Neo-Burlesque, or New Burlesque, is the revival and updating of the traditional American burlesque performance. Though based on the traditional Burlesque art, the new form encompasses a wider range of performance styles; neo-burlesque acts can range from anything from classic striptease to modern dance to theatrical mini-dramas to comedic mayhem. As with the earlier burlesque, neo-burlesque is more focused on the "tease" rather than the "strip" in "striptease".
Burlesque as a sensation was brought to America from Britain in the late 1860s by Lydia Thompson and her British Blondes, a troupe who spoofed traditional theatrical productions and featured ladies performing men's roles, in costumes considered revealing for the time period. American burlesque soon assimilated music hall, minstrel shows, striptease, comedy and cabaret styles to evolve from the follies of the twenties and thirties to the girlie shows of the 40s and 50s, which eventually gave way to the modern strip club. The striptease element of burlesque became subject to extensive local legislation, leading to a theatrical form that titillated without falling foul of censors.
Neo is a prefix from the ancient Greek word for young, neos (νέος).
Neo may refer to:
The Neo were a fictional race of superhumans in the Marvel Comics Universe, created by Chris Claremont. Before facing global extinction, the Neo were another of Earth's races, apparently a very ancient one that prefer to live in seclusion. They appear to be a subspecies of mutants, but much more powerful. This is seen in the way they call mutants "spikes", as if they didn't even register on the Neo's power scales.
Their existence was kept hidden for millennia as they had chosen a solitary life in their own community. They prospered until the day the High Evolutionary activated his machines (from an orbital space station) that switched off all mutant genes. Worldwide all mutants lost their powers and become baseline humans. The Neo suffered many casualties. Among the dead was the daughter of Domina and Hunter, the leaders of one of Neo's Warclan. They swear revenge on whoever is responsible.
The Neo engaged in fighting the X-Men, who have no intention of letting them destroy the world. It was the Neo who sabotaged the High Evolutionary's space station, who destroyed 17 of Mister Sinister's bases, and who hunted down the mutants hidden by Charles Xavier in NYC. They are all top-notch fighters, and can withstand significant punishment before going down. They are also quite technologically advanced.
Neo (or .NET Entity Objects) is an object-relational mapping (ORM) solution for the Microsoft .NET platform. It is open source software that is distributed freely by its author, Erik Dörnenburg of ThoughtWorks. It provides a framework for mapping an object-oriented domain model to a traditional relational database. It is released under the GNU LGPL 2.1
Burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery.
Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics. Contrasting examples of literary burlesque are Alexander Pope's The Rape of the Lock and Samuel Butler's Hudibras. An example of musical burlesque is Richard Strauss's 1890 Burleske for piano and orchestra. Examples of theatrical burlesques include W. S. Gilbert's Robert the Devil and the A. C. Torr – Meyer Lutz shows, including Ruy Blas and the Blasé Roué.
Burlesque is a classic musical or theatrical entertainment of parodic humour.
Burlesque may also refer to:
Burlesque: Seriously Good Music is a compilation album of eclectic and quirky contemporary burlesque and neo-burlesque performers from around the world, released in 2007. It was assembled by CM Murphy, manager of INXS and founder of Petrol Records. The album was released on compact disc by Petrol and EMI America Records with liner notes by Deborah Niski. Original, naughty, sometimes freaky and frequently funny—not just for tassel teasing but good for a party and flicking the feather duster around the house.
In 2006–2007, Petrol Records released a series of eleven albums in the Seriously Good Music series. Each album focuses on a specific genre or subgenre: Bollywood, bossa nova, burlesque, Celtic music, cocktail, Gypsy music, Latin music, lounge music, reggae, salsa music (and a second salsa album). The Burlesque collection is generally regarded as the best in the series.