The ∞ symbol in several typefaces

Infinity (symbol: ) refers to something without any limit, and is a concept relevant in a number of fields, predominantly mathematics and physics. Having a recognizable history in these disciplines reaching back into the time of ancient Greek civilization, the term in the English language derives from Latin infinitas, which is translated as "unboundedness".[1]

In mathematics, "infinity" is often treated as if it were a number (i.e., it counts or measures things: "an infinite number of terms") but it is not the same sort of number as the real numbers. In number systems incorporating infinitesimals, the reciprocal of an infinitesimal is an infinite number, i.e. a number greater than any real number. Georg Cantor formalized many ideas related to infinity and infinite sets during the late 19th and early 20th centuries. In the theory he developed, there are infinite sets of different sizes (called cardinalities).[2] For example, the set of integers is countably infinite, while the set of real numbers is uncountably infinite.

Contents

History [link]

Ancient cultures had various ideas about the nature of infinity. The ancient Indians and Greeks, unable to codify infinity in terms of a formalized mathematical system approached infinity as a philosophical concept.

Early Greek [link]

The earliest attestable accounts of mathematical infinity come from Zeno of Elea (ca. 490 BCE? – ca. 430 BCE?), a pre-Socratic Greek philosopher of southern Italy and member of the Eleatic School founded by Parmenides. Aristotle called him the inventor of the dialectic. He is best known for his paradoxes, which Bertrand Russell has described as "immeasurably subtle and profound".

In accordance with the traditional view of Aristotle, the Hellenistic Greeks generally preferred to distinguish the potential infinity from the actual infinity; for example, instead of saying that there are an infinity of primes, Euclid prefers instead to say that there are more prime numbers than contained in any given collection of prime numbers (Elements, Book IX, Proposition 20).

However, recent readings of the Archimedes Palimpsest have hinted that at least Archimedes had an intuition about actual infinite quantities.

Early Indian [link]

The Isha Upanishad of the Yajurveda (c. 4th to 3rd century BCE?) states that "if you remove a part from infinity or add a part to infinity, still what remains is infinity".

The Indian mathematical text Surya Prajnapti (c. 400 BCE) classifies all numbers into three sets: enumerable, innumerable, and infinite. Each of these was further subdivided into three orders:

  • Enumerable: lowest, intermediate, and highest
  • Innumerable: nearly innumerable, truly innumerable, and innumerably innumerable
  • Infinite: nearly infinite, truly infinite, infinitely infinite

In the Indian work on the theory of sets, two basic types of infinite numbers are distinguished. On both physical and ontological grounds, a distinction was made between asaṃkhyāta ("countless, innumerable") and ananta ("endless, unlimited"), between rigidly bounded and loosely bounded infinities.

Mathematics [link]

Infinity symbol [link]

John Wallis introduced the infinity symbol to mathematical literature.

John Wallis is credited with introducing the infinity symbol, Failed to parse (Missing texvc executable; please see math/README to configure.): \infty , (sometimes called the Lemniscate) in 1655 in his De sectionibus conicis.[3][4] One conjecture about why he chose this symbol is that he derived it from a Roman numeral for 1000 that was in turn derived from the Etruscan numeral for 1000, which looked somewhat like CIƆ and was sometimes used to mean "many." Another conjecture is that he derived it from the Greek letter ω (omega), the last letter in the Greek alphabet.[5]

The infinity symbol is also sometimes depicted as a special variation of the ancient ouroboros snake symbol. The snake is twisted into the horizontal eight configuration while engaged in eating its own tail, a uniquely suitable symbol for endlessness.

The symbol is encoded in Unicode at U+221E infinity (HTML: ∞ ∞) and in LaTeX as \infty.

Also, but less available in fonts, are encoded: U+29DC incomplete infinity (HTML: ⧜ ISOtech entity ⧜), U+29DD tie over infinity (HTML: ⧝) and U+29DE infinity negated with vertical bar (HTML: ⧞) in block Miscellaneous Mathematical Symbols-B.[6]

Calculus [link]

Leibniz, one of the co-inventors of infinitesimal calculus, speculated widely about infinite numbers and their use in mathematics. To Leibniz, both infinitesimals and infinite quantities were ideal entities, not of the same nature as appreciable quantities, but enjoying the same properties.[7][8]

Real analysis [link]

