"The Kill"
File:30 Seconds to Mars - The Kill.jpg
Single by 30 Seconds to Mars
from the album A Beautiful Lie
Released January 24, 2006 (2006-01-24)
Format Compact Disc
Recorded 2004
Genre Post-hardcore, alternative rock
Length 3:51
Label Immortal, Virgin
Writer(s) Jared Leto
Producer Josh Abraham, 30 Seconds to Mars
30 Seconds to Mars singles chronology
"Attack"
(2005)
"The Kill"
(2006)
"From Yesterday"
(2006)
Music video
"The Kill (Bury Me)" on YouTube
"The Kill (Rebirth)"
Artwork for the UK version of the single.
Artwork for the UK version of the single.
Music sample

"The Kill" (written along with the subtitle "Bury Me" in parenthesis on its single release, and with "Rebirth" on the remix's single released in the UK) is a song by 30 Seconds to Mars, the song was released as the second single from their second album, A Beautiful Lie. On May 2, 2010, the song was performed featuring Chino Moreno from Deftones.

Contents

Overview [link]

Jared Leto described the meaning of the song as, "It's really about a relationship with yourself. It's about confronting your fear and confronting the truth about who you are." He has also said it is about "confrontation as a crossroads" — coming face-to-face with who you really are.[1] In September 2007, "The Kill" was re-released again in the UK. It is currently available as a Compact Disc with a A Beautiful Lie poster and two stickers, and a special limited edition 7" vinyl version. The song is played in 6/8 time.

Music video [link]

The video is an homage to the Stanley Kubrick's 1980 film The Shining based on the Stephen King novel. Several scenes are based on the film, such as when Shannon Leto enters Room 6277 and encounters the woman in the bathroom and another when Matt Wachter is served drinks at the bar by doppelgänger apparition. The video culminates in an elegant ballroom in the same manner as the photo at the end of the film. At 2:07, the papers that Jared Leto has been typing are briefly made visible and the words on them appear to read, over and over, "This is who I really am." This is another allusion to The Shining, in which Jack Torrance types up pages and pages of the same line, "All work and no play makes Jack a dull boy", over and over in the same sense.

As for the cinematography, Jared Leto adopted the split screen visual from working with Darren Aronofsky in Requiem for a Dream.

The haunted room number is changed from 237 to 6277 in the video because it spells out "Mars" on a telephone keypad. The number also makes an appearance in the video for "From Yesterday".

File:30 Seconds To Mars The Kill Music Video.png
Scenes from the music video - top: Jared Leto confronting himself. Bottom: The band perform the song to the 1920s-themed audience.

The music video was selected as the second best video of 2006, falling short only to "Savin' Me" by Nickelback.[citation needed] It was voted the 2nd greatest of the 21st century on Scuzz TV.[citation needed]It was also selected as the greatest rock video ever in the Kerrang Rock 100 on 27th June 2009.[2]

Also, it is shown at 2:58, a negative of what appears to be a woman's corpse standing in a hall way, displayed on the screen very briefly. This image also reappears by flashing rapidly from 3:19 to 3:59. However, on YouTube, the official version of the video doesn't show the corpse as a negative, but rather in its raw form, with blood. This may be to emphasize the song title because she looks as though she was only killed recently.

When the press release info for "The Kill" video was released, Jared stated that the video was directed by an albino Danish man named Bartholomew Cubbins. This was intended as a joke as Cubbins is the main character of the Dr. Seuss book The 500 Hats of Bartholomew Cubbins, however airings of the video on music channels still list Cubbins as the director. Bartholomew Cubbins has remained Jared Leto's alias for directing 30 Seconds to Mars' videos (with the exception of the video for A Beautiful Lie). The hotel scenes in the video were filmed at The Carlu in Toronto, Ontario.[3]

Plot [link]

The music video features the band exploring a hotel which they are care-taking. At the start, Jared Leto states that they have the hotel all to themselves for three days; although, later on, after the first chorus, it comes on the screen saying "One Week Later", before showing the pages saying "This is who I really am". In the extended version of the video, the other band members complain that they have been at the hotel longer than expected and have canceled shows because of Jared's peculiar behavior, explaining the discrepancy.

A letter from the hotel owner tells the band to "Enjoy your stay and please stay out of Room 6277." Shannon Leto does not heed the warning and opens Room 6277. Following the opening of the door, each band member begins to experience the effects of the room opening throughout the hotel. Each member experiences the effects differently, but one thing remains constant for each individual – they encounter a version of themselves dressed in a 20's style tuxedo with tails. Several other apparitions then take up residence in the hotel, dispelling the promise Jared made in the beginning of the video that the band will have the hotel all to themselves and that "there's not gonna be a single fucking soul". The video reaches its climax when Tomo encounters himself in bed with a man in a bear suit (another Shining reference), and immediately the band dressed in tuxedos are shown performing the song in the hotel's ballroom in front of a crowd of twins, dressed like the roaring 1920's, dancing with themselves. The theme of duplicity resonates throughout the video.

