Nina Simone

Nina Simone (/ˈnnə sˈmn/; born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.

Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of her supporters in Tryon, she enrolled in the Juilliard School of Music in New York but was unable to continue because of the high fees. She was later denied a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone became fully convinced her rejection had been entirely due to her race, a statement that has been a matter of controversy.

To make a living, Simone chose to play "cocktail piano" at a night club in Atlantic City, where she was told she had to sing to her own accompaniment, effectively launching her career as a jazz vocalist. She recorded more than forty albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974, and had a hit in the United States in 1958 with "I Loves You, Porgy".

Reik (album)

Reik is the debut eponymous album from Mexican pop group Reik, released on May 24, 2005 through Sony Music. The album features the singles "Yo Quisiera", "Qué Vida La Mía", "Noviembre Sin Ti", "Niña" and "Levemente". The song "Noviembre Sin Ti" is also featured on the compilation album Now Esto Es Musica! Latino, while "Levemente" is featured on Now Esto Es Musica! Latino 2.

Track listing

  • "Levemente" (Lightly) - 3:57 (Ortiz, Vasquez)
  • "Amor Primero" (First Love) - 3:47 (Cibrian, Ruiz)
  • "Cuando Estás Conmigo" (When You're With Me) - 3:11 (Vasquez)
  • "Qué Vida La Mía" (What A Life Mine Is) - 2:52 (Cibrian, Ruiz)
  • "Vuelve" (Come Back) - 3:18 (Cibrian, Ruiz)
  • "Yo Quisiera" (I Wish) - 3:38 (Ortiz, Vasquez)
  • "Noviembre Sin Ti" (November Without You) - 3:38 (Vasquez)
  • "Niña" (Girl) - 2:52 (Cibrian, Curiel, Ruiz)
  • "No Sé Si Es Amor" (I Don't Know If It's Love) - 3:09 (Cibrian, Ruiz)
  • "Cada Mañana" (Every Morning) - 3:54 (Amaya, Vasquez)
  • "Cómo Me Duele" (How It Hurts Me) - 3:18 (Ramirez, Valdez)
  • Production credits

    Nina (opera)

    Nina, o sia La pazza per amore (Nina, or the Girl Driven Mad by Love) is an opera, described as a commedia in prosa ed in verso per musica, in two acts by Giovanni Paisiello to an Italian libretto by Giambattista (also Giovanni Battista) Lorenzi after Giuseppe Carpani's translation of Benoît-Joseph Marsollier's Nina, ou La folle par amour, set by Nicolas Dalayrac in 1786.

    The work is a sentimental comedy with set numbers, recitative and spoken dialog. It is set in Italy in the 18th century.

    Nina was first performed in a one act version at the Teatro del Reale Sito di Belvedere in Caserta, San Leucio on 25 June 1789. A revised two-act work was presented at the Teatro dei Fiorentini in Naples in the autumn of 1790.

    Roles

  • Nina (soprano)
  • Lindoro, her lover/Un Pastore (tenor)
  • The Count, her father (bass)
  • Susanna, her companion (mezzo-soprano)
  • Giorgio, the Count’s valet (bass)
  • A musician (tenor)
  • Second musician
  • Chorus (staff and patients at the sanatorium)
  • Discography

  • Arts Music Hans Ludwig Hirsch, 1998
  • Nina (Xiu Xiu album)

    Nina is a Nina Simone tribute album recorded by Xiu Xiu. It was released on Graveface Records on December 3, 2013 to generally favorable reviews.

    Recording

    The idea for the album came while Jamie Stewart was on tour with Swans.Nina was recorded in a day. The album features Jamie Stewart's voice, Ches Smith on drums, Tim Berne and Tony Malaby on saxophones, Andrea Parkins on accordion, and Mary Halvorson on guitar. The latter four had experience in avant jazz. The album reimagines rather than recreates Nina Simone's songs. It was released on Graveface Records on December 3, 2013.

    Reception

    Nina received a "generally favorable" score of 65 (out of 100) from the ratings aggregator Metacritic. Nate Chinen from The New York Times described the album as accentuating Simone's "spooky, unsettling side". He adds that Stewart's vocals add to the "psychodrama" in "Four Women" and "the wildness" in "Wild Is the Wild". Chinen thought the art rock Nina Simone covers field was already crowded before Nina. Heather Phares of AllMusic considered Stewart's stylistic choices "provocative" and the album Stewart's "most avant-garde ... in years". She added that the album considered the "more progressive aspects" of Simone's music. Kyle Fowle of Slant Magazine thought the album to be Xiu Xiu's "most ambitious ... in years". He thought Stewart's vocal style was out of place on "Don't Explain" and "Just Say I Love Him". Billy Hamilton of Under the Radar wrote that Simone would approve of the album. Mark Richardson of Pitchfork noted a mystical connection between Xiu Xiu and Simone as artists who perform raw emotions, but described the album as a "wasted opportunity" and "weirdly conservative". For this, he blamed Stewart's vocals for being "theatrical" and insincere. Richardson praised the album's selection of songs covered.

    Podcasts:

    Nina Simone

    ALBUMS

    Born: 1933-02-21

    Died: 2003-04-21

    PLAYLIST TIME:

    Near To You

    by: Nina Simone

    Near to you, near to you
    Even though you're far away
    So near to you, always near to you
    As near as april is to may
    Can't you feel me there, in my favourite chair
    Staring at the fireplace?
    Oh so near to you, always near to you
    Even now it seems we're face to face
    But it is just if though I was standing before you
    Telling you how much I adore you
    If I'm really dear to you, near to you
    We may be far apart and yet
    If I'm in your heart, really in your heart
    How near to you can I get
    (2x)
    Oh so near to you, always near to you
    As near as april is to may
    Can't you feel me there, in my favourite chair
    Staring at the fireplace?
    Oh so near to you, always near to you
    Even now it seems we're face to face
    But it is just if though I was standing before you
    Telling you how much I adore you
    If I'm really dear to you, near to you
    We may be far apart and yet
    If I'm in your heart, really in your heart
    How near to you can I get?
    How near to you can I get?




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