Musique (album)

Musique is the fourth studio album by the Norwegian metal band Theatre of Tragedy, released in 2000. The title on the album's cover, [ˈmjuːzɪk], is the pronunciation of the English word "music" transcribed in the International Phonetic Alphabet.

Musique is the album that marked for the band the change from gothic metal with Early Modern English lyrics to a more electronic style, using Modern English. The change in musical direction for Theatre of Tragedy was associated with a change from traditional gothic and supernatural themes to lyrics based on modern life, including technology ("Machine", "Radio"), nightlife ("Image", "The New Man") and streetfighting ("Crash/Concrete"). The song "Commute" has the line "It's more fun to commute" in its lyrics, possibly a reference to Kraftwerk's "It's more fun to compute" from their Computer World album, which in turn is a reference to "It's more fun to compete" found on old pinball machines.

Metal Mind Productions reissued the album after it had been digitally remastered using a 24-bit process on a golden disc. It includes three bonus tracks, "Quirk" (Original Version) - also known as the original version of "Image" - , "Radio" (Unreleased Mix) and "Reverie" (Unreleased Mix). The reissue is limited to 2,000 copies and was released in Europe on 27 July 2009.

! (album)

! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.

Track listing

Personnel

The following people were involved in the making of !:

References

"@" (album)

"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.

Reception

Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".

Track listing

All compositions by John Zorn and Thurston Moore

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.

Musique (Patrick Adams)

Musique was a studio project by Patrick Adams, best known for the song "In the Bush." It consisted of five singers, Christine Wiltshire, Angela Howell, Gina Taylor Pickens, Mary Seymour Williams and Jocelyn Brown.

Career

Recorded originally as a "low budget" project at Bob Blank's Blank Tape Studios in New York City (the tracking session was completed in four hours), the album Keep on Jumpin' contained only four cuts: "Keep on Jumpin'," "Summer Love," "In the Bush" and "Summer Love Theme." Adams, known for his arranging, wrote the horn section parts as the studio musicians sat waiting. Those musicians included Skip McDonald and Doug Wimbish who were among the musicians later responsible for much of the backing work at Sugar Hill Records before teaming up to become known as Tackhead in the 1980s, collaborating with Adrian Sherwood on numerous works on his label ON-U Sound in England.

Due to the overtly sexual lyrics of "In the Bush" many radio stations banned it when it was released during 1978. Because of limited airplay it only scored #58 on the U.S. Billboard Hot 100 and #21 on the Black Singles Chart, although it did top the Hot Dance Club Play chart along with the second single "Keep on Jumpin'". It also reached #16 on the UK Singles Chart in December 1978.Their second big hit, "Keep on Jumpin'" was another club success peaking at #1 on the Disco and Hot Dance Club Play chart. The song crossed over to the urban market and peaked at #81 on the Black Singles chart. Musique's debut album peaked at #62 on the Billboard 200 chart. The vocalists on the first LP Keep on Jumpin' were a pre-solo career Jocelyn Brown, Angela Howell, Gina Tharps and Christine Wiltshire. On the second LP Musique II, released in 1979, Mary Seymour, Denise Edwards and Gina Taylor took the lead vocals. Both albums were released on the Prelude Records label. "Love Massage" became another successful club hit, but failed to crossover to either the R&B or pop markets.