Nasty

Nasty may refer to:

In music:

Other uses:

See also

Nasty!

Nasty! is an album by jazz organist Johnny "Hammond" Smith recorded for the Prestige label in 1968. The album is notable as the first recording featuring guitarist John Abercrombie.

Reception

The Allmusic site awarded the album 3 stars stating "in a sense it's run-of-the-mill as far as Prestige late-'60s soul-jazz goes: quite fine grooves, a dependable yet somewhat predictable house sound, and a reliance upon cover versions for much of the material (two-thirds of the songs, in this case). It's solidly executed, though, in a lean fashion that, to its credit, runs counter to the more excessive arrangements that were creeping into soul-jazz around this time".

Track listing

All compositions by Johnny "Hammond" Smith except as indicated

Personnel

Nasty (album)

Nasty is a live album released by the funk/R&B group Cameo in 1996. In addition to the live material, two new studio tracks were included: "Come Fly With Me" and the album's title track, both written by Larry Blackmon. The "Mega-Mix" is a remix of the album's live tracks. The new studio tracks on this release were the only newly written material released by the band for the next five albums.

Track listing

Sham (film)

Sham is a 1921 American silent romantic drama directed by Thomas N. Heffron and starring Ethel Clayton and Theodore Roberts. The film is based on the 1905 play of the same name written by Elmer Harris and Geraldine Bonner, and was adapted for the screen by Douglas Z. Doty.

Plot

Based upon a description in a film publication, Katherine Van Riper (Clayton) is an extravagant young society girl who is very much in debt, and her wealthy aunts and uncle refuse to give her any money. Katherine is desperate enough that she is considering marrying the wealthy Montee Buck (Hiers), although she is in love with the westerner Tom Jaffrey (Fillmore), who says he is poor. Finally, Katherine decides to sell the famous Van Riper pearls, pay off her debts, and marry Tom. However, upon examination the jewelry turns out to be paste, with her father having sold the genuine pearls several years earlier before his death. Montee is assured by the aunts that Katherine will marry him and tells this to Tom. Tom is about to leave town when Uncle James (Ricketts) steps in and pays off Katherine's debts, leaving the niece free to marry Tom.

Sham (play)

Sham is a 1920 one-act stage play by Frank G. Tompkins. Described as A Social Satire, it was about a thief who is caught robbing a couple's home.

Plot

Consisting of four characters, the comedy is set in a room of a house in a wealthy area. A cultured thief is attempting to rob the house, after he has stolen fine art from other houses in the area, but he finds the objects in the house are of poor quality. The owners of the house, Clara and Charles, come home unexpectedly after supposedly being at the theatre (they were actually at a movie). The thief informs them that, if he does not steal something from them, they will be disgraced as people find out their home contains no real fine works.

Television adaptations

The play was adapted various times for early television. Three of these adaptations are documented.

A version aired live on 28 January 1945 on New York City station WABD, later part of the DuMont Television Network. Featuring Frieda Inescort, Melville Cooper, Harvey Stephens, and Charles Williams, it is lost, as methods to record live television were not developed until late 1947.

Bilad al-Sham

Bilad al-Sham (Arabic: بلاد الشام‎, "the country of Syria") was a Rashidun, Umayyad and later Abbasid Caliphate province in the region of Syria. It incorporated former Byzantine territories of the Diocese of the East, organized soon after the Muslim conquest of Syria in the mid-7th century, which was completed at the decisive Battle of Yarmouk.

History

At the time of the Arab conquest under the Rashidun and the subsequent eviction of the region's Byzantine rulers, the Bilad al-Sham (Levant) region had been inhabited mainly by local Aramaic-speaking Monophysite Christian peasants (like the Mardaites) who constituted the bulk of the native population, by Ghassanid and Nabatean Arabs, as well as by non-Monophysite Greek Orthodox Christian minorities called Melchites or Rûm (which in that particular context means "Eastern Roman" or "Byzantine") and by non-Christian minorities of Jews, Samaritans and Ismaelite Itureans. The population of the region did not become predominantly Muslim and Arab in identity until nearly a millennium after the conquest.