While the African continent is vast and its peoples diverse, certain standards of beauty and correctness in artistic expression and physical appearance are held in common among various African societies.[1]
Taken collectively, these values and standards have been characterised as comprising a generally accepted African aesthetic.[2]
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Susan Vogel from the New York Center for African Art described an "African aesthetic" in African artwork as having the following characteristics:[3]
In African Art in Motion, African art scholar and Yale professor Robert Farris Thompson turns his attention to cool in both the African and African-American contexts:
The mind of an elder within the body of the young is suggested by the striking African custom of dancing "hot" with a "cool" unsmiling face. This quality seems to have haunted Ten Rhyne at the Cape in 1673 and it struck the imagination of an early observer of strongly African-influenced dancing in Louisiana in the early nineteenth century, who noted "thumping ecstasy" and "intense solemnity of mien." The mask of the cool, or facial serenity, has been noted at many points in Afro-American history:
It is interesting that what remains a spiritual principle in some parts of Africa and the rare African-influenced portions of the modern U.S.A., such as tidewater Georgia, becomes in the mainline Afro-American urban culture an element of contemporary street behavior:
The…cool style of male walking in the United States is called bopping…. Mystical coolness in Africa has changed in urban African-American assertions of independent power. But the functions, to heal and gather strength, partially remain. And the name cool [kule], remains. And the body is still played in two patterns, one stable, the other active, part energy and part mind.[4]Negro boys…have a 'cool' way of walking in which the upper trunk and pelvis rock fore and aft while the head remains stable with the eyes looking straight ahead. The…walk is quite slow, and the Negroes take it as a way of 'strutting' or 'showing off'....
Cool & Dre are a team of American record producers and songwriters from North Miami, a suburb of Miami, Florida, consisting of Marcello "Cool" Valenzano and Andre "Dre" Christopher Lyon.
The duo started their own record label, Epidemic Records. They signed a contract with Jive Records in 2003 concerning the distribution of their first artist, Dirtbag.
In August 2010, the duo officially partnered with Cash Money Records. In April 2011, the duo signed a deal with Interscope Records through Cash Money (the first time Cash Money is under another Universal label), also to distribute their label Epidemic Records.
"Cool" is a song by The Time, released as the second single from their eponymous debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, and performed by Prince with Morris Day later adding his lead vocals. The song was co-written with Revolution guitarist Dez Dickerson and contains background vocals by keyboardist Lisa Coleman, however both were uncredited.
The funk-pop relies heavily on synthesizers to provide both the bass and melody for the upbeat song. A guitar solo is present and a relatively simple drumbeat drives the song along. "Cool" sets up the persona created for Day as a wealthy playboy, one who is also popular, and of course, "cool". Day built a career around the persona. Prince's backing vocals are very apparent in the song, especially in the chorus.
The classic video for the song is directed by Chuck Statler, who is best known for directing the early Devo videos.
"Cool" was only issued as a 7" single with an edit of the song and a continuation as the B-side. The full version was only released on the album and on a promo release. One of The Time's more popular numbers, "Cool" is a staple in concert and a live version of the song recorded at the House of Blues in 1998 was included on Morris Day's 2004 album, It's About Time.
Modo The Car Co-op is a Metro Vancouver carsharing co-operative. It was incorporated in 1997, making it the oldest carsharing organization in the area, first carshare co-op in North America and the first carshare in the English-speaking world.
As of 2015, the member-owned not-for-profit carshare has more than 13,000 members with 400 vehicles in more than 250 locations across Metro Vancouver, including Vancouver, Richmond, UBC, Surrey, New Westminster, Burnaby, North Vancouver, Coquitlam and Port Moody. Vehicles include hybrids, minivans, pickup trucks, cargo vans and conventional sedans; 11% of Modo's fleet is hybrid or fully electric. Vehicles can be booked for immediate use or up to a year in advance, for as short as 1 hour or as long as 30 days.
Members each have a fob that will open the vehicle they have reserved at the time they have reserved it.
Other carshares in the region include Zipcar and car2go, the latter of which is not actually a "carshare" as defined by the worldwide CarSharing Association. Modo is a two-way carshare, meaning the vehicle must be returned to its home location at the end of a booking so that the next member can pick it up at the time of their booking.
The Modo was a wireless device developed by Scout electromedia and was officially announced on August 28th, 2000. Utilizing pager networks, the device was designed to provide city-specific "lifestyle" content such as restaurant & bar reviews, movie listings, in addition to original Scout-produced content.
The industrial design was done by IDEO (which took an investment in the startup), while the device software was based on Pixo's operating system (the OS that later powered the Apple iPod). All of the electrical engineering, wireless development, and system development were done in-house by the company.
