves like a rook in chess, and if ending on a square in the enemy castle, automatically promotes to a queen.
  • A queen moves like a queen in chess, and is unimpeded by castles or walls.
  • A rook or queen may capture an opponent's rook or queen only when one of these pieces is on the enemy's wall, and the other piece is in its own castle. Then either player having the turn to move may capture. (In other situations rooks and queens cannot capture, and simply block one another's movement. For example, a queen in an enemy castle is capturable only by the king.)
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    Kilroy was here

    Kilroy was here is an American popular culture expression that became popular during World War II; it is typically seen in graffiti. Its origins are debated, but the phrase and the distinctive accompanying doodle — a bald-headed man (sometimes depicted as having a few hairs) with a prominent nose peeking over a wall with the fingers of each hand clutching the wall — became associated with GIs in the 1940s.

    In the United Kingdom, the graffiti is known as "Mr Chad" or just "Chad", and the Australian equivalent to the phrase is "Foo was here". "Foo was here" might date from World War I, and the character of Chad may have derived from a British cartoonist in 1938, possibly pre-dating "Kilroy was here". Etymologist Dave Wilton says, "Some time during the war, Chad and Kilroy met, and in the spirit of Allied unity merged, with the British drawing appearing over the American phrase." "Foo was here" became popular amongst Australian schoolchildren of post-war generations. Other names for the character include Smoe, Clem, Flywheel, Private Snoops, Overby, The Jeep (as both characters had sizable noses), and Sapo.

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    Podcasts:

    Chad Jackson

    ALBUMS

    Greatest Ever 90s Groove

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    Dance Classics: Pop Edition, Volume 12

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    Wish U Love

    Released 2013

    Ministry of Sound: Back to the Old Skool: Indie Dance Classics

    Released 2013

    In the Mix: Rave Revival

    Released 2007

    The Hitman and Her

    Released 2006

    Phat 'N' Funky

    Released 2004

    Original Masters II

    Released 2003

    100% Pure Old Skool Club Classics

    Released 2003

    FabricLive 08: Plump DJs

    Released 2003

    50 Greatest Floor Fillers

    Released 2003

    Breakdown: The Very Best Euphoric Old Skool

    Released 2002

    Rave Anthems: Old Skool Classics

    Released 2001

    Mastermix Classic Cuts: 90s Night

    Released 2001

    Ministry of Sound: Back to the Old Skool 2

    Released 2001

    Hip House

    Released 1998

    Snap It Up!

    Released 1990

    Le top de la dance music

    Released 1990

    Get on This!!! 2

    Released 1990

    Now Dance 902

    Released 1990

    Hear the Drummer

    Released 1990

    The Greatest Hits of 1990

    Released 1990

    Deep Heat 90

    Released 1990

    Turn Up the Bass Megamix 1990

    Released 1990

    Turn Up the Bass, Volume 9

    Released 1990

    Freedom to Party 1

    Released 1990

    Mastermix Classic Cuts 20: Hip Hop/Rap

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    PLAYLIST TIME:

    No Way Out

    by: This Century

    We could take a journey down memory lane
    Where would it really go?
    I already know you
    We could write it out awhile
    Playin' it by ear
    But how could you play at all?
    You hardly ever listen
    And there's no way out, way out
    Whoa oh oh oh oh oh oh oh
    And there's no way out, way out
    Whoa oh oh oh oh
    And there's no way out, way out
    Whoa oh oh oh oh oh oh oh
    And there's no way out, way out
    Could of Would of Should have I left it up to you
    Willing to take control So I could just follow
    (so I could just follow)
    But time reveals a lot about yourself
    And I'm not getting younger, younger
    And there's no way out, way out
    Whoa oh oh oh oh oh oh oh
    And there's no way out, way out
    Whoa oh oh oh oh
    And there's no way out, way out
    Whoa oh oh oh oh oh oh oh
    And there's no way out, way out
    Whoa oh oh oh oh
    Whoa oh oh oh oh oh oh oh
    Whoa oh oh oh oh oh
    Whoa oh oh oh oh oh oh oh
    Whoa oh oh oh
    Whoa oh oh oh oh oh oh oh
    Whoa oh oh oh oh oh
    Whoa oh oh oh oh oh oh oh
    Whoa oh oh oh oh
    And there's no way out, way out
    Whoa oh oh oh oh oh oh oh
    And there's no way out, way out
    Whoa oh oh oh oh
    And there's no way out, way out
    Whoa oh oh oh oh oh oh oh
    And there's no way out, way out




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