Track listing [link]

Standard
  1. "The Kill (Bury Me)" – 3:52
  2. "Attack" (live at CBGB, July 2006) – 4:06
  3. "The Kill (Bury Me)" (acoustic, live on VH1) – 3:48
UK release
  1. "The Kill (Rebirth)" – 3:52
  2. "The Kill (Rebirth)" (acoustic, live on VH1) – 3:48
UK re-release
  1. "The Kill (Rebirth)" – 3:52
  2. "Was It a Dream?" (iTunes live session) – 3:46

Chart positions [link]

  • The song broke a record on Billboard's Modern Rock Tracks chart by remaining on the chart for 52 weeks.;[4][5][6] oddly enough, however, the song never made it to the top spot, peaking at #3. Their next single, "From Yesterday", would be their first to reach the top, but spent less time on the charts than "The Kill".
Chart (2006-2007) Peak
position
Australia (ARIA) 20
Canada (Nielsen SoundScan) 1
Czech Republic (IFPI)[7] 46
Europe (Eurochart Hot 100) 10
New Zealand (RIANZ) 22
United Kingdom (The Official Charts Company) 28
U.S. Billboard Hot 100 65
U.S. Billboard Mainstream Rock Tracks 14
U.S. Billboard Modern Rock Tracks 3

Accolades [link]

Publication Country Accolade Year Rank
AOL Radio United States "Top Alternative Songs of the Decade - 2000s"[8] 2009 1

Awards [link]

In popular culture [link]

  • The song is featured as one of the themes of The Invisible, and a live music video is included on the DVD releases, as well as the song being part of the soundtrack.
  • Many times the band Allie Night has accomplished covers live. Separately as their lead singer, Alexandra Garcia, made covers.
  • The song is featured in the January 21, 2007 Without a Trace episode, "Primed".
  • During the 2007 MTV Movie Awards, "The Kill" was played as the background music of the nomination screen for the film 300, which was nominated for the Best Movie award.
  • The song was featured in the October 25, 2007 episode of the television show Hollyoaks.
  • The song is available as downloadable content for Rock Band.[9]
  • The song is featured in Guitar Hero World Tour.
  • There's also another version of the music with the collaboration of Brazilian singer Pitty, that was only released in Brazil.
  • The song is used by the International Luge Federation for their TV live introductions.

Personnel [link]

References [link]


https://wn.com/The_Kill

The Kill (disambiguation)

The Kill may refer to:

  • "The Kill", a track by the U.S. band Thirty Seconds to Mars
  • "The Kill" (Joy Division song), a track by the U.K. band Joy Division
  • La Curée, a French language novel by Émile Zola
  • See also

  • Kill (disambiguation)
  • The Kills (disambiguation)
  • La Curée

    La Curée (1871–72; English: The Kill) is the 2nd novel in Émile Zola's 20-volume series Les Rougon-Macquart. It deals with property speculation and the lives of the extremely wealthy Nouveau riche of the Second French Empire, against the backdrop of Baron Haussmann's reconstruction of Paris in the 1850s and 1860s.

    Vastly different from its predecessor and prequel La Fortune des Rougon, La Curée, the portion of the game thrown to the dogs after a hunt, usually translated as The Kill - is a character study of three personalities: Aristide Rougon (renamed "Saccard")--the youngest son of the ruthless and calculating peasant Pierre Rougon and the bourgeois Félicité (by whom he is much spoiled), both of them Bonapartistes and consumed by a desire for wealth, Aristide's young second wife Renée (his first dying not long after their move from provincial Plassans to Paris) and Maxime, Aristide's foppish son from his first marriage.

    Plot summary

    The book opens with scenes of astonishing opulence, beginning with Renée and Maxime lazing in a luxurious horse-drawn carriage, very slowly leaving a Parisian park (the Bois de Boulogne) in the 19th century-equivalent of a traffic jam. It is made clear very early on that these are staggeringly wealthy characters not subject to the cares faced by the public; they arrive at their mansion and spend hours being dressed by their servants prior to hosting a banquet attended by some of the richest people in Paris. There seems to be almost no continuity between this scene and the end of the previous novel, until the second chapter begins and Zola reveals that this opulent scene takes place almost fourteen years later. Zola then rewinds time to pick up the story practically minutes after La Fortune des Rougon ended.

    Podcasts:

    PLAYLIST TIME:

    The Kill

    by: Fugazi

    born into race and nation
    accept family and obligation
    i'm not a citizen i'm not a citizen
    embrace tradition and occupation
    cull memory for assimilation
    secure for future generations
    secure for future generations
    i'm not a citizen i'm not a citizen
    laying in this cold field
    waiting for the call
    feeling right here in this uniform
    i think i got them all
    academic or street education obtain degree in annihilation
    i'm not a citizen i'm not a citizen
    laying down in chambers waiting for the call
    seen your kind so many times you got no chance at all
    laid out immobile




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