My Body

My Body may refer to:

My Body (Hadise song)

My Body is an English R&B song by Belgian-Turkish singer Hadise, it was also co-written by Hadise and Yves Jongen. It is the seventh single from Hadise so far and is also the second single from her second studio album Hadise, released June 6, 2008.

The song has been added to Music On Demand by Virgin Media in the UK.

Music video

Hadise shot the video and teamed up with director Senol Korkmaz, who also shot the video for 'Milk Chocolate Girl'. "Eddie Morales", a choreographer and professional dancer, who's worked with artists such as Justin Timberlake, Mariah Carey, Gwen Stefani and Missy Elliott, features in the music video alongside Hadise. Hadise can be seen holding a little crocodile in the video.

Chart performance

"My Body" debuted on the Belgium Ultratop 50 chart, on February 23, at No. 8, the highest debut that week, debuting higher than Kylie Minogue's song In My Arms which debuted at #33. Also Hadise was the Top Belgium artist on the chart that week. "My Body" has already become Hadise's best single by chart position and is her first top 10 single so far. The song became popular in the Balkan countries and started airing on the Bulgarian Balkanika TV's playlist.

Rock 'n' Rave

Rock 'n' Rave is the second studio album of DJ and producer Benny Benassi which was released on 3 June 2008 by Ultra Records.

Track listing

References

External links

Come Inside

Come Inside is a Finnish glam rock, brit pop and indie rock band founded in 1996 at the Alppila Senior High in Helsinki, Finland. Though Sippola writes the band's lyrics in fluent English, the band remains mostly unknown outside of Finland, where they had several top-20 records.

The band comprised Mikko Sippola (vocals), Junnu Alajuuma (guitar), Sampsa Kaukua (guitar), Jotti Taival (bass) and Oskari "Ose" Vilmunen (drums), who first met each other in the aforementioned high school and subsequently decided to form a band. According to their own words, their first-hand contact to music was playing e.g. "Rage Against the Machine, Red Hot Chili Peppers, Hendrix and Stevie Wonder" together.

Later, during the recording sessions for their second album Fearless, guitarist Kaukua left the band and was replaced by Matti Salovaara (guitar). Around the same time, the band's sound was further augmented by Junnu's little brother Ville (keyboards).

First Steps or Chewin' Tobacco Fish Deedle

While the band was recording their first demo tape, they had not yet come to decide upon a name for the band. When asked, they would answer with "Chewin' Tobacco Fish Deedle". Their first demo was recorded in a space provided by their school. As would be obvious from their list of influences, the style and quality of their early material swung wildly: "Behind That Door, on the other hand, sounds like bad European reggae," proclaimed one Finnish reviewer.

Come Inside (song)

"Come Inside" is Thompson Twins' only single in 1991 from the album Queer. It was written by the duo, Alannah Currie and Tom Bailey. The single peaked at #56 in the UK, spending 4 weeks on the chart. The single also peaked at #7 on the US Dance Music/Club Play Singles. The single had a promo video to support it.

The single was supported by various techno inspired singles under the moniker of Feedback Max (in the UK) to disguise the identity of the band to club DJs. The single "Come Inside" reached #7 in the US Dance Chart and #1 in the UK Dance Chart. However, once it was discovered that the Thompson Twins were behind the record, sales dropped and the album Queer never had a UK release.

The song was featured in a 1991 "Beverly Hills 90210" episode.

Background

Aside from the album title Queer, the duo lyrically reclaimed positive sexuality through the "Come Inside" song. Bailey described the song's meaning; "It's about a breakthrough between two people, the act of penetration. But the song is inspired by William Blake's poem "The Doors of Deception," which, as Blake wrote are hard to open wide. It's amazing how people are not willing to open their minds, but are more than ready to open their legs." Bailey also noted that the song's music video included images of doors slamming on "rude people".