After the company was funded, one of its venture backers, Flatiron out of Manhattan, backed a similar company, Vindigo, which aimed to bring a broader range of information to the Palm Pilot platform. Because of Scout's focus on delivering mobile information to a young design-conscious audience that had no interest in using a traditional PDA, Vindigo was considered by the backers to be a complementary product offering.
Modo (stylized as MODO, originally modo) is a polygon and subdivision surface modeling, sculpting, 3D painting, animation and rendering package developed by Luxology, LLC, which is now merged with and known as The Foundry. The program incorporates features such as n-gons and edge weighting, and runs on Microsoft Windows, Linux and Mac OS X platforms.
Modo was created by the same core group of software engineers that previously created the pioneering 3D application LightWave 3D, originally developed on the Amiga platform and bundled with the Amiga-based Video Toaster workstations that were popular in television studios in the late 1980s and early 1990s. They are based in Mountain View, California.
In 2001, senior management at NewTek (makers of LightWave) and their key LightWave engineers disagreed regarding the notion for a complete rewrite of LightWave's work-flow and technology. NewTek's Vice President of 3D Development, Brad Peebler, eventually left Newtek to form Luxology, and was joined by Allen Hastings and Stuart Ferguson (the lead developers of Lightwave), along with some of the LightWave programming team members.
Hay is grass, legumes, or other herbaceous plants that have been cut, dried, and stored for use as animal fodder, particularly for grazing animals such as cattle, horses, goats, and sheep. Hay is also fed to smaller animals such as rabbits and guinea pigs. Pigs may be fed hay, but they do not digest it as efficiently as more fully herbivorous animals.
Hay can be used as animal fodder when or where there is not enough pasture or rangeland on which to graze an animal, when grazing is unavailable due to weather (such as during the winter) or when lush pasture by itself is too rich for the health of the animal. It is also fed during times when an animal is unable to access pasture, such as when animals are kept in a stable or barn.
Commonly used plants for hay include mixtures of grasses such as ryegrass (Lolium species), timothy, brome, fescue, Bermuda grass, orchard grass, and other species, depending on region. Hay may also include legumes, such as alfalfa (lucerne) and clovers (red, white and subterranean). Legumes in hay are ideally cut pre-bloom. Other pasture forbs are also sometimes a part of the mix, though these plants are not necessarily desired as certain forbs are toxic to some animals.
Hace rato te miro te vas caminando
Buscando amor donde no hay
Yo te lo advertà que el tiempo va pasando
No busques en donde no hay
Caricias y besos no hay
Los llantos los ruegos, no hay
Eres un fantasma good bye
Good bye!
Quien rÃe último, rÃe mejor
Quien llora primero restaura el corazón
Y quien se ve humillado y arrastrado por amor
Ese será levantado es real la compasión
Tus palabras no ___
Tampoco lo q inventan
CreÃste q en el fondo, yo quedarÃa muerta
Te tengo una noticia estoy llena de caricias
De buenos sentimientos
Y d miles de sonrisas
Y tu q…
Llorando como un niño por falta de cariño, ya
Y tu q…
Andas tan confundido
El orgullo te a vencido, ya ves (x2)
Hace rato te miro te vas caminando
Buscando amor donde no hay
Yo te lo advertÃ, q el tiempo va pasando
No busques en donde no hay
Caricias y besos no hay
Los llantos los ruegos, no hay
Eres un fantasma good bye
Good bye!
La vida es asà quedan advertidos
No jueguen con quien menos
No lo ha merecido
Sea mujer o hombre
El tiempo no responde
Cuando toque a tu puerta
El alma no se esconde
Y tu q…
Llorando como un niño por falta de cariño, ya
Y tu q...
Andas tan confundido
El orgullo te a vencido, ya ves
Analicemos son experiencias
Mientras tu cargas encima conciencia
Mientras camino en brazos de otro
Que me valora y como el quedan pocos
No busques en donde no hay
Caricias y besos no hay
Los llantos los ruegos, no hay
Eres un fantasma good bye
Good bye!
No hay caricias y besos no hay
Los llantos los ruegos, no hay
Eres un fantasma good bye
Good bye!
Hace rato te miro te vas caminando
Buscando amor donde no hay
Yo te lo advertÃ, q el tiempo va pasando
No busques en donde no hay
Caricias ni besos no hay
Los ruegos los llantos, no hay
Eres un fantasma good bye
Good bye!
Ivy Queen una vez más
MUSA
Keko music la verdadera maquina
Eh! y yo, como yo, no hay IVY QUEEN
Keko music