Bettye LaVette | |
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![]() Bettye LaVette, center, at the San Jose Jazz Festival, August, 2009 Photo: Andrew Poupart |
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Background information | |
Birth name | Betty Haskins |
Born | Muskegon, Michigan, United States |
January 29, 1946
Genres | Soul, R&B, blues, funk, rock, country and western |
Occupations | Musician, Songwriter |
Years active | 1962–present |
Labels | Atlantic, Calla, Silver Fox, Atco, Motown, Epic, Charly, Munich, Blues Express, ANTI- |
Website | bettyelavette.com |
Bettye LaVette (born Betty Haskins, January 29, 1946) is an American soul singer-songwriter who made her first record at sixteen, but achieved only intermittent fame until 2005, with her album, I've Got My Own Hell to Raise. Her eclectic musical style combines elements of soul, blues, rock and roll, funk, gospel, and country music.
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LaVette was born in Muskegon, Michigan, and raised in Detroit. Unlike many of her contemporaries, she did not begin singing in the church, but in her parents' living room, singing R&B and country and western music. She was signed by Johnnie Mae Matthews, a local record producer. In 1962, aged sixteen, she recorded a single, "My Man - He's a Lovin' Man", with Matthews, which became a Top Ten R&B hit after Atlantic Records bought distribution rights. This led to a tour with rhythm and blues musicians Clyde McPhatter, Ben E. King, Barbara Lynn, and then-newcomer Otis Redding.
She next hit the charts with “Let Me Down Easy” on Calla in 1965. It is considered by many to be one of the greatest soul recordings of all time. This led to a brief stint with The James Brown Revue.
After recording several 45 rpm singles for local Detroit labels, in 1969 Bettye signed to the Silver Fox label. She cut a handful of tracks, including two Top 40 R&B hits: “He Made A Woman Out Of Me” and “Do Your Duty”. The Memphis studio musicians on these recordings have since become known as The Dixie Flyers.
In 1972, she signed once again with Atlantic/Atco. She was sent to Muscle Shoals Sound Studio in Alabama to record what was to be her first full length album. Titled Child of the Seventies, it was produced by Brad Shapiro and featured the Muscle Shoals Rhythm Section, now known as The Swampers, but Atco chose to not issue the album.
The mid 1970s saw a brief stint and two 45s with Epic, and in 1978 she released the disco smash on West End Records "Doin’ The Best That I Can". In 1982, she was signed by her hometown label, Motown, and sent to Nashville to record. The resulting LP (her first album actually issued), titled Tell Me A Lie, was produced by Steve Buckingham. The first single, “Right In The Middle (Of Falling In Love)” hit the R&B Top 40.
She briefly gave up recording for a six year run in the Broadway smash Bubbling Brown Sugar, appearing alongside both Honi Coles and Cab Calloway.
After LaVette had played her own personal mono recordings of Child of the Seventies for Gilles Petard, a French soul music collector, he requested to look for the master recordings at Atlantic, whose personnel had previously thought they had been lost in a fire some years back.[1] In 1999, he finally discovered the masters and then licensed the album from Atlantic and released it in 2000 as Souvenirs on his Art and Soul label.
At the same time, Let Me Down Easy-Live In Concert, was issued by the Dutch Munich label. Both albums sparked a renewed interest in LaVette and in 2003, A Woman Like Me (produced by Grammy Award winner Dennis Walker) was released. The CD won the 2004 W. C. Handy Award for "Comeback Blues Album of the Year".
After being signed to The Rosebud Agency for live bookings, Rosebud president Mike Kappus brought her to the attention of Anti- Records president, Andy Kaulkin. Upon seeing Bettye perform, Kaulkin signed her to a three record deal. For the first project, he paired her with Grammy Award winning producer Joe Henry, and suggested an album of songs written entirely by women. The resulting CD, "I've Got My Own Hell to Raise", was on many critics’ “Best of 2005” lists. The title is taken from the lyrics of Fiona Apple's 1996 hit "Sleep to Dream", which is covered on the album. (Other notable songwriters on the album were Aimee Mann, Sinéad O'Connor, Lucinda Williams, Joan Armatrading, and Dolly Parton.)[2] The album was released by ANTI- Records and produced by Joe Henry.
In 2006, capitalizing on the success of I've Got My Own Hell To Raise and the reviews of her live shows, Child of the Seventies was reissued by Rhino Handmade with some previously unreleased tracks, which was met with critical acclaim. Varese Sarabande then issued Take Another Little Piece Of My Heart, a CD containing all of the songs that she cut for Silver Fox and SSS International in 1969 and 1970. The CD included 3 unreleased tracks as well as two duets with Hank Ballard.
In 2006, she received a well-deserved “Pioneer Award” from The Rhythm and Blues Foundation.
Her 2007 album, The Scene of the Crime, was mostly recorded at FAME Studios in Muscle Shoals, Alabama with alt-rockers Drive-By Truckers. The Scene of the Crime was nominated for a Grammy Award for "Best Contemporary Blues Album" and landed on numerous "Best of 2007" lists. LaVette talked about her experiences at Muscle Shoals Sound and FAME in an interview conducted by Edd Hurt in September 2007.[3] Rock/alt-country outfit Drive-By Truckers served as the back-up band for the album. Drive-By Truckers frontman, Patterson Hood, produced the album alongside LaVette. The album also features one song co-written by LaVette and Patterson Hood.[2]
In 2008, she received a BMA (Blues Music Award) for “Best Contemporary Female Blues Singer”. 2008 also saw Reel Music re-issue on CD her Motown LP, Tell Me A Lie. The CD contains the original cover design that was not used when the album was released.
