Brennan Heart

Fabian Bohn known by his stage name Brennan Heart (born 2 March 1982 in Netherlands) is a Dutch DJ and producer of Hardstyle.

Career

In 2002, Fabian Bohn started to make hardstyle as member of the duo Brennan & Heart, together with DJ Thera (Pieter Heijnen). He experimented with several styles of music like techno, hard trance and tech trance, before focussing on hardstyle.

In 2005 the duo split and went their own ways, Bohn took the name Brennan Heart with him and Pieter Heijnen started as DJ Thera.

In 2006, he joined the Dutch label Scantraxx Records (created by The Prophet) and created his own sublabel called M!D!FY in May 2006.

In 2009, he released his first album Musical Impressions.

In 2012, he left Scantraxx Records and established his own music label Brennan Heart Music. He rebranded his own label to WE R Music and Code Black, Toneshifterz and Outbreak decided to join forces instantly in 2013.

Every Thursday, SLAM!HARDER, a radio show at the Dutch radio station SLAM!FM, is broadcast and every second Thursday presented by Fabian Bohn. (MC Villain (first Thursday), D-Block & S-te-Fan (third Thursday) and Digital Punk (fourth Thursday))

Dutch Golden Age painting

The Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history generally spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.

The new Dutch Republic was the most prosperous nation in Europe, and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south, and the upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art needed to reinvent itself entirely, a task in which it was very largely successful.

Although Dutch painting of the Golden Age comes in the general European period of Baroque painting, and often shows many of its characteristics, most lacks the idealization and love of splendour typical of much Baroque work, including that of neighbouring Flanders. Most work, including that for which the period is best known, reflects the traditions of detailed realism inherited from Early Netherlandish painting.