NRG Ensemble

NRG Ensemble was an American free jazz ensemble founded in the late 70s by saxophonist/multi-instrumentalist Hal Russell.

The group's personnel was somewhat fluid, but included a core of drummer Steve Hunt, saxophonist Mars Williams, guitarist/trumpeter Brian Sandstrom, and bassist Kent Kessler. Their music kept free jazz alive in Chicago throughout the 80s, when it had largely disappeared from the jazz landscape. Russell was the primary composer, but the other musicians contributed songs as well. Their punning song and album titles (Conserving NRG) reflected the humor that permeated Russell's music.

After Russell's death in 1992, the NRG Ensemble recruited saxophonist Ken Vandermark as a replacement, recording three more albums under the leadership of Williams.

Discography

  • NRG Ensemble (Nessa, 1981)
  • Generation (Nessa, 1982) - with Charles Tyler
  • Conserving NRG (Principally Jazz, 1984)
  • Hal on Earth (Abduction, 1989)
  • The Finnish/Swiss Tour (ECM, 1991)
  • The Hal Russell Story (ECM, 1993)
  • NRG Ensemble (album)

    NRG Ensemble is the debut album by American jazz multi-instrumentalist Hal Russell, which was recorded in 1981 and released on Nessa. It was reissued in 2012 with new artwork and two bonus tracks previously unreleased from a demo tape the band gave to producer Chuck Nessa prior to the sessions.

    Background

    By the time he made his first commercially released LP with the NRG Ensemble in 1981, Hal Russell had already spent the better part of a decade experimenting with different sidemen, formations and instrumentations. This early version of the band included drummer and vibist Steve Hunt, two bassists, Brian Sandstrom and Curt Bley, and reedist Chuck Burdelik, a replacement for the departed Mars Williams, who left the group to tour with rock bands The Waitresses and The Psychedelic Furs. In addition to the drums, vibes, and saxophone, Russell threw in some shenai, cornet, and zither.

    Reception

    The Tiny Mix Tapes review by Clifford Allen says about the 2012 reissue "this wonderfully remastered and augmented early set is indispensable for fans of contemporary improvisation and those who want to hear more of Chicago’s creative music roots."

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