Nishaan

Harr Nishaan (हरिਹਰਿ) or Nishaan Sahib is an official copyrighted symbol of Ravidassia religion. The Harr nishan can be found on top of the Ravidassias Bhawans or on the flag, every year the Harr Nishaan is changed on the auspcious day of Guru Ravidass Jayanti (Birthday). The Ravidassias, especially of Punjab, proudly hoist flags with the print of insignia „Har‟ on top of their religious places, and on vehicles during processions on the occasion of Guru Ravidass‟s birth anniversaries and other festivities.

Harr Nishaan is the Ravidassia religious insignia. Strictly speaking "Nishaan" means "symbol" and is used in Ravidassia context to mean the mantras passed down by the saints. This insignia is also known as the "Koumi Nishan" (Religious Symbol) of the Ravidassia Religion. Both of these words Harr or Saunh are directly or indirectly meant for mediation or in reciting of Ravidasia hymns.: As a downtrodden people, the Dalit were not allowed to be educated or could afford to be so. The Guru Raidas spoke and communicated in local dialect. This enabled the Dalit to enjoy and progress in understanding and communicating their philosophy. The Ravidassia Guru's name is Ravi, meaning sun. Har means Supreme Being. The universe is illuminated due to the suns otherwise it would be in darkness. The second half of his name is Dass meaning "servant," therefore the Satguru of the Ravidassia sect is the "Servant of Illumination." By following his example, Ravidassia people are striving to become enlightened, as was their Guru. Harr Nishaan can also be found on the first page and on the fourth page of Amritbani Guru Ravidass Ji. The explanation of Harr Nishan is as follows:

Nishaan (1983 film)

Nishaan (English: Identification Mark) is a 1983 Bollywood drama film produced by B.S.Shaad on BRAR Productions banner, directed by Surendra Mohan. Starring Rajesh Khanna, Jeetendra, Poonam Dhillon, Rekha in the lead roles and music composed by Rajesh Roshan..

Plot

Diwan and Bhagail Singh kill Kanwar for his property. In the confusion that follows Kanwar's wife Laajvanti and her sons, Shankar and Ravi are separated. Shankar drifts around in search of his mother and Ravi. Ravi works for Diwan and loves his daughter Reeta. Shankar and Ravi are friends. Diwan and Bhagail Singh drive a wedge between them and have Shankar sent to jail on a false charge of theft. Shankar tries to take revenge on Ravi, but he discovers that he is his brother. They turn over Diwan and Bhagail to the police. Shankar and Ravi meet their mother and there is a happy family reunion.

Cast

Call

Call may refer to:

In arts and entertainment

In science and technology

Computing

Telecommunications

Other uses in science and technology

In finance

Caller (dancing)

A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare.

In round dance a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points. In northern New England contra dancing, the caller is also known as the prompter.

Comparing callers and cuers

Callers and cuers serve slightly different functions in different types of dance. Improvisation in modern Western square dance calling distinguishes it from the calling in many other types of dance.

Callers in many dance types are expected to sing and to be entertaining, but round dance cuers do not sing and are expected to be as unobtrusive as possible.

Standardized dances such as round dance, modern Western square dance, and Salsa Rueda consist of a number of defined difficulty levels. Callers and cuers are responsible for knowing all of the calls or cues (respectively), also known as figures, for the defined difficulty level at which their dancers are dancing, as well as all figures belonging to lower or easier levels.

Betting in poker

In the game of poker, the play largely centers on the act of betting, and as such, a protocol has been developed to speed up play, lessen confusion, and increase security while playing. Different games are played using different types of bets, and small variations in etiquette exist between cardrooms, but for the most part the following rules and protocol are observed by the majority of poker players.

Procedure

Players in a poker game act in turn, in clockwise rotation (acting out of turn can negatively affect other players). When it is a player's turn to act, the first verbal declaration or action she takes binds her to her choice of action; this rule prevents a player from changing her action after seeing how other players react to her initial, verbal action.

Until the first bet is made each player in turn may "check," which is to not place a bet, or "open," which is to make the first bet. After the first bet each player may "fold," which is to drop out of the hand losing any bets they have already made; "call," which is to match the highest bet so far made; or "raise," which is to increase the previous high bet.