In real analysis, the symbol Failed to parse (Missing texvc executable; please see math/README to configure.): \infty , called "infinity", denotes an unbounded limit. Failed to parse (Missing texvc executable; please see math/README to configure.): x \rightarrow \infty

means that x grows without bound, and Failed to parse (Missing texvc executable; please see math/README to configure.): x \to -\infty
means the value of x is decreasing without bound. If f(t) ≥ 0 for every t, then
  • Failed to parse (Missing texvc executable; please see math/README to configure.): \int_{a}^{b} \, f(t)\ dt \ = \infty
means that f(t) does not bound a finite area from Failed to parse (Missing texvc executable; please see math/README to configure.): a
to Failed to parse (Missing texvc executable; please see math/README to configure.): b
  • Failed to parse (Missing texvc executable; please see math/README to configure.): \int_{-\infty}^{\infty} \, f(t)\ dt \ = \infty
means that the area under f(t) is infinite.
  • Failed to parse (Missing texvc executable; please see math/README to configure.): \int_{-\infty}^{\infty} \, f(t)\ dt \ = a
means that the total area under f(t) is finite, and equals Failed to parse (Missing texvc executable; please see math/README to configure.): a


Infinity is also used to describe infinite series:

  • Failed to parse (Missing texvc executable; please see math/README to configure.): \sum_{i=0}^{\infty} \, f(i) = a
means that the sum of the infinite series converges to some real value Failed to parse (Missing texvc executable; please see math/README to configure.): a

.

  • Failed to parse (Missing texvc executable; please see math/README to configure.): \sum_{i=0}^{\infty} \, f(i) = \infty
means that the sum of the infinite series diverges in the specific sense that the partial sums grow without bound.

Infinity is often used not only to define a limit but as a value in the affinely extended real number system. Points labeled Failed to parse (Missing texvc executable; please see math/README to configure.): +\infty

and Failed to parse (Missing texvc executable; please see math/README to configure.): -\infty
can be added to the topological space of the real numbers, producing the two-point compactification of the real numbers. Adding algebraic properties to this gives us the extended real numbers. We can also treat Failed to parse (Missing texvc executable; please see math/README to configure.): +\infty
and Failed to parse (Missing texvc executable; please see math/README to configure.): -\infty
as the same, leading to the one-point compactification of the real numbers, which is the real projective line. Projective geometry also introduces a line at infinity in plane geometry, and so forth for higher dimensions.

Complex analysis [link]

As in real analysis, in complex analysis the symbol Failed to parse (Missing texvc executable; please see math/README to configure.): \infty , called "infinity", denotes an unsigned infinite limit. Failed to parse (Missing texvc executable; please see math/README to configure.): x \rightarrow \infty

means that the magnitude Failed to parse (Missing texvc executable; please see math/README to configure.): |x|
of x grows beyond any assigned value. A point labeled Failed to parse (Missing texvc executable; please see math/README to configure.): \infty
 can be added to the complex plane as a topological space giving the one-point compactification of the complex plane. When this is done, the resulting space is a one-dimensional complex manifold, or Riemann surface, called the extended complex plane or the Riemann sphere. Arithmetic operations similar to those given below for the extended real numbers can also be defined, though there is no distinction in the signs (therefore one exception is that infinity cannot be added to itself). On the other hand, this kind of infinity enables division by zero, namely Failed to parse (Missing texvc executable; please see math/README to configure.): z/0 = \infty
for any nonzero complex number z. In this context it is often useful to consider meromorphic functions as maps into the Riemann sphere taking the value of Failed to parse (Missing texvc executable; please see math/README to configure.): \infty
at the poles. The domain of a complex-valued function may be extended to include the point at infinity as well. One important example of such functions is the group of Möbius transformations.

Nonstandard analysis [link]

The original formulation of infinitesimal calculus by Isaac Newton and Gottfried Leibniz used infinitesimal quantities. In the twentieth century, it was shown that this treatment could be put on a rigorous footing through various logical systems, including smooth infinitesimal analysis and nonstandard analysis. In the latter, infinitesimals are invertible, and their inverses are infinite numbers. The infinities in this sense are part of a hyperreal field; there is no equivalence between them as with the Cantorian transfinites. For example, if H is an infinite number, then H + H = 2H and H + 1 are distinct infinite numbers. This approach to non-standard calculus is fully developed in Howard Jerome Keisler's book (see below).

