Naturalism (horse)

Naturalism (foaled 1988) was a New Zealand-bred Australian-trained Thoroughbred racehorse.

Background

Naturalism was a bay gelding sired by Palace Music, a Kentucky-bred, French-trained racehorse who won the Champion Stakes in 1984. At stud, he was best known as the sire of the American champion Cigar. Naturalism was purchased as a yearling for A$35,000 by Anthony Freedman.

Racing career

Naturalism's wins included three Group One races.

According to the Freedman brothers website, Lee Freedman rated Naturalism was one of the five best horses he ever trained. The website also says that "Probably his greatest performance was his second in the Japan Cup, as he wasn't really a 2400m horse."

References

Horse

The horse (Equus ferus caballus) is one of two extant subspecies of Equus ferus. It is an odd-toed ungulate mammal belonging to the taxonomic family Equidae. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, Hyracotherium, into the large, single-toed animal of today. Humans began to domesticate horses around 4000 BC, and their domestication is believed to have been widespread by 3000 BC. Horses in the subspecies caballus are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, as this term is used to describe horses that have never been domesticated, such as the endangered Przewalski's horse, a separate subspecies, and the only remaining true wild horse. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior.

Horses' anatomy enables them to make use of speed to escape predators and they have a well-developed sense of balance and a strong fight-or-flight response. Related to this need to flee from predators in the wild is an unusual trait: horses are able to sleep both standing up and lying down. Female horses, called mares, carry their young for approximately 11 months, and a young horse, called a foal, can stand and run shortly following birth. Most domesticated horses begin training under saddle or in harness between the ages of two and four. They reach full adult development by age five, and have an average lifespan of between 25 and 30 years.

Horse (disambiguation)

A horse is a hoofed mammal of the species Equus ferus caballus.

Horse or Horses may also refer to:

Animals

Arts and entertainment

Horse (1941 film)

Uma (馬, also known as Horse) is a 1941 black-and-white Japanese film directed by Kajiro Yamamoto and starring Hideko Takamine, whom Yamamoto had directed in his film Composition Class (Tsuzurikata Kyōshitsu) three years before. Uma was actually completed by assistant director Akira Kurosawa. It follows the story of Ine Onoda, the eldest daughter of a poor family of farmers, who raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.

Overview

The film is a tale about a young girl and the colt she raises from its birth. But it is also about the struggle of farmers existing on the edge of poverty. Akira Kurosawa is credited as the film's production coordinator, which is equivalent to first assistant director. But Kurosawa's signature is all over this work and is the last film he was to work on as an assistant before starting his own directing career. The film took three years to plan and a year to film. Kajiro Yamamoto had to commute to the far mountainous location but had to turn his attention to his money making comedies in Tokyo and so he left production in the hands of his assistant, Kurosawa.

Naturalism (literature)

Naturalism was a mainly unorganized literary movement that sought to depict believable everyday reality, as opposed to such movements as Romanticism or Surrealism, in which subjects may receive highly symbolic, idealistic or even supernatural treatment.

Background

Naturalism was an outgrowth of literary realism, a prominent literary movement in mid-19th-century France and elsewhere. Naturalistic writers were influenced by Charles Darwin's theory of evolution. They often believed that one's heredity and social environment largely determine one's character. Whereas realism seeks only to describe subjects as they really are, naturalism also attempts to determine "scientifically" the underlying forces (e.g. the environment or heredity) influencing the actions of its subjects. Naturalistic works often include uncouth or sordid subject matter; for example, Émile Zola's works had a frankness about sexuality along with a pervasive pessimism. Thomas Hardy can also be grouped under the umbrella of naturalism, because of his realistic outlook on life evidenced in novels such as Tess of the D'Urbervilles. Naturalistic works exposed the dark harshness of life, including poverty, racism, violence, prejudice, disease, corruption, prostitution, and filth. As a result, naturalistic writers were frequently criticized for focusing too much on human vice and misery.

Naturalism (theatre)

Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies.

Interest in naturalism especially flourished with the French playwrights of the time, but the most successful example is Strindberg’s play, Miss Julie, which was written with the intention to abide by the theories both his own particular version of naturalism, and also the version described by the French novelist and literary theoretician, Émile Zola.

Zola’s term for naturalism is la nouvelle formule. The three primary principles of naturalism (faire vrai, faire grand and faire simple) are first, that the play should be realistic, and the result of a careful study of human behavior and psychology. The characters should be flesh and blood; their motivations and actions should be grounded in their heredity and environment. The presentation of a naturalistic play, in terms of the setting and performances, should be realistic and not flamboyant or theatrical. The single setting of Miss Julie, for example, is a kitchen. Second, the conflicts in the play should be issues of meaningful, life-altering significance — not small or petty. And third, the play should be simple — not cluttered with complicated sub-plots or lengthy expositions.