Being one of the most ancient nation-states in Europe, Portugal is proud of its long music history, which accompanied and strongly contributed to the development of the outstanding music history in Europe. The music history of Portugal is reviewed here, from the earliest references in the end of the Roman Empire to the actuality.
In the early days of the Catholic Church, several local liturgies developed, such as the Gallican in France, the Sarum in England, the antique Roman in Rome and the Ambrosian rite in Milan. The Visigothic Council of Toledo organized the Hispanic rite (Visigothic or Mozarab are variant terms) in 633.
The main source of on the Hispanic rite is the León Antifonary (tenth century), which was most probably copied from an original collected in Beja (now in Alentejo, southern Portugal). The Beja region is home to one of the earliest mentions of a musician, in the activity of Andre Princeps Cantorum (489 - 525). The oldest manuscript (eleventh century) of Portuguese liturgical music in Toledan Hispanic notation is kept at the University of Coimbra General Library. Most other existing documents use Aquitan notation. From the middle of the thirteenth century on, the notation presents typically Portuguese variations; this Portuguese notation was used until the fifteenth century, when modern notation in staves was adopted.
The kingdom of Portugal was established from the county of Portugal in the 1130s, ruled by the Alfonsine Dynasty. During most of the 12th and 13th centuries, its history is chiefly that of the gradual reconquest of territory from the various petty Muslim principalities (taifas) of the period.
This process was essentially complete with the ascension of Afonso III of Portugal, the first to claim the title of King of Portugal and the Algarve. The history of Portugal in the period between the death of Afonso III in 1279 and the beginning of the Portuguese Empire in 1415 includes the succession crisis of 1383 and the subsequent transition from the Portuguese House of Burgundy to the House of Aviz.
Towards the close of the 11th century crusading knights came from every part of Europe to aid the kings of León, Castile and Aragon in fighting the Moors. Among these adventurers was Henry of Burgundy, who, in 1095, married Theresa of León, illegitimate daughter of Alfonso VI of León. The County of Portugal was included in Theresa's dowry. Count Henry ruled as a vassal of Alfonso VI, whose Galician marches were thus secured against any sudden Moorish raid. But in 1109 Alfonso VI died, bequeathing all his territories to his legitimate daughter, Urraca of Castile, and Count Henry at once invaded León, hoping to add it to his own dominions at the expense of his suzerain.
The kingdom of Portugal from the restoration of the House of Braganza in 1640 until the end of the reign of the Marquis of Pombal in 1777 was in a period of transition. Having been near its height at the start of the Iberian Union, the Portuguese Empire continued to enjoy the widespread influence in the world during this period that had characterized the period of the Discoveries. By the end of this period however, the fortunes of Portugal and its empire had declined, culminating with the Távora affair, the catastrophic 1755 Lisbon earthquake, and the accession of Maria I, the first ruling Queen of Portugal.
The opulent use of Brazilian gold, the absolutist regime, the movement toward the independence of Brazil, the Methuen Treaty and the Lisbon earthquake contributed to the collapse of Portugal's position in Europe and the world. These events, those at the end of Aviz dynasty, and the period of Iberian Union forced Portugal to depend on its colonies, first India and then Brazil. This shift from India to Brazil was a natural consequence of the rise of the Dutch as well as the British Empire. A similar shift occurred after Brazil gained its independence, which caused Portugal to focus more on its possessions in Africa.
The kingdom of Portugal 15th century was one of the first European powers to begin building a colonial empire. The Portuguese Renaissance was a period of exploration, during which Portuguese sailors discovered several Atlantic archipelagos like the Azores, Madeira, or Cape Verde, explored and colonized the African coast, discovered an eastern route to India that rounded the Cape of Good Hope, discovered Brazil, explored the Indian Ocean and established trading routes throughout most of southern Asia, and sent the first direct European maritime trade and diplomatic missions to Ming China and to Japan.
The Portuguese Renaissance produced a plethora of poets, historians, critics, theologians, and moralists, of whom the Portuguese Renaissance was their golden age. The Cancioneiro Geral by Garcia de Resende (printed 1516) is taken to mark the transition from Old Portuguese to the modern Portuguese language.
John I of Portugal acceded in 1390 and ruled in peace, pursuing the economic development of his realm. The only significant military action was the siege and conquest of the city of Ceuta in 1415. By this step he aimed to control navigation of the African coast. But in the broader perspective, this was the first step opening the Arabian world to medieval Europe, which in fact led to the Age of Discovery with Portuguese explorers sailing across the whole world.
Music history, sometimes called historical musicology, is the highly diverse subfield of the broader discipline of musicology that studies music from a historical viewpoint. In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Indian music or the history of rock). In practice, these research topics are often categorized as part of ethnomusicology or cultural studies, whether or not they are ethnographically based. The terms "music history" and "historical musicology" usually refer to the history of the notated music of Western elites, sometimes called "art music" (by analogy to art history, which tends to focus on elite art).
The methods of music history include source studies (esp. manuscript studies), paleography, philology (especially textual criticism), style criticism, historiography (the choice of historical method), musical analysis, and iconography. The application of musical analysis to further these goals is often a part of music history, though pure analysis or the development of new tools of music analysis is more likely to be seen in the field of music theory. (For a more detailed discussion of the methods see the section on "Research in Music History" below) Some of the intellectual products of music historians include editions of musical works, biography of composers and other musicians, studies of the relationship between words and music, and the reflections upon the place of music in society.
Portugal (Portuguese: [puɾtuˈɣaɫ]), officially the Portuguese Republic (Portuguese: República Portuguesa), is a country on the Iberian Peninsula, in southwestern Europe. It is the westernmost country of mainland Europe, being bordered by the Atlantic Ocean to the west and south and by Spain to the north and east. The Portugal–Spain border is 1,214 km (754 mi) long and considered the longest uninterrupted border within the European Union. The republic also includes the Atlantic archipelagos of the Azores and Madeira, both autonomous regions with their own regional governments.
The land within the borders of current Portugal has been continuously settled and fought over since prehistoric times. The Celts and the Romans were followed by the Visigothic and the Suebi Germanic peoples, who were themselves later invaded by the Moors. These Muslim peoples were eventually expelled during the Christian Reconquista of the peninsula. By 1139, Portugal had established itself as a kingdom independent from León. In the 15th and 16th centuries, as the result of pioneering the Age of Discovery, Portugal expanded Western influence and established the first global empire, becoming one of the world's major economic, political and military powers.
Portugal is a country in southwestern Europe.
Portugal may also refer to: