To be announced (TBA), to be confirmed (TBC), and to be determined (or to be decided, TBD) are placeholder terms used very broadly in event planning to indicate that although something is scheduled or expected to happen, a particular aspect of that remains to be arranged or confirmed.
These phrases are similar, but may be used for different degrees of indeterminacy:
Other similar phrases sometimes used to convey the same meaning, and using the same abbreviations, include "to be ascertained", "to be arranged", "to be advised", "to be adjudicated", "to be done", "to be decided", and "to be declared".
Use of the abbreviation "TBA" is formally reported in a reference work at least as early as 1955, and "TBD" is similarly reported as early as 1967.
TBC (styled as tbc), are a Christian girl band who were launched by Innervation Trust in 2004, as a "flagship" girl band alongside their brother band Thebandwithnoname. Innervation Trust is a Christian charity that exists to recruit and resource schools teams, dubbed "Collectives", each dedicated to a major city in the UK. Innervation Trust is the product of Mark Pennells and Zarc Porter, a songwriter/producer partnership also credited with writing most of the music for, and co-founding, the World Wide Message Tribe. After 7 years of promoting the Collective bands throughout every region of the UK, they were replaced by the primary school project, Pop Connection. This has since been replaced by iSingPOP. iSingPOP works in primary schools and will spend a week teaching all the children a number of songs (usually 7) as a choir and the next week will perform these songs in their local church or activity hall/centre with an audience. They also have a recording day to make their very own album.
Matt Schwartz (born 26 October 1971) is an Israeli-British multi-instrumentalist record producer a songwriter, an artist, DJ, and a prolific audio engineer based in London. He has contributed to numerous records since 1995 as an engineer, producer, composer, musician and a songwriter, working with all the UK major record labels, he also had several club chart toppers and a few top 10 chart and airplay charts records in the UK, US and Europe as an artist.
Born in Israel, Schwartz came to London in the early 90's. Schwartz enrolled at Kingston University, and a year later began working at the Hit-House in Hammersmith between 1994–5 with the likes of Farley Jack Master Funk, Dirty Rotten Scoundrels, Matt Jam and Carl Brown, plus many more while producing records with James F. Reynolds.
Schwartz worked at BeatFarm studios in 1996-8, making hundreds of records with the likes of Massive Attack,Mica Paris,Arthur Baker, Sara J, Tall Paul,Wamdue Project,JTQ and a host of others while developing unsigned bands and making his own records.
Night is the period in which the sun is below the horizon.
Night or Nights may also refer to:
Nyx (English /ˈnɪks/;Ancient Greek: Νύξ, "Night";Latin: Nox) is the Greek goddess (or personification) of the night. A shadowy figure, Nyx stood at or near the beginning of creation, and mothered other personified deities such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). Her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty, that she is feared by Zeus himself.
In Hesiod's Theogony, Nyx is born of Chaos. With Erebus (Darkness), Nyx gives birth to Aether (Brightness) and Hemera (Day). Later, on her own, Nyx gives birth to Moros (Doom, Destiny), Ker (Destruction, Death), Thanatos (Death), Hypnos (Sleep), the Oneiroi (Dreams), Momus (Blame), Oizys (Pain, Distress), the Hesperides, the Moirai (Fates), the Keres, Nemesis (Indignation, Retribution), Apate (Deceit), Philotes (Friendship), Geras (Old Age), and Eris (Strife).
In his description of Tartarus, Hesiod locates there the home of Nyx, and the homes of her children Hypnos and Thanatos. Hesiod says further that Nyx's daughter Hemera (Day) left Tartarus just as Nyx (Night) entered it; continuing cyclicly, when Hemera returned, Nyx left. This mirrors the portrayal of Ratri (night) in the Rigveda, where she works in close cooperation but also tension with her sister Ushas (dawn).
Night (1960) is a work by Elie Wiesel about his experience with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–45, at the height of the Holocaust toward the end of the Second World War. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about the death of God and his own increasing disgust with humanity, reflected in the inversion of the parent–child relationship as his father declines to a helpless state and Wiesel becomes his resentful teenage caregiver. "If only I could get rid of this dead weight ... Immediately I felt ashamed of myself, ashamed forever." In Night everything is inverted, every value destroyed. "Here there are no fathers, no brothers, no friends," a Kapo tells him. "Everyone lives and dies for himself alone."
Wiesel was 16 when Buchenwald was liberated by the United States Army in April 1945, too late for his father, who died after a beating while Wiesel lay silently on the bunk above for fear of being beaten too. He moved to Paris after the war, and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign ("And the World Remained Silent"). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night.
I'm not too big on parties
Never know what to say
And everywhere I stand
I seem to be in somebody's way
Well, I don't mind conversation
Or a friendly chat
But to stand alone in a crowded room
I'm not too big on that
Not too big on
Too big on that, no
I'm not too big on dancin'
To somebody else's tune
Fill your head
As if it were some hot air balloon
Till you're too big for your britches
Too big for your hat
Till your own mother don't recognize you
I'm not too big on that
Not too big on
Too big on that, no
Havin' a hard time sleepin' sound
Believe it or not
Havin' a hard time keepin' it down
All this food for thought
I'm not too big on talkin'
If my mind ain't worked it out
Best to have people think you're dumb
Than to speak and remove all doubt
And I've no plans
To be wearing out your 'Welcome' mat
For you know I'd never want to make you sorry
I'm not too big on that
Not too big on, too big on that, no
Too big on, too big on that, no
Not too big on, not too big on that
Not too big on, not too big on that
Not too big on, not too big on that