Paul C
File:Paul C.jpg
Background information
Birth name Paul C. McKasty
Born (1964-09-20)September 20, 1964
Origin NYC, New York, United States
Died July 17, 1989(1989-07-17) (aged 24)
Genres Hip hop, East Coast hip hop, Pop rock
Occupations Record producer
Instruments Keyboards, turntables, synthesizer, drum machine, bass guitar
Years active 1985–1989
Associated acts Ultramagnetic MC's, Organized Konfusion, Eric B. & Rakim, Mikey D & the L.A. Posse, The Mandolindley Road Show

Paul C. McKasty (September 20, 1964 – July 17, 1989), better known as Paul C, was an East coast hip hop producer and engineer in the 1980s. McKasty was of Irish descent.[1]

Contents

Work [link]

McKasty began his musical career as a bassist of the pop rock band the Mandolindley Road Show.[2] After the group disbanded, Paul joined the hip hop group Mikey D & the L.A. Posse.[3] He began working as a producer and engineer for numerous hip-hop acts. Paul C's best-known work is on Ultramagnetic MC's 1988 classic debut album Critical Beatdown[1] and the non-album singles the group released between 1988 and 1989. He has only one credit as a producer on the album, for the track "Give the Drummer Some," but according to group member Ced Gee[citation needed], Paul C was responsible for the overall sound of the album. Paul preferred to work without contracts, so he often did not receive credit for his production work.[1]

Paul C also worked for many other artists including Grandmaster Caz, Super Lover Cee & Casanova Rud, Stezo, and Rahzel. He also served as a mentor of Large Professor in the use of the E-mu SP-1200[citation needed]. He overheard a recording session of a new local group named Simply Too Positive and offered to produce its entire demo. Simply Too Positive eventually became Organized Konfusion and its demo created a major buzz around the group.[1]

Paul C's status began to grow and he was hired to work for higher-profile artists. He produced tracks for Eric B. & Rakim's Let the Rhythm Hit 'Em. He was planning on producing more songs for the group and also for Queen Latifah, Biz Markie, and Large Professor's group Main Source.

Death [link]

However, in 1989, Paul C was shot to death in Rosedale, Queens, at the age of 24. His murder was featured on America's Most Wanted[1] leading to the arrest of Derrick "Little Shine" Blair, who was later released due to lack of evidence.[4] The case has yet to be solved.

Legacy [link]

Despite his short career, Paul C left a lasting legacy on hip-hop music.[1]

His protégé Large Professor took over production duties on much of the music Paul was working on before his death. 'Large Pro' went on to become a well-known producer and emcee. Large Pro's publishing company is named Paul Sea Productions in honor of his late mentor.[1][5] Other hip hop producers such as Domingo,[6] Pete Rock, and Cut Chemist cite Paul C as an influence. Kool Keith, Pharoahe Monch, and Rahzel credit Paul C with helping them to grow as artists.[1]

A picture of Paul C appears in the liner notes of Let the Rhythm Hit 'Em and the album is dedicated to his memory (though his name is not listed in the production credits). The liner notes of Main Source's debut album Breaking Atoms includes the inscription Paul C Lives. On Organized Konfusion's debut single "Fudge Pudge," the duo gives a shout-out that says, "Paul C to the organisms!"[1] Critical Beatdown was re-released in 2004 with the non-album singles that Paul produced as bonus tracks. In 2006, an unreleased album by Mikey D & the L.A. Posse was released under the title Better Late Than Never: In Memory Of Paul C.[7]

References [link]

External links [link]


https://wn.com/Paul_C

Never Too Much

Never Too Much may refer to:

  • Never Too Much (album), a 1981 album by Luther Vandross
  • "Never Too Much" (song), a 1981 song by Vandross
  • Never Too Much (album)

    Never Too Much is the debut solo album by American singer-songwriter Luther Vandross, released on August 12, 1981 (see 1981 in music). It peaked at number nineteen on the Billboard 200 (then known as Pop Albums), peaked at #1 on the R&B Albums chart, and went double platinum by the RIAA. The album earned Vandross two Grammy Award nominations in 1982—"Best New Artist" and "Best R&B Vocal Performance, Male".

    The album's title track topped the Black Singles chart for two weeks. Also, his rendition of Dionne Warwick's 1964 "A House Is Not a Home" became one his signature songs, while it received attention for its transformation into an "epic" since its duration was extended to seven minutes.

    Track listing

    All songs written by Luther Vandross; except "A House Is Not a Home" written by Burt Bacharach and Hal David

    Personnel

    • As listed at allmusic
  • As listed at allmusic
  • Luther Vandross: lead and background vocals
  • Tawatha Agee, Phillip Ballou, Michelle Cobbs, Cissy Houston, Yvonne Lewis, Sybil Thomas, Fonzi Thornton, Brenda King and Norma Jean Wright: background vocals
  • Never Too Much (song)

    "Never Too Much" is a song performed by Luther Vandross. The disco-oriented song was released in 1981, as the lead single from the album of the same name. The title track hit number one on the soul singles chart and peaked at number thirty-three on the Billboard Hot 100.

    The album (Vandross's first as a solo artist) was popular, although it failed to sell in large numbers initially. Sales were boosted by his other chart successes and, eventually, by his death. A remixed version of the song reached No.13 on the UK singles chart in November 1989.

    The single is also included on his later album Luther Vandross - The Ultimate, which was released in 2001. The single was released alongside a music video in which he is shown singing in a recording studio.

    The song was used in the soundtrack for the Rockstar Games title Grand Theft Auto: Vice City on the in-game radio station Emotion 98.3.

    The song, sans vocals, was sampled by Will Smith (a.k.a. The Fresh Prince) in "Can't Wait To Be With You" on his 1993 hit album Code Red. Smith also used the vocal melody and lyrics from the song's chorus in "1,000 Kisses" on his 2002 album Born to Reign.

    Podcasts:

    Paul C

    ALBUMS

    Paul C

    ALBUMS

    PLAYLIST TIME:

    Never Too Much

    by: Aj Tabaldo

    (by Luther Vandross)
    I can't fool myself, I don't want nobody else to ever love me
    You are my shinin' star, my guiding light, my love fantasy
    There's not a minute, hour, day or night that I don't love you
    You're at the top of my list 'cause I'm always thinkin' of you
    I still remember in the days when I scared to touch you
    How I spent my day dreamin' plannin' how to say I love you
    You must have known that I had feelings deep enough to swim in
    That's when you opened up your heart and you told me to come in
    Oh, my love
    A thousand kisses from you is never too much
    I just don't wanna stop
    Oh, my love
    A million days in your arms is never too much
    I just don't wanna stop
    Too much, never too much, never too much, never too much
    Woke up today, looked at your picture just to get me started
    I called you up, but you weren't there and I was broken hearted
    Hung up the phone, can't be too late, the boss is so demandin'
    Opened the door up and to my surprise there you were standin'
    Well, who needs to go to work to hustle for another dollar
    I'd rather be with you 'cause you make my heart scream and holler
    Love is a gamble and I'm so glad that I'm winnin'
    We've come a long way and yet this is only the beginnin'
    Oh, my love
    A thousand kisses from you is never too much
    (Never too much, never too much, never too much)
    I just don't wanna stop
    Oh, my love
    A million days in your arms is never too much
    (Never too much, never too much, never too much)
    And I just don't wanna stop
    Oh, my love
    A thousand kisses from you is never
    (Never too much, never too much, never too much)
    I just don't wanna stop
    Oh, my love




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