Natalie Anne Merchant (born October 26, 1963) is an American singer-songwriter and musician. She joined the alternative rock band 10,000 Maniacs in 1981 and left it to begin her solo career in 1993.
Natalie Merchant was born October 26, 1963, in Jamestown, New York, the third of four children of Anthony and Ann Merchant. Her paternal grandfather, who played the accordion, mandolin and guitar, emigrated to the United States from Sicily; his surname was "Mercante" before it was Anglicized.
When Merchant was a child, her mother listened to music (primarily Petula Clark but also the Beatles, Al Green, Aretha Franklin) and encouraged her children to study music, but she wouldn't allow TV after Natalie was 12. "I was taken to the symphony a lot because my mother loved classical music. But I was dragged to see Styx when I was 12. We had to drive 100 miles to Buffalo, New York. Someone threw up next to me and people were smoking pot. It was terrifying. I remember Styx had a white piano which rose out of the stage. It was awe-inspiring and inspirational." "She [her mother] had show tunes, she had the soundtrack from West Side Story and South Pacific. And then eventually... she'd always liked classical music and then she married a jazz musician, so that's the kind of music I was into. I never really had friends who sat around and listened to the stereo and said 'hey, listen to this one', so I'd never even heard of who Bob Dylan was until I was 18." During 1988–1989, Natalie claimed she still didn't have a TV: "I grew up in a house where no one watched the news on television and no one read the paper. I've been discovering these things as I get older, and the news has affected me more than it ever has before."
Natalie Merchant is the eponymous sixth studio album by American singer-songwriter Natalie Merchant, released on May 6, 2014 by Nonesuch Records. It is her first studio album consisting of all original material since Motherland (2001).
I found this photograph
Underneath broken picture glass
Tender face of black & white
Beautiful, a haunting sight
Looked into an angel's smile
Captivated all the while
From her hair and clothes she wore
I'd have placed her in between the wars
Was she willing when she sat
And posed a pretty photograph
To save her flowering and fair
For days to come
For days to share
A big smile for the camera
How did she know
The moment could be lost forever
Forever more
I found this photograph
In stacks between the old joist walls
In a place where time is lost
Lost behind where all things fall
Broken books and calendars,
Letters script in careful hand,
The music to a standard tune by
Some forgotten big brass band
From the thresh hold what's to see
Of our brave new century
Television's just a dream
Of radio and silver screen
A big smile for the camera
How did she know
The moment could be lost forever
Forever more
Was her childhood filled with rhyme
Or stolen books of passion crimes?
Was she innocent or blind to the cruelty of her time?
Was she fearful in her day?
Was she hopeful? did she pray?
Were there skeletons inside
Family secrets sworn to hide?
Did she feel the heat that stirs
The fall from grace of wayward girls?
Was she tempted to pretend
In love and laughter until the end?