Ahmad Jamal '73
File:Ahmad Jamal '73.jpg
Studio album by Ahmad Jamal
Released 1973
Recorded 1973
Genre Jazz
Length 39:51
Label 20th Century T-417
Producer Ahmad Jamal and Richard Evans
Ahmad Jamal chronology
Outertimeinnerspace
(1972)
Ahmad Jamal '73
(1973)
Jamalca
(1974)
Professional ratings
Review scores
Source Rating
Allmusic 2/5 stars[1]

Ahmad Jamal '73 is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1973 and released on the 20th Century label.[2]

Contents

Reception [link]

The Allmusic review awarded the album 2 stars stating "Ahmad Jamal '73 is an early instance of him playing an instrument besides acoustic piano, but it is a few tracks away from being a necessity".[1]

Track listing [link]

  1. "The World Is a Ghetto" (Papa Dee Allen, Harold Brown, B.B. Dickerson, Lonnie Jordan, Charles Miller, Lee Oskar, Howard E. Scott) - 9:44
  2. "Children of the Night" (Thom Bell, Linda Creed) - 5:04
  3. "Superstition" (Stevie Wonder) - 4:03
  4. "Trilby" (Orlando Murden) - 4:34
  5. "Sustah, Sustah" (Ra Twani Za Yemeni) - 6:44
  6. "Soul Girl" (Joel Beal) - 3:25
  7. "Peace at Last" (Charles Colbert) - 6:17

Personnel [link]

References [link]

  1. ^ a b Elias, J. Allmusic Review accessed May 24, 2012
  2. ^ Ahmad Jamal discography accessed May 24, 2012

https://wn.com/Ahmad_Jamal_'73

Ahmad Jamal

Ahmad Jamal (born Frederick Russell Jones, July 2, 1930) is an American jazz pianist, composer, group leader, and educator. For five decades, he has been one of the most successful small-group leaders in jazz.

Biography

Early life

Jamal was born in Pittsburgh, Pennsylvania. He began playing piano at the age of three, when his uncle Lawrence challenged him to duplicate what he was doing on the piano. Jamal began formal piano training at the age of seven with Mary Cardwell Dawson, whom he describes as greatly influencing him. His Pittsburgh roots have remained an important part of his identity ("Pittsburgh meant everything to me and it still does," he said in 2001) and it was there that he was immersed in the influence of jazz artists such as Earl Hines, Billy Strayhorn, Mary Lou Williams, and Erroll Garner. Jamal also studied with pianist James Miller and began playing piano professionally at the age of fourteen, at which point he was recognized as a "coming great" by the pianist Art Tatum. When asked about his practice habits by a The New York Times critic, Jamal commented that, "I used to practice and practice with the door open, hoping someone would come by and discover me. I was never the practitioner in the sense of twelve hours a day, but I always thought about music. I think about music all the time."

Podcasts:

Ahmad Jamal

ALBUMS

PLAYLIST TIME:

Chamber Music of the New Jazz

by: Ahmad Jamal

I was a stranger in the city
Out of town were the people I knew
I had that feeling of self-pity
What to do, what to do, what to do
The outlook was decidedly blue
But as I walked through the foggy streets alone
It turned out to be the luckiest day I've known
A foggy day, in London town
Had me low, had me down
I viewed the morning, with much alarm
British Museum, had lost its charm
How long I wondered,
Could this thing last
But the age of miracles, hadn't past
For suddenly, I saw you there
And through foggy London town,
The sun was shining everywhere
For suddenly, I saw you there
And through foggy London town,
The sun was shining everywhere
Everywhere
Everywhere
Everywhere




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