Again may refer to:
Again is the fifth extended play by South Korean girl group T-ara, released on October 10, 2013 by Core Contents Media. It was the first album released after member Lee Areum left the group, and the first to feature the original six-member line-up since T-ara's debut.
On October 6, 2013, T-ara announced the impending release of double lead singles to promote their upcoming EP, Again. The album was released digitally on October 10, including the singles "Number 9" (넘버나인) and "Because I Know" (느낌 아니까; Neukkim Anikka) and their music videos. "Number 9" is an electro-pop dance song with sad lyrics and melody. It was choreographed by Yama & Hotchicks, who also choreographed "Bo Peep Bo Peep". "Because I Know" is a mid-tempo song with an acoustic feel.
A repackaged edition of the EP, Again 1977, was released on December 4, 2013. It contains two new songs, "Again 1977" and "Do You Know Me", a remake of Sand Pebbles' 1977 hit, "What Should I Do". The EP was repackaged and digitally re-released again, on December 14, 2013, as White Winter with two Christmas songs, "Hide and Seek" and "Middle of Winter Hide and Seek".
MX is a Brazilian thrash metal band, formed in the early 1980s in São Paulo. Its name comes from the American ICBM MX missile. Mx was one of the most important bands from the Brazilian thrash metal scene during the late 1980s. The band's sound is closer to the Bay Area thrash scene than the Brazilian scene, although many of the vocals were death metal grunts. However, some of its later work was fitting as post thrash.
MX was the opening act in Brazil for Testament in 1989 and Exodus in 1997.
The band released two studio albums during its heyday, Simoniacal in 1988 and Mental Slavery in 1990, on the defunct label Fucker.
Shortly after the release of Mental Slavery, the band split up, but reformed in 1997, releasing the EP Again in that year and the album Last File in 1999. The band split up again shortly after.
The band reformed for a second time in 2005, planning to tour and to release a new studio album. The first two albums have been re-released under the Marquee Records label.
Call may refer to:
A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare.
In round dance a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points. In northern New England contra dancing, the caller is also known as the prompter.
Callers and cuers serve slightly different functions in different types of dance. Improvisation in modern Western square dance calling distinguishes it from the calling in many other types of dance.
Callers in many dance types are expected to sing and to be entertaining, but round dance cuers do not sing and are expected to be as unobtrusive as possible.
Standardized dances such as round dance, modern Western square dance, and Salsa Rueda consist of a number of defined difficulty levels. Callers and cuers are responsible for knowing all of the calls or cues (respectively), also known as figures, for the defined difficulty level at which their dancers are dancing, as well as all figures belonging to lower or easier levels.
In the game of poker, the play largely centers on the act of betting, and as such, a protocol has been developed to speed up play, lessen confusion, and increase security while playing. Different games are played using different types of bets, and small variations in etiquette exist between cardrooms, but for the most part the following rules and protocol are observed by the majority of poker players.
Players in a poker game act in turn, in clockwise rotation (acting out of turn can negatively affect other players). When it is a player's turn to act, the first verbal declaration or action she takes binds her to her choice of action; this rule prevents a player from changing her action after seeing how other players react to her initial, verbal action.
Until the first bet is made each player in turn may "check," which is to not place a bet, or "open," which is to make the first bet. After the first bet each player may "fold," which is to drop out of the hand losing any bets they have already made; "call," which is to match the highest bet so far made; or "raise," which is to increase the previous high bet.
"Bitch" is the second single from Sevendust's self-titled debut album. The song peaked at #30 on the Billboard Mainstream Rock charts. "Bitch" was included on the Best of (Chapter One 1997-2004) album. The song also featured in 2000 action film Mrs. Death 2: Hells Fury.
I can't go anywhere
Without feeling strange
I can't see anyone
Everything has changed
'Cause every time I close my eyes
It's you again, you again
And every time I hear your voice
I don't know what to do with myself
You, you, you
Tum time, valentine
Waiting for my chance
Easy chat up lines
But do you dare to dance?
'Cause every time I close my eyes
It's you again, you again
And every time I hear your voice
I don't know what to do with myself
You, you, you
Don't know what to do with myself
You, you, you
Don't know what to do with myself
Die, apart or die
Die, am I
Die, apart or die
Do I for my
'Cause every time I close my eyes
It's you again, you again
And every time I hear your voice
I don't know what to do with myself
Don't know what to do with myself
I don't know what to do with myself