Indian aesthetics
Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically.
Rasa theory
Introduction
Of particular concern to Indian drama and literature are the term 'bhAva' or the state of mind and rasa (Sanskrit रस lit. 'juice' or 'essence') referring generally to the emotional flavors/essence crafted into the work by the writer and relished by a 'sensitive spectator' or sahṛdaya or one with positive taste and mind. Rasas are created by bhavas. They are described by Bharata Muni in the Nātyasāstra, an ancient work of dramatic theory.
Although the concept of rasa is fundamental to many forms of Indian art including dance, music, musical theatre, cinema and literature, the treatment, interpretation, usage and actual performance of a particular rasa differs greatly between different styles and schools of abhinaya, and the huge regional differences even within one style.
Experience of rasa (rasAnubhava)
A rasa is the developed relishable state of a permanent mood, which is called sthAyI bhAva. This development towards a relishable state results by the interplay on it of attendant emotional conditions which are called Vibhavas, anubhAvas and sancharI/ vyAbhichArI bhavas. The production of aesthetic rasa from bhAvas is analogous to the production of tastes/juices of kinds from food with condiments, curries, pastes and spices. This is explained by the quote below:
Rasas
Rasas (Arabic: رساس, also spelled Rsas) is a village in southern Syria, administratively part of the al-Suwayda Governorate, located south of al-Suwayda. Nearby localities include 'Ara to the southwest, Sahwat Bilata to the east, al-Ruha to the northeast and Umm Walad to the west. According to the Syria Central Bureau of Statistics (CBS), Rasas had a population of 3,332 in the 2004 census.
History
In 1596 Rasas appeared in the Ottoman tax registers under the name of Irsas (diz nazd Kafr), being part of the nahiya of Badi Nasiyya in the Qada of Hauran. It had an entirely Muslim population consisting of 20 households and 10 bachelors. They paid a fixed tax-rate of 40% on agricultural products, including wheat, barley, summer crops, goats and bee-hives; a total of 3,880 akçe. Part of the income (8 out of 24 parts) went to a Waqf.
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