Nina Hoss

Nina Hoss (born 7 July 1975) is a German actress and singer.

Early life

Hoss was born in Stuttgart, West Germany. Nina's father, Willi Hoss, was a German trade unionist and politician (member of the German Bundestag in The Greens). Her mother, Heidemarie Rohweder, was an actress at Stuttgart National Theatre and later director of the Esslingen-based Württemberg State Playhouse (Württembergischen Landesbühne Esslingen).

Career

Hoss acted in radio plays at the age of seven and appeared on stage for the first time at the age of 14.

In 1997 she graduated from the Drama School "Ernst Busch" in Berlin. Her first major success was the title role Rosemarie Nitribitt of Bernd Eichinger’s A Girl Called Rosemary in 1996, a period drama (based on an actual scandal) set in the 1950s that looks back at the days of West Germany's postwar Wirtschaftswunder with a curdling cynicism.

In 2000 she was one of the Shooting Stars at the Berlinale. Her close collaboration with director Christian Petzold has been extremely successful: she won the 2003 Adolf Grimme Award for her role in his film Something to Remind Me and two years later the Adolf Grimme Award in Gold for Wolfsburg. Her performance of Yella, earned her the Silver Bear for Best Actress at the Berlin International Film Festival in 2007 and the German Film Award in 2008. Another collaboration with Petzold, Barbara, in which Hoss plays a doctor exiled to an East German provincial backwater in 1980, premiered at the Berlin International Film Festival in 2011 and the Toronto International Film Festival in 2012. In a review of her 2009 film Anonyma, The New York Times remarked that Hoss, "whose strong frame and graceful bearing suggest both old-style movie-star glamour and Aryan ideals of feminine beauty, is an actress of haunting subtlety, and the film, episodic, ambitious and a few beats too long, is held together by the force of her performance."

Reik (album)

Reik is the debut eponymous album from Mexican pop group Reik, released on May 24, 2005 through Sony Music. The album features the singles "Yo Quisiera", "Qué Vida La Mía", "Noviembre Sin Ti", "Niña" and "Levemente". The song "Noviembre Sin Ti" is also featured on the compilation album Now Esto Es Musica! Latino, while "Levemente" is featured on Now Esto Es Musica! Latino 2.

Track listing

Production credits

Nina (opera)

Nina, o sia La pazza per amore (Nina, or the Girl Driven Mad by Love) is an opera, described as a commedia in prosa ed in verso per musica, in two acts by Giovanni Paisiello to an Italian libretto by Giambattista (also Giovanni Battista) Lorenzi after Giuseppe Carpani's translation of Benoît-Joseph Marsollier's Nina, ou La folle par amour, set by Nicolas Dalayrac in 1786.

The work is a sentimental comedy with set numbers, recitative and spoken dialog. It is set in Italy in the 18th century.

Nina was first performed in a one act version at the Teatro del Reale Sito di Belvedere in Caserta, San Leucio on 25 June 1789. A revised two-act work was presented at the Teatro dei Fiorentini in Naples in the autumn of 1790.

Roles

Discography

Nina (Xiu Xiu album)

Nina is a Nina Simone tribute album recorded by Xiu Xiu. It was released on Graveface Records on December 3, 2013 to generally favorable reviews.

Recording

The idea for the album came while Jamie Stewart was on tour with Swans.Nina was recorded in a day. The album features Jamie Stewart's voice, Ches Smith on drums, Tim Berne and Tony Malaby on saxophones, Andrea Parkins on accordion, and Mary Halvorson on guitar. The latter four had experience in avant jazz. The album reimagines rather than recreates Nina Simone's songs. It was released on Graveface Records on December 3, 2013.

Reception

Nina received a "generally favorable" score of 65 (out of 100) from the ratings aggregator Metacritic. Nate Chinen from The New York Times described the album as accentuating Simone's "spooky, unsettling side". He adds that Stewart's vocals add to the "psychodrama" in "Four Women" and "the wildness" in "Wild Is the Wild". Chinen thought the art rock Nina Simone covers field was already crowded before Nina. Heather Phares of AllMusic considered Stewart's stylistic choices "provocative" and the album Stewart's "most avant-garde ... in years". She added that the album considered the "more progressive aspects" of Simone's music. Kyle Fowle of Slant Magazine thought the album to be Xiu Xiu's "most ambitious ... in years". He thought Stewart's vocal style was out of place on "Don't Explain" and "Just Say I Love Him". Billy Hamilton of Under the Radar wrote that Simone would approve of the album. Mark Richardson of Pitchfork noted a mystical connection between Xiu Xiu and Simone as artists who perform raw emotions, but described the album as a "wasted opportunity" and "weirdly conservative". For this, he blamed Stewart's vocals for being "theatrical" and insincere. Richardson praised the album's selection of songs covered.