Sinë (definite Albanian form: Sina), is a small village in the Dibër County, in Albania. At the 2015 local government reform it became part of the municipality Dibër.
Pal Kastrioti (fl. 1383—1407) was given the village of Sina (Signa) as a fief by Zetan lord Balša II. Pal's son, Konstantin, was the lord of Serina (Sina, or Cerüja).
Sin: A Novel, also known as Sins, is a 1973 politico-historical novel written by Filipino National Artist F. Sionil José. This particular work of literature features the History of the Philippines, for the most part spanning the twentieth century, through the eyes of the “amoral” Don Carlos Corbello, a wealthy patriarch also known by the moniker “C.C.”.
Being a part of that era, Corbello reaps most of what he sowed when he was already on his “deathbed”. During this time, Corbello recalled the loves of his life, those that he had lost and longed for. A literary account of the “steady degradation” of the Philippines, Sin was described by Pico Iyer of The New York Times Book Review as a book " ... set in the Philippines, this amorality tale shadows a rake's impenitent progress ..."
Allen Gaborro described Sin as the “most controversial” and the “most bohemian” or unconventional among José’s novels because it portrayed the indecencies of Don Carlos Cobello in spite of the characterisation and reputation of Philippine Society as a "highly-conservative" and "predominantly Roman Catholic". The novel is a narrative that challenges the well-established moral codes in the Philippines through the literary use of story lines equipped with “adulterous and incestuous” affairs, a genre that created an “artifice of sexual tension” within the pages of the book. Sin is a work of literature that serves as an “upsetting threat” to the foundations of “traditional Filipino mores” and the “infallibility of fundamental Christianity”, the mainstay of the psyche of the majority and “epistemic and spiritual strength” of many Filipinos. From a larger perspective, José’s Sin is a novel that galvanises the call to “mass consciousness” due to its exposé of “vanity and greed” entrenched in the elite configuration of supremacy and control in countries worldwide.
Sin is the fifth studio recording from Mother Superior and the first of two to be produced by MC5 legend Wayne Kramer.
A tower is a tall structure, taller than it is wide, often by a significant margin. Towers are distinguished from masts by their lack of guy-wires and are therefore, along with tall buildings, self-supporting structures.
Towers are specifically distinguished from "buildings" in that they are not built to be habitable but to serve other functions. The principal function is the use of their height to enable various functions to be achieved including: visibility of other features attached to the tower such clock towers; as part of a larger structure or device to increase the visibility of the surroundings as in a fortified building such as a castle; or as a structural feature as an integral part of a bridge.
Towers can be stand alone structures or be supported by adjacent buildings or can be a feature on top of a large structure or building.
Towers have been used by mankind since prehistoric times. The oldest known may be the circular stone tower in walls of Neolithic Jericho (8000 BC). Some of the earliest towers were ziggurats, which existed in Sumerian architecture since the 4th millennium BC. The most famous ziggurats include the Sumerian Ziggurat of Ur, built the 3rd millennium BC, and the Etemenanki, one of the most famous examples of Babylonian architecture. The latter was built in Babylon during the 2nd millennium BC and was considered the tallest tower of the ancient world.
Tower is the twenty-fifth album by the Finnish experimental rock band Circle. It was recorded in collaboration with Mika Rintala, who appears here under the alias Verde.
Members of Circle have been regular guests on Rintala's albums as Verde, often released on Jussi Lehtisalo's Ektro Records imprint. Here Rintala repays the favour on a collection of six keyboard-led instrumentals, occasionally reminiscent of Bitches Brew era Miles Davis. The tracks' names are the surname of a member of the group, including the sound engineer Tuomas Laurila, with the first letter replaced by a G.
Tower was a slab serif typeface designed by Morris Fuller Benton for American Type Founders, and based upon his earlier design for Stymie, but with straight sides to the round letters emphasizing the vertical appearance. Tower Italic was designed but not cast. In 1936, Tower Bold was started by the same designer, but was instead made into Stymie Bold Condensed.
Tower was digitized as Constructa by Elizabeth Cory Holzman for Font Bureau. Holzman's revival includes a light weight called Constructa Thin and an extra bold called Constructa Black.
In Norse mythology, Nótt (Old Norse "night") is night personified, grandmother of Thor. In both the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson, Nótt is listed as the daughter of a figure by the name of Nörvi (with variant spellings) and is associated with the horse Hrímfaxi, while the Prose Edda features information about Nótt's ancestry, including her three marriages. Nótt's third marriage was to the god Dellingr and this resulted in their son Dagr, the personified day (although some manuscript variations list Jörð as Dellingr's wife and Dagr's mother instead). As a proper noun, the word nótt appears throughout Old Norse literature.
In stanza 24 of the poem Vafþrúðnismál, the god Odin (disguised as "Gagnráðr") asks the jötunn Vafþrúðnir from where the day comes, and the night and its tides. In stanza 25, Vafþrúðnir responds:
In stanza 14 of the Vafþrúðnismál, Odin states that the horse Hrímfaxi "draws every night to the beneficent gods" and that he lets foam from his bit fall every morning, from which dew comes to the valleys. In stanza 30 of the poem Alvíssmál, the god Thor asks the dwarf Alvíss to tell him what night is called in each of the nine worlds, whom "Nórr" birthed. Alvíss responds that night is referred as "night" by mankind, "darkness" by the gods, "the masker" by the mighty Powers, "unlight" by the jötunn, "joy-of-sleep" by the elves, while dwarves call her "dream-Njörun" (meaning "dream-goddess").
I can feel you skin on mine
I smell your body I smell your lust
We play this game of forbidden pleasures
I feel your warm lips on my mouth
We know everything is wrong
But you can't stop touching me
We're diving in a see of lust
I wish this moment will lasts forever
We're praying for salvation
But we can't regret our sins
We're only slaves to our temptation