SLF are initials that may refer to:
The 2010 Superleague Formula season was the third Superleague Formula championship. The series was rebranded "Superleague Formula by Sonangol", due to a two-year deal that began in the previous season. The first race of the season was on 4 April at Silverstone and it finished on 24 October at Navarra after a series record of 12 race weekends in all.
The series' prize fund was increased to €5 million, with the championship-winning team winning €1 million. Superleague Formula teamed up with The NewsMarket to distribute video content to 25,000 global media outlets in over 190 countries throughout the season. Ex-Formula One and WTCC driver Tiago Monteiro praised Superleague Formula by saying he was "pretty impressed with what they've done so far".
R.S.C. Anderlecht, run under Azerti Motorsport with driver Davide Rigon, were made champions, but only after the last Super Final of the last event of the season. It was R.S.C. Anderlecht's first series title but the second for Rigon, who won the title with Beijing Guoan in 2008.
The 2008 Superleague Formula season was the inaugural Superleague Formula championship. The season started very late in 2008 with the first round being on August 31 at Donington Park. There were six rounds (twelve races) in total with the successful season finale at Circuito Permanente de Jerez on 23 November. In the 18 cars on the grid were established A1GP and GP2 drivers as well as two ex-Formula One race starters, Robert Doornbos and Antônio Pizzonia.
Beijing Guoan, run under former Formula One team Zakspeed with driver Davide Rigon, were eventually crowned the first ever champions at the last event of the season.
While the African continent is vast and its peoples diverse, certain standards of beauty and correctness in artistic expression and physical appearance are held in common among various African societies.
Taken collectively, these values and standards have been characterised as comprising a generally accepted African aesthetic.
In African Art in Motion, African art scholar and Yale professor Robert Farris Thompson turns his attention to cool in both the African and African-American contexts:
Cool & Dre are a team of American record producers and songwriters from North Miami, a suburb of Miami, Florida, consisting of Marcello "Cool" Valenzano and Andre "Dre" Christopher Lyon.
The duo started their own record label, Epidemic Records. They signed a contract with Jive Records in 2003 concerning the distribution of their first artist, Dirtbag.
In August 2010, the duo officially partnered with Cash Money Records. In April 2011, the duo signed a deal with Interscope Records through Cash Money (the first time Cash Money is under another Universal label), also to distribute their label Epidemic Records.
"Cool" is a song by The Time, released as the second single from their eponymous debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, and performed by Prince with Morris Day later adding his lead vocals. The song was co-written with Revolution guitarist Dez Dickerson and contains background vocals by keyboardist Lisa Coleman, however both were uncredited.
The funk-pop relies heavily on synthesizers to provide both the bass and melody for the upbeat song. A guitar solo is present and a relatively simple drumbeat drives the song along. "Cool" sets up the persona created for Day as a wealthy playboy, one who is also popular, and of course, "cool". Day built a career around the persona. Prince's backing vocals are very apparent in the song, especially in the chorus.
The classic video for the song is directed by Chuck Statler, who is best known for directing the early Devo videos.
"Cool" was only issued as a 7" single with an edit of the song and a continuation as the B-side. The full version was only released on the album and on a promo release. One of The Time's more popular numbers, "Cool" is a staple in concert and a live version of the song recorded at the House of Blues in 1998 was included on Morris Day's 2004 album, It's About Time.
Ye-ye-yeah, and it goes, that's my cool and I can't
take it off
[I-I-I'm, far too cool, le-le-let's talk bo-bo-bout
tha-that]
Ye-yeah, and it goes, that's my cool and I can't take
it off
[I-I-I'm, far too cool, le-le-let's talk bo-bo-bout
tha-that]
Throw something to me, feel it in the air
Ca-can't put my finger on, but it's right there, the-
there
Next to the shades, next to the colors of my shoes
And the daters on my waist,
Yeah, ki-kid ain't never seen it like this
No-not the way you look at me it's so electric
Co-co-could have go whenever but I made it fit
Now they're watching my moves, we in to play that shit
Nobody belived it til' I made some crosses
And I ain't never once pulled my pants up on me
Only thing I did was write beats, that's cool
Now everywhere I go people still wanna know
So I keep it on me like it's nothing
They say the kid from Tensta got something
I say I don't know what can that be
The-the-they say the cool is all over me-me-me
Ye-yeah, and it goes, that's my cool and i can't take
it off
[I-I-I'm, far too cool, le-le-let's talk bo-bo-bout
tha-that]
an-an-and it goes, that's my cool and i can't take it
[I-I-I'm, far too cool, le-le-let's talk bo-bo-bout
tha-that]
They keep tellin' me it's in the man, what?
Did you really think I'd think about that? Not at all
A-a-always been this, never been a chaser
Only difference is a dude in the paper
Keep it on my suffer my TV the other day
Annie to the T to the V you get me
Momma look happy in the video you did
Tha-that means more to me than this other shit
I can do whitout a come cool on the subway
Milkshake came expect that money
How you gonna say that this nigga don't shine?
Must not have listen to my words or he lying
But when I said a couple of lines, back up
Di-di-did I say something that you gonna hate
Wh-wh-what? I must have did that really
Am I that cool man you can't even feel me?
Ye-yeah, and it goes, that's my cool and I can't take
it off
[I-I-I'm, far too cool, le-le-let's talk bo-bo-bout
tha-that]
an-an-and it goes, that's my cool and I can't take it
[I-I-I'm, far too cool, le-le-let's talk bo-bo-bout
tha-that]
My-my-my cool
My cool,
My-my-my
So I keep it on me like it's nothing,
They say homie you better stop frontin'
I say I don't know what can that be?
They say the cool is all over me
I-I don't know what it is, gotta be something
They say homie you better stop frontin'
I say I dont know what can that be,
Th-th-they say the cool is all over me-me-me
Ye-ye, and it goes, that's my cool and I can't take it
[I-I-I'm, far too cool, le-le-let's talk bo-bo-bout
tha-that]
Ye-ye-Yeah, and it goes, that's my cool and I can't
take it off
[I-I-I'm, far too cool, le-le-let's talk bo-bo-bout
tha-that]
A-a-and it goes this my cool and i can't take it off
[I-I-I'm, far too cool, le-le-let's talk bo-bo-bout
tha-that]
A-a-a-and it goes, this my cool and I can't take it off
[I-I-I'm, far too cool, le-le-let's talk bo-bo-bout