Set theory [link]

A different form of "infinity" are the ordinal and cardinal infinities of set theory. Georg Cantor developed a system of transfinite numbers, in which the first transfinite cardinal is aleph-null Failed to parse (Missing texvc executable; please see math/README to configure.): (\aleph_0) , the cardinality of the set of natural numbers. This modern mathematical conception of the quantitative infinite developed in the late nineteenth century from work by Cantor, Gottlob Frege, Richard Dedekind and others, using the idea of collections, or sets.

Dedekind's approach was essentially to adopt the idea of one-to-one correspondence as a standard for comparing the size of sets, and to reject the view of Galileo (which derived from Euclid) that the whole cannot be the same size as the part. An infinite set can simply be defined as one having the same size as at least one of its proper parts; this notion of infinity is called Dedekind infinite.

Cantor defined two kinds of infinite numbers: ordinal numbers and cardinal numbers. Ordinal numbers may be identified with well-ordered sets, or counting carried on to any stopping point, including points after an infinite number have already been counted. Generalizing finite and the ordinary infinite sequences which are maps from the positive integers leads to mappings from ordinal numbers, and transfinite sequences. Cardinal numbers define the size of sets, meaning how many members they contain, and can be standardized by choosing the first ordinal number of a certain size to represent the cardinal number of that size. The smallest ordinal infinity is that of the positive integers, and any set which has the cardinality of the integers is countably infinite. If a set is too large to be put in one to one correspondence with the positive integers, it is called uncountable. Cantor's views prevailed and modern mathematics accepts actual infinity. Certain extended number systems, such as the hyperreal numbers, incorporate the ordinary (finite) numbers and infinite numbers of different sizes.

Cardinality of the continuum [link]

One of Cantor's most important results was that the cardinality of the continuum Failed to parse (Missing texvc executable; please see math/README to configure.): \mathbf c

is greater than that of the natural numbers Failed to parse (Missing texvc executable; please see math/README to configure.): {\aleph_0}
that is, there are more real numbers R than natural numbers N. Namely, Cantor showed that Failed to parse (Missing texvc executable; please see math/README to configure.): \mathbf{c} = 2^{\aleph_0} > {\aleph_0}
(see Cantor's diagonal argument or Cantor's first uncountability proof).

The continuum hypothesis states that there is no cardinal number between the cardinality of the reals and the cardinality of the natural numbers, that is, Failed to parse (Missing texvc executable; please see math/README to configure.): \mathbf{c} = \aleph_1 = \beth_1

 (see Beth one). However, this hypothesis can neither be proved nor disproved within the widely accepted Zermelo-Fraenkel set theory, even assuming the Axiom of Choice.

Cardinal arithmetic can be used to show not only that the number of points in a real number line is equal to the number of points in any segment of that line, but that this is equal to the number of points on a plane and, indeed, in any finite-dimensional space.

The first three steps of a fractal construction whose limit is a space-filling curve, showing that there are as many points in a one-dimensional line as in a two-dimensional square.

The first of these results is apparent by considering, for instance, the tangent function, which provides a one-to-one correspondence between the interval (−π/2, π/2) and R (see also Hilbert's paradox of the Grand Hotel). The second result was proved by Cantor in 1878, but only became intuitively apparent in 1890, when Giuseppe Peano introduced the space-filling curves, curved lines that twist and turn enough to fill the whole of any square, or cube, or hypercube, or finite-dimensional space. These curves can be used to define a one-to-one correspondence between the points in the side of a square and those in the square.

Geometry and topology [link]

Infinite-dimensional spaces are widely used in geometry and topology, particularly as classifying spaces, notably Eilenberg−MacLane spaces. Common examples are the infinite-dimensional complex projective space K(Z,2) and the infinite-dimensional real projective space K(Z/2Z,1).

Fractals [link]

The structure of a fractal object is reiterated in its magnifications. Fractals can be magnified indefinitely without losing their structure and becoming "smooth"; they have infinite perimeters—some with infinite, and others with finite surface areas. One such fractal curve with an infinite perimeter and finite surface area is the Koch snowflake.

