Nina is the self-titled third studio album by Filipino singer Nina, released in the Philippines on August 23, 2006 by Warner Music. After the success of her cover album Nina Live!, Nina decided to release an all-original studio album as a follow-up. She named the album after herself and stated that she considers it to be "self-titled," because she believes it showcases her true self as an artist. The album recaptures the sound of her first two albums, but only bigger and broader in terms of genre. It consists mostly of "toned-down" songs that were sung in a "soft, near-whispery volume." The project marked the first time that she worked with Jim Baluyut as the new executive of the label. The production also featured international songwriters Walter Afanasieff, Matthew Gerrard and Harvey Mason, Jr.
The idea of recording an all-original album came up when Nyoy Volante wrote two ballad love songs for Nina. She called the songs "beautiful and inspiring," that she ended up recording an album of original songs. She also described Volante to be "very instrumental" in the direction they took for the album. Another reason on why the label departed from the Nina Live! concept is that they did not feel it is right to give the fans two cover albums in a row. Instead, they did the opposite—an all-original studio album which showcases Nina's more delicate, "chill-out" sound—leaving a part of her diva persona behind. The album was originally scheduled to be released in the summer of 2006, but was moved due to conflict with her scheduled concerts in the United States.
Reik is the debut eponymous album from Mexican pop group Reik, released on May 24, 2005 through Sony Music. The album features the singles "Yo Quisiera", "Qué Vida La Mía", "Noviembre Sin Ti", "Niña" and "Levemente". The song "Noviembre Sin Ti" is also featured on the compilation album Now Esto Es Musica! Latino, while "Levemente" is featured on Now Esto Es Musica! Latino 2.
Nina, o sia La pazza per amore (Nina, or the Girl Driven Mad by Love) is an opera, described as a commedia in prosa ed in verso per musica, in two acts by Giovanni Paisiello to an Italian libretto by Giambattista (also Giovanni Battista) Lorenzi after Giuseppe Carpani's translation of Benoît-Joseph Marsollier's Nina, ou La folle par amour, set by Nicolas Dalayrac in 1786.
The work is a sentimental comedy with set numbers, recitative and spoken dialog. It is set in Italy in the 18th century.
Nina was first performed in a one act version at the Teatro del Reale Sito di Belvedere in Caserta, San Leucio on 25 June 1789. A revised two-act work was presented at the Teatro dei Fiorentini in Naples in the autumn of 1790.
Nina is a Nina Simone tribute album recorded by Xiu Xiu. It was released on Graveface Records on December 3, 2013 to generally favorable reviews.
The idea for the album came while Jamie Stewart was on tour with Swans.Nina was recorded in a day. The album features Jamie Stewart's voice, Ches Smith on drums, Tim Berne and Tony Malaby on saxophones, Andrea Parkins on accordion, and Mary Halvorson on guitar. The latter four had experience in avant jazz. The album reimagines rather than recreates Nina Simone's songs. It was released on Graveface Records on December 3, 2013.
Nina received a "generally favorable" score of 65 (out of 100) from the ratings aggregator Metacritic. Nate Chinen from The New York Times described the album as accentuating Simone's "spooky, unsettling side". He adds that Stewart's vocals add to the "psychodrama" in "Four Women" and "the wildness" in "Wild Is the Wild". Chinen thought the art rock Nina Simone covers field was already crowded before Nina. Heather Phares of AllMusic considered Stewart's stylistic choices "provocative" and the album Stewart's "most avant-garde ... in years". She added that the album considered the "more progressive aspects" of Simone's music. Kyle Fowle of Slant Magazine thought the album to be Xiu Xiu's "most ambitious ... in years". He thought Stewart's vocal style was out of place on "Don't Explain" and "Just Say I Love Him". Billy Hamilton of Under the Radar wrote that Simone would approve of the album. Mark Richardson of Pitchfork noted a mystical connection between Xiu Xiu and Simone as artists who perform raw emotions, but described the album as a "wasted opportunity" and "weirdly conservative". For this, he blamed Stewart's vocals for being "theatrical" and insincere. Richardson praised the album's selection of songs covered.