Scooter

Scooter may refer to:

Vehicles

Ground

Human or gravity powered

Motorized

Air

Water

Scooter (motorcycle)

A scooter or motor scooter is a motorcycle with step-through frame and a platform for the rider's feet. Elements of scooter design have been present in some of the earliest motorcycles, and motorcycles identifiable as scooters have been made from 1914 or earlier. Scooter development continued in Europe and the United States between the World Wars.

The global popularity of scooters dates from the post-World War II introductions of the Vespa and the Lambretta. These scooters were intended to provide low-power personal transportation (engines from 50 to 250 cc or 3.1 to 15.3 cu in). The original layout is still widely used in this application. Maxi-scooters, with engines from 250 to 850 cc (15 to 52 cu in) have been developed for Western markets.

Scooters are popular for personal transport, partly due to being cheap to buy, easy to operate and convenient to park and store. Licensing requirements for scooters are easier and cheaper than for cars in most parts of the world, and insurance is usually cheaper.

Scooter (Belgian band)

Scooter was a Belgian pop band from Antwerp, that started in 1979 as Scooter on the Road. In 1981, they released the singles "Tattoo Turkey" and "Peppermint Girl". Due to guitarist Jan Fraeyman suffering from terminal illness he was replaced by Bert Decorte (from The Misters). Sadly, shortly after the release of their debut album One by One (1981), guitarist Jan Fraeyman died.

Scooter scored a megahit in Belgium ‘You (don’t want to be number one’) and won the Summerhit of 1981 award, an annual prize awarded by the Flemish broadcaster Radio 2.

The album “One by One” was produced by the drummer of the band, Herwig Duchateau, who was later successful as the producer of bands like The Bet, Schmutz, Won Ton Ton, The Machines, e.a.).

Scooter, now with guitarist Jan Verheyen after Bert Decorte left the band, released two more albums: Charm and Oblivion with American sounding songs like "Will I Ever Recover From You" (1982), "Stand Out" (1982) and "Minute by minute" (1983). In 1982, shortly after the release of Charm, keyboard player Pit Verlinde left the band.

Destiny

Destiny or Fate is a predetermined course of events. It may be conceived as a predetermined future, whether in general or of an individual.

Fate

Although often used interchangeably, the words "fate" and "destiny" have distinct connotations.

Destiny (Janáček)

Destiny (also known as Fate, Czech: Osud) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer and Fedora Bartošová. Janáček began the work in 1903 and completed it in 1907. The inspiration for the opera came from a visit by Janáček in the summer of 1903, after the death of his daughter Olga, to the spa at Luhačovice. There, Janáček met Kamila Urválková, who had been the subject of an opera by Ludvík Čelanský, Kamila, where she felt that Čelanský had falsely depicted her personality. After learning that Janáček was a composer, Urválková persuaded Janáček to write another opera to counteract Čelanský's portrait of her.

Janáček submitted the opera to the Brno Theatre in 1906, and to the Vinohrady Theatre in Prague in 1907, but both theatres rejected the score. The score stayed with the Vinohrady Theatre even after Janáček had threatened lawsuits against the theatre and after the Brno theatre made offers of a possible production.

The work did not receive a hearing until after Janáček's death, in 1934 on Brno Radio.

Fate (magazine)

Fate is a U.S. magazine about paranormal phenomena. Fate was co-founded in 1948 by Raymond A. Palmer (editor of Amazing Stories) and Curtis Fuller. Fate magazine is the longest-running magazine devoted to the paranormal. Promoted as "the world's leading magazine of the paranormal", it has published expert opinions and personal experiences relating to UFOs, psychic abilities, ghosts and hauntings, cryptozoology, alternative medicine, divination methods, belief in the survival of personality after death, Fortean phenomena, predictive dreams, mental telepathy, archaeology, warnings of death, and other paranormal topics.

Though Fate is aimed at a popular audience and tends to emphasize personal anecdotes about the paranormal, American writer and frequent Fate contributor Jerome Clark says the magazine features a substantial amount of serious research and investigation, and occasional debunking of dubious claims. Subjects of such debunking articles have included Atlantis, the Bermuda Triangle, and the Amityville Horror.