Mathematics without infinity [link]

Leopold Kronecker was skeptical of the notion of infinity and how his fellow mathematicians were using it in 1870s and 1880s. This skepticism was developed in the philosophy of mathematics called finitism, an extreme form of the philosophical and mathematical schools of constructivism and intuitionism.[9]

Physics [link]

In physics, approximations of real numbers are used for continuous measurements and natural numbers are used for discrete measurements (i.e. counting). It is therefore assumed by physicists that no measurable quantity could have an infinite value,[citation needed] for instance by taking an infinite value in an extended real number system, or by requiring the counting of an infinite number of events. It is for example presumed impossible for any body to have infinite mass or infinite energy. Concepts of infinite things such as an infinite plane wave exist, but there are no experimental means to generate them.[citation needed]

Theoretical applications of physical infinity [link]

The practice of refusing infinite values for measurable quantities does not come from a priori or ideological motivations, but rather from more methodological and pragmatic motivations.[citation needed] One of the needs of any physical and scientific theory is to give usable formulas that correspond to or at least approximate reality. As an example if any object of infinite gravitational mass were to exist, any usage of the formula to calculate the gravitational force would lead to an infinite result, which would be of no benefit since the result would be always the same regardless of the position and the mass of the other object. The formula would be useful neither to compute the force between two objects of finite mass nor to compute their motions. If an infinite mass object were to exist, any object of finite mass would be attracted with infinite force (and hence acceleration) by the infinite mass object, which is not what we can observe in reality. Sometimes infinite result of a physical quantity may mean that the theory being used to compute the result may be approaching the point where it fails. This may help to indicate the limitations of a theory.

This point of view does not mean that infinity cannot be used in physics. For convenience's sake, calculations, equations, theories and approximations often use infinite series, unbounded functions, etc., and may involve infinite quantities. Physicists however require that the end result be physically meaningful. In quantum field theory infinities arise which need to be interpreted in such a way as to lead to a physically meaningful result, a process called renormalization.

However, there are some theoretical circumstances where the end result is infinity. One example is the singularity in the description of black holes. Some solutions of the equations of the general theory of relativity allow for finite mass distributions of zero size, and thus infinite density. This is an example of what is called a mathematical singularity, or a point where a physical theory breaks down. This does not necessarily mean that physical infinities exist; it may mean simply that the theory is incapable of describing the situation properly. Two other examples occur in inverse-square force laws of the gravitational force equation of Newtonian gravity and Coulomb's law of electrostatics. At r=0 these equations evaluate to infinities.

Cosmology [link]

In 1584, Bruno proposed an unbounded universe in On the Infinite Universe and Worlds: "Innumerable suns exist; innumerable earths revolve around these suns in a manner similar to the way the seven planets revolve around our sun. Living beings inhabit these worlds."

Cosmologists have long sought to discover whether infinity exists in our physical universe: Are there an infinite number of stars? Does the universe have infinite volume? Does space "go on forever"? This is an open question of cosmology. Note that the question of being infinite is logically separate from the question of having boundaries. The two-dimensional surface of the Earth, for example, is finite, yet has no edge. By travelling in a straight line one will eventually return to the exact spot one started from. The universe, at least in principle, might have a similar topology; if one travelled in a straight line through the universe perhaps one would eventually revisit one's starting point.

If, on the other hand, the universe were not curved like a sphere but had a flat topology, it could be both unbounded and infinite. The curvature of the universe can be measured through multipole moments in the spectrum of the cosmic background radiation. As to date, analysis of the radiation patterns recorded by the WMAP spacecraft hints that the universe has a flat topology. This would be consistent with an infinite physical universe. The Planck spacecraft launched in 2009 is expected to record the cosmic background radiation with 10 times higher precision, and will give more insight into the question of whether the universe is infinite or not.

Logic [link]

In logic an infinite regress argument is "a distinctively philosophical kind of argument purporting to show that a thesis is defective because it generates an infinite series when either (form A) no such series exists or (form B) were it to exist, the thesis would lack the role (e.g., of justification) that it is supposed to play."[10]

Computing [link]

The IEEE floating-point standard specifies positive and negative infinity values; these can be the result of arithmetic overflow, division by zero, or other exceptional operations.

Some programming languages (for example, J and UNITY) specify greatest and least elements, i.e. values that compare (respectively) greater than or less than all other values. These may also be termed top and bottom, or plus infinity and minus infinity; they are useful as sentinel values in algorithms involving sorting, searching or windowing. In languages that do not have greatest and least elements, but do allow overloading of relational operators, it is possible to create greatest and least elements.

Arts and cognitive sciences [link]

Perspective artwork utilizes the concept of imaginary vanishing points, or points at infinity, located at an infinite distance from the observer. This allows artists to create paintings that realistically render space, distances, and forms.[11] Artist M. C. Escher is specifically known for employing the concept of infinity in his work in this and other ways.

From the perspective of cognitive scientists George Lakoff, concepts of infinity in mathematics and the sciences are metaphors, based on what they term the Basic Metaphor of Infinity (BMI), namely the ever-increasing sequence <1,2,3,...>.

See also [link]

References [link]

Notes [link]

  1. ^ etymonline Retrieved 2012-03-06
  2. ^ Gowers, Timothy; Barrow-Green, June; Leader, Imre (2008). The Princeton Companion to Mathematics. Princeton University Press. p. 616. ISBN 0-691-11880-9. https://books.google.com/books?id=LmEZMyinoecC. , Extract of page 616
  3. ^ Scott, Joseph Frederick (1981), The mathematical work of John Wallis, D.D., F.R.S., (1616-1703) (2 ed.), AMS Bookstore, p. 24, ISBN 0-8284-0314-7, https://books.google.com/books?id=XX9PKytw8g8C , Chapter 1, page 24
  4. ^ COLOG-88: International Conference on Computer Logic Tallinn, USSR, December 12–16, 1988: proceedings, Springer, 1990, p. 147, ISBN 3-540-52335-9, https://books.google.com/books?id=nfnGohZvXDQC , page 147
  5. ^ The History of Mathematical Symbols, By Douglas Weaver, Mathematics Coordinator, Taperoo High School with the assistance of Anthony D. Smith, Computing Studies teacher, Taperoo High School.
  6. ^ Unicode chart (odf)
  7. ^ Continuity and Infinitesimals entry by John Lane Bell in the Stanford Encyclopedia of Philosophy
  8. ^ Jesseph, Douglas Michael (1998). "Leibniz on the Foundations of the Calculus: The Question of the Reality of Infinitesimal Magnitudes". Perspectives on Science 6 (1&2): 6–40. ISSN 1063-6145. OCLC 42413222. Archived from the original on 16 February 2010. https://www.webcitation.org/5nZWht6FE. Retrieved 16 February 2010. 
  9. ^ Kline, Morris (1972). Mathematical Thought from Ancient to Modern Times. New York: Oxford University Press. pp. 1197–1198. ISBN 0-19-506135-7. 
  10. ^ Cambridge Dictionary of Philosophy, Second Edition, p. 429
  11. ^ Kline, Morris (1985). Mathematics for the nonmathematician. Courier Dover Publications. p. 229. ISBN 0-486-24823-2. https://books.google.com/books?id=f-e0bro-0FUC&pg=PA229. , Section 10-7, p. 229

Bibliography [link]

External links [link]


https://wn.com/Infinity

Ghetto Concept

Ghetto Concept is a Canadian hip-hop duo from Toronto, Ontario, composed of Kwajo Cinqo and Dolo. Infinite, who is currently a solo artist, is a former member of Ghetto Concept.

History

Kwajo Cinqo (Kwajo Boateng) and Dolo (Lowell Frazier) formed Ghetto Concept in 1989, hailing from the Rexdale and Lawrence Heights neighbourhoods of Toronto. Their first single "Certified" was released in 1993, by independent label Groove-a-Lot Records. In 1995, they released "E-Z On Tha Motion", which introduced their newest member, Infinite (Desmond Francis). The group won Juno Awards in 1995 and 1996 for "Certified" and "E-Z On Tha Motion", respectively.

In 1995, Infinite left Ghetto Concept. Before he left, Ghetto Concept recorded a tribute to his brother entitled "Much Love", and it was released as a single and video in 1996. Infinite re-emerged as a solo artist in 1997, with the Juno-nominated track "Gotta Get Mine", featuring Divine Brown. Between 1997 and 1999, he released five singles, each of which were accompanied by a music video. In 1998, he released an EP, entitled 360 Degrees, which featured his previous singles. In 1999, he won a MuchMusic Video Award for "Take a Look". That year, he contributed three songs to the Street Fighter III: 3rd Strike game soundtrack. He also made an appearance in the film In Too Deep.

