Time zone

A time zone is a region that observes a uniform standard time for legal, commercial, and social purposes. Time zones tend to follow the boundaries of countries and their subdivisions because it is convenient for areas in close commercial or other communication to keep the same time.

Most of the time zones on land are offset from Coordinated Universal Time (UTC) by a whole number of hours (UTC−12 to UTC+14), but a few are offset by 30 or 45 minutes (for example Newfoundland Standard Time is UTC−03:30, Nepal Standard Time is UTC+05:45, and Indian Standard Time is UTC+05:30). Some higher latitude countries use daylight saving time for part of the year, typically by changing clocks by an hour. Many land time zones are skewed toward the west of the corresponding nautical time zones. This also creates a permanent daylight saving time effect.

History

Early timekeeping

Before clocks were first invented, it was common practice to mark the time of day with apparent solar time (also called "true" solar time) – for example, the time on a sundial – which was typically different for every settlement.

Time zone (disambiguation)

A time zone is a region of the Earth that has adopted the same standard time.

Time zone can also refer to:

Time zones can also refer to:

Time Zone (video game)

Time Zone is a multi-disk graphical adventure game written and directed by Roberta Williams for the Apple II. Developed in 1981 and released in 1982 by On-Line Systems (later Sierra Entertainment), the game was shipped with six double-sided floppy disks and contained 1,500 areas (screens) to explore along with 39 scenarios to solve. Produced at a time when most games rarely took up more than one side of a floppy, Time Zone is one of the very first games of this magnitude ever released for home computer systems.

Gameplay

Time Zone allows players to travel through time and across the globe solving puzzles while meeting famous historical figures such as Benjamin Franklin, Cleopatra, and Julius Caesar. The game has static pictures and a text parser that understands two-word commands.

Development

The game used the company's existing Hi-Res Adventure engine. Roberta Williams was the designer and writer, a process that took six months, and about ten other people—the first example of the modern video game-development model in which programmers, artists, and designers are separate people in a team larger than a few people—worked on the game for a year. Each of the more than 1,300 locations had its own artwork. The company hoped to release Time Zone before Christmas 1981, but did not do so until March 1982.

Night

Night or nighttime (sp. night-time or night time) is the period of time between the sunset and the sunrise when the Sun is below the horizon.

This occurs after dusk. The opposite of night is day (or "daytime" to distinguish it from "day" as used for a 24-hour period). The start and end points of time of a night vary based on factors such as season, latitude, longitude and timezone.

At any given time, one side of the planet Earth is bathed in light from the Sun (the daytime) and the other side of the Earth is in the shadow caused by the Earth blocking the light of the sun. This shadow is called the umbra. Natural illumination is still provided by a combination of moonlight, planetary light, starlight, diffuse zodiacal light, gegenschein, and airglow. In some circumstances, bioluminescence, aurorae, and lightning can provide some illumination. The glow provided by artificial illumination is sometimes referred to as light pollution because it can interfere with observational astronomy and ecosystems.

The Time: Night

The Time: Night (Russian: Время ночь) is a novella by Russian author Lyudmila Petrushevskaya. It was originally published in Russian in the literary journal Novy Mir in 1992 and translated into English by Sally Laird in 1994. In 1992 it was shortlisted for the Russian Booker Prize.

Plot Summary

The Time: Night follows the struggles of the matriarchal Anna Andrionova as she holds together an emotionally unstable and financially decrepit family in early . Writing in first-person, Petrushevskaya presents the novella as a manuscript Anna's family finds after her death, and into which she poured the frustration and sheer power of her parenthood. Anna's struggles throughout to reconcile her intense love for her family with their parasitic lifestyles. The opening pages introduce Anna's daughter, Alyona, through a brief stolen segment of her diary, unveiling her chronic promiscuity and destructive incompetence. Alyona's rambunctious toddler, Tima, for whom Anna shows riveting affection aion, accompanies his grandmother during his mother's escapades. Anna's ex-convict son Andrei makes intermittent appearances at her communal apartment, looking for food and booze money. As the manuscript progresses, Petrushevskaya reveals the pitiful and terminal condition of Anna's mother in a mental hospital, and another illegitimate child of Alyona's. The narrative concludes with Alyona fleeing the apartment with her children in the night, after the death of Anna's mother.

Night Time (album)

Night Time is the fifth studio album by English post-punk band Killing Joke. It was released in March 1985, through record label E.G.

Release

Night Time was released in March 1985 by record label E.G. It was an international hit, reaching number 11 in the United Kingdom, number 8 in New Zealand and number 50 in Sweden.

The album was remastered and reissued in 2008, with nine bonus tracks. The bonus tracks include the non-album single "A New Day", three remixes and four tracks from a 1984 Kid Jensen BBC radio session.

Reception

In his retrospective review, Ned Raggett of AllMusic opines that the album finds the band's music "caught between their earlier aggression and a calmer, more immediately accessible approach. This turned out to be the band's Achilles heel in the end, with later albums in the '80s evidence that the group had turned into an unbelievably boring, generic modern rock band. At this point, however, the tension between the two sides had a perfect balance, and as a result, Night Time is arguably the quartet's freshest album since its debut, with a warm, anthemic quality now supplementing the blasting, driving approach that made the band's name". Adrian Begrand of PopMatters opined that, with the album, the band "perfected" their "balance between antagonism and accessibility" and that "the band are simply on fire on this record".