Marifil Niña Girado (born November 1, 1980), better known by her stage name Nina, is a Filipina singer, occasional songwriter, record producer, TV and radio personality. She made her recording debut in 2002 after signing a recording contract with Warner Music Philippines. Following the release of her debut album, she received numerous awards from different organizations and multiple album certifications by the Philippine Association of the Record Industry (PARI). She established her position in the Philippine music industry in 2005, after releasing her third album Nina Live!. The album earned her the first ever Diamond award for a female OPM artist. In the same year, she staged a Nina Live! concert at the Araneta Coliseum, which became her biggest solo concert to date.
In 2006, she released her self-titled album, which earned her the most nominations (eight) for the Awit Awards. Later, she was criticized for releasing too many covers, and got in a feud with her ex-boyfriend Nyoy Volante's parents when she filed a lawsuit against them. She regained success in 2009 after performing and touring with the Sessionistas. In the same year, she released her last studio album under Warner, Renditions of the Soul, which was taken from her Wave 89.1 radio show of the same title. The album was both critically and commercially successful. She signed a recording deal with Universal Records in 2010, and represented her country in the Pattaya International Music Festival a year later.
Reik is the debut eponymous album from Mexican pop group Reik, released on May 24, 2005 through Sony Music. The album features the singles "Yo Quisiera", "Qué Vida La Mía", "Noviembre Sin Ti", "Niña" and "Levemente". The song "Noviembre Sin Ti" is also featured on the compilation album Now Esto Es Musica! Latino, while "Levemente" is featured on Now Esto Es Musica! Latino 2.
Nina, o sia La pazza per amore (Nina, or the Girl Driven Mad by Love) is an opera, described as a commedia in prosa ed in verso per musica, in two acts by Giovanni Paisiello to an Italian libretto by Giambattista (also Giovanni Battista) Lorenzi after Giuseppe Carpani's translation of Benoît-Joseph Marsollier's Nina, ou La folle par amour, set by Nicolas Dalayrac in 1786.
The work is a sentimental comedy with set numbers, recitative and spoken dialog. It is set in Italy in the 18th century.
Nina was first performed in a one act version at the Teatro del Reale Sito di Belvedere in Caserta, San Leucio on 25 June 1789. A revised two-act work was presented at the Teatro dei Fiorentini in Naples in the autumn of 1790.
Nina is a Nina Simone tribute album recorded by Xiu Xiu. It was released on Graveface Records on December 3, 2013 to generally favorable reviews.
The idea for the album came while Jamie Stewart was on tour with Swans.Nina was recorded in a day. The album features Jamie Stewart's voice, Ches Smith on drums, Tim Berne and Tony Malaby on saxophones, Andrea Parkins on accordion, and Mary Halvorson on guitar. The latter four had experience in avant jazz. The album reimagines rather than recreates Nina Simone's songs. It was released on Graveface Records on December 3, 2013.
Nina received a "generally favorable" score of 65 (out of 100) from the ratings aggregator Metacritic. Nate Chinen from The New York Times described the album as accentuating Simone's "spooky, unsettling side". He adds that Stewart's vocals add to the "psychodrama" in "Four Women" and "the wildness" in "Wild Is the Wild". Chinen thought the art rock Nina Simone covers field was already crowded before Nina. Heather Phares of AllMusic considered Stewart's stylistic choices "provocative" and the album Stewart's "most avant-garde ... in years". She added that the album considered the "more progressive aspects" of Simone's music. Kyle Fowle of Slant Magazine thought the album to be Xiu Xiu's "most ambitious ... in years". He thought Stewart's vocal style was out of place on "Don't Explain" and "Just Say I Love Him". Billy Hamilton of Under the Radar wrote that Simone would approve of the album. Mark Richardson of Pitchfork noted a mystical connection between Xiu Xiu and Simone as artists who perform raw emotions, but described the album as a "wasted opportunity" and "weirdly conservative". For this, he blamed Stewart's vocals for being "theatrical" and insincere. Richardson praised the album's selection of songs covered.