Infinite (band)

Infinite (Korean: 인피니트) is a South Korean boy band formed in 2010 by Woollim Entertainment. The group is composed of Sungkyu, Dongwoo, Woohyun, Hoya, Sungyeol, L, and Sungjong. Their mini-album New Challenge sold over 160,000 copies in South Korea alone and was one of the best-selling albums of 2013. Their second full album, Season 2, was released in May 2014.

Career

2010 - 2011: First Invasion, Evolution, Over the Top, and Japanese debut

In 2010, Infinite first appeared in the Mnet reality show "You Are My Oppa." They made their debut on June 9. They performed songs from their first EP First Invasion with the singles "Come Back Again" and "She's Back".

On January 7, 2011, the band returned with the single Before the Dawn (BTD) from their second extended play Evolution.

Their first album Over The Top was released on July 21, 2011 along with the music video of their title track Be Mine (내꺼하자). They received their first music show first place award at M! Countdown on September 1, 2011 and received a "Double Crown" for winning two consecutive #1 places at M! Countdown. Following the success of "Be Mine" Infinite re-released a repackaged album titled Paradise, along with its title track with the same name, on September 26, 2011. On October 9, Infinite came first on Inkigayo for "Paradise." Infinite then won their second trophy with "Paradise" on October 13 on M! Countdown.

Night (disambiguation)

Night is the period in which the sun is below the horizon.

Night or Nights may also refer to:

Literature

  • "Night", poem by Pushkin
  • Night (book), a 1955 book by Elie Wiesel
  • Night, a 1972 novel by Edna O'Brien
  • Night (sketch), a 1969 short play by Harold Pinter
  • Art

  • The Night (painting), a 20th-century painting by German artist Max Beckmann
  • Night (hieroglyph)
  • Night (Michelangelo), a sculpture by Michelangelo
  • Film

  • "Night" (Star Trek: Voyager), a 1998 episode of Star Trek: Voyager
  • Night (1930 film), animated short
  • NIGHT, a 2004 Australian film
  • Games

  • Nights (character), the main character in the video games Nights into Dreams... and Nights: Journey of Dreams
  • Nights into Dreams..., the first game in the series, for the Sega Saturn
  • Nights: Journey of Dreams, the second game in the series, for the Wii console
  • People with the name

  • Candice Night (born 1971), American vocalist/lyricist
  • Nyx

    Nyx (English /ˈnɪks/;Ancient Greek: Νύξ, "Night";Latin: Nox) is the Greek goddess (or personification) of the night. A shadowy figure, Nyx stood at or near the beginning of creation, and mothered other personified deities such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). Her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty, that she is feared by Zeus himself.

    Mythology and literature

    Hesiod

    In Hesiod's Theogony, Nyx is born of Chaos. With Erebus (Darkness), Nyx gives birth to Aether (Brightness) and Hemera (Day). Later, on her own, Nyx gives birth to Moros (Doom, Destiny), Ker (Destruction, Death), Thanatos (Death), Hypnos (Sleep), the Oneiroi (Dreams), Momus (Blame), Oizys (Pain, Distress), the Hesperides, the Moirai (Fates), the Keres, Nemesis (Indignation, Retribution), Apate (Deceit), Philotes (Friendship), Geras (Old Age), and Eris (Strife).

    In his description of Tartarus, Hesiod locates there the home of Nyx, and the homes of her children Hypnos and Thanatos. Hesiod says further that Nyx's daughter Hemera (Day) left Tartarus just as Nyx (Night) entered it; continuing cyclicly, when Hemera returned, Nyx left. This mirrors the portrayal of Ratri (night) in the Rigveda, where she works in close cooperation but also tension with her sister Ushas (dawn).

    Night (book)

    Night (1960) is a work by Elie Wiesel about his experience with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–45, at the height of the Holocaust toward the end of the Second World War. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about the death of God and his own increasing disgust with humanity, reflected in the inversion of the parent–child relationship as his father declines to a helpless state and Wiesel becomes his resentful teenage caregiver. "If only I could get rid of this dead weight ... Immediately I felt ashamed of myself, ashamed forever." In Night everything is inverted, every value destroyed. "Here there are no fathers, no brothers, no friends," a Kapo tells him. "Everyone lives and dies for himself alone."

    Wiesel was 16 when Buchenwald was liberated by the United States Army in April 1945, too late for his father, who died after a beating while Wiesel lay silently on the bunk above for fear of being beaten too. He moved to Paris after the war, and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign ("And the World Remained Silent"). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night.

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