In December 2008 at the Kennedy Center Honors, LaVette delivered a rendition of 1973's "Love, Reign o'er Me" in tribute to Roger Daltrey and Pete Townshend of The Who, who were among the year's honorees. The performance was widely considered one of the event's highlights.[4]
On January 18, 2009, she performed a duet at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial on Sam Cooke's 1964 song "A Change Is Gonna Come" with Jon Bon Jovi.
In April 2009, she shared the stage with Sir Paul McCartney and Ringo Starr at Radio City Music Hall for the David Lynch Foundation's "Change Begins Within" benefit concert promoting teaching Transcendental Meditation to children in inner city schools.
2009 saw Sundazed release the album on CD, Do Your Duty, which consisted of her eleven solo tracks cut for Silver Fox and SSS International.
In June 2009 a six song EP, Change Is Gonna Come Sessions, was released as a download only.
In 2010, LaVette released Interpretations: The British Rock Songbook, which included unique arrangements and performances of classic songs by The Beatles, Rolling Stones, Animals, Pink Floyd, and more. Included is the complete, un-edited version of her Kennedy Center Honors performance of the The Who's "Love Reign O'er Me." The CD was critically acclaimed and nominated for a Grammy Award for Best Contemporary Blues Album.
She has appeared on National Public Radio's Mountain Stage, World Cafe, All Things Considered and Wait Wait... Don't Tell Me!. She has appeared in a Mississippi Public Broadcasting series, Blues Divas, and is in a film of the same name, both produced by award winning film maker, Robert Mugge. She has also appeared on Late Night with David Letterman, The Conan O'Brien Show, The Late Late Show with Craig Ferguson, The Tonight Show with Jay Leno, Austin City Limits, "The Today Show, "Good Morning America", and "The Artist's Den".
LaVette is married to Kevin Kiley,[1] a recorded music and antiques dealer who is also a singer and musician. They live in West Orange, New Jersey.[5]
LaVette also joined the 9th and 10th annual Independent Music Awards judging panel to assist independent musicians' careers.[6][7] [8]
My man may refer to:
My Man (1928) is a black and white part-talkie American comedy-drama musical film from Warner Brothers Pictures starring Fannie Brice and Guinn 'Big Boy' Williams The tagline was "FANNIE BRICE (The Female Al Jolson) in the SINGING-TALKING VITAPHONE PICTURE "MY MAN"".
This was Fannie Brice's feature film debut at the age of 37. She was a star in the Ziegfeld Follies before she started acting in motion pictures. At the time this movie was made there were still some silent movies in production and being released. It would not be until 1929 for talking movies to completely take over, but Warner Brothers had completely stopped making silent movies and switched to sound pictures by the end of that year, either part talking or full talking. Warner Brothers would also start making movies in color as well as sound movies.
Fannie Brand, an industrious girl who supports her brother and sister by working in a theatrical costume house, falls in love with Joe Halsey, a young fellow who earns a precarious living demonstrating an elastic exerciser in a drugstore window. Fannie and Joe set a date to be married, but the wedding is called off when Fannie finds Joe making love to her unprincipled sister, Edna. Fannie auditions for Landau, a theatrical producer, and goes on the Broadway stage. Fannie is a great success, and she and Joe soon find their way back into each other's arms.
"Mon Homme" is a popular song known by its English translation, "My Man". The song was originally composed by Jacques Charles, Channing Pollock, Albert Willemetz, and Maurice Yvain.
Although the song originated in France – where it was a hit for Mistinguett in 1916 – it was popularized in the English speaking world in the 1920s with the 1921 recording by Ziegfeld Follies singer Fanny Brice. The song was a hit, and the record eventually earned a Grammy Hall of Fame Award for Brice in 1999.
The ballad version recorded by Brice was modified by Billie Holiday, who introduced a jazz/blues recording of "My Man". Holiday's version was also successful, although the song continued to be associated with Brice. Over the years, other artists from both the United States and abroad covered the song, though none of the artists achieved as much success as Brice and Holiday. One notable version was a 1940s recording by Edith Piaf, the most notable recording of "Mon Homme" in its original language.
I gave you all of my love
But you treated me like a fool
I even gave up right for wrong
Trying, trying to get along with you
When I wanted to hold you close
You were always too tired or you had some place to go
Listen daddy
Walking out that door, telling you goodbye
I can't take it no more
It's your time to cry
Oh, it's your time to cry
Oh, I tried staying with you because of our kids
But you still wouldn't do right
You leave, oh, early in the morning
I wouldn't see you no more till late, late, late at night
Although I still love you I'm afraid this is the end
And I just can't afford to make that same mistake again
Listen daddy
Walking out that door, telling you goodbye
I can't take it no more, I can't take it no more
It's your time to cry
Oh, it's your time to cry