Apex may refer to:
Apex (Katy Bashir) is a fictional character appearing in American comic books published by Marvel Comics.
Apex first appeared in issue #1 of the Avengers Arena series as part of the Marvel NOW! event, and was created by Dennis Hopeless and Kev Walker.
Apex is one of sixteen teenagers kidnapped by Arcade who forces them to fight each other to the death in his latest version of Murderworld. She is part of the Braddock Academy group (consisting of Kid Briton, Anachronism, Bloodstone and Nara) which is joined by Death Locket despite death threats from Kid Briton and Nara. Death Locket started bonding with Apex as she introduces her to the rest of the Braddock Academy.
There is discord in the Braddock Academy's ranks as Anachronism and Kid Briton get into an argument. An earthquake then separates Bloodstone and Anachronism from Apex, Nara, Kid Briton, and Death Locket. Death Locket goes dormant as her cybernetics take over and she blasts Nara off a cliff and into the ocean. Kid Briton is enraged by this and tries to kill her until Apex orders him not to, revealing that she knew about his affair with Nara back at the Braddock Academy and that "we're here now and I'm done sharing."
Apex was an experimental radio broadcasting system introduced in the United States in 1934 that used high frequencies between roughly 25 and 42 MHz and wideband AM modulation (as opposed to traditional AM broadcasting's narrowband modulation) to achieve high fidelity sound with less static and distortion than medium wave AM stations in the so-called standard broadcast band (then, 545-1505 kHz) experience. They were called "apex", "skyscraper" or "pinnacle" stations because of the height of the broadcast antennas used.
The Federal Communications Commission thought initially that very high frequency (VHF) radio waves would have a small, discrete range, and would allow two or more stations to broadcast on duplicate frequencies without interfering with each other. But later it was realized that during peaks in the 11-year sunspot cycle even VHF radio waves could reflect from the ionosphere, and Apex station signals could sometimes be heard on the other side of the planet. In October 1937, the FCC made public its allocation plan for VHF radio broadcasting: 75 channels with 40 kHz separation on 41.02 to 43.98 MHz for Apex stations and 16 channels in 30-40 MHz for relay stations. Twenty-five of the 75 channels were reallocated for educational use in 1938.
Music is an art form and cultural activity whose medium is sound and silence. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and with vocal techniques ranging from singing to rapping, and there are solely instrumental pieces, solely vocal pieces and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). In its most general form, the activities describing music as an art form include the production of works of music (songs, tunes, symphonies, and so on), the criticism of music, the study of the history of music, and the aesthetic examination of music. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."
"Music" is a 2001 hit single by Erick Sermon featuring archived vocals from Marvin Gaye.
The song was thought of by Sermon after buying a copy of Gaye's Midnight Love and the Sexual Healing Sessions album, which overlook some of the original album's earlier mixes. After listening to an outtake of Gaye's 1982 album track, "Turn On Some Music" (titled "I've Got My Music" in its initial version), Sermon decided to mix the vocals (done in a cappella) and add it into his own song. The result was similar to Natalie Cole's interpolation of her father, jazz great Nat "King" Cole's hit, "Unforgettable" revisioned as a duet. The hip hop and soul duet featuring the two veteran performers was released as the leading song of the soundtrack to the Martin Lawrence & Danny DeVito comedy, "What's the Worst That Could Happen?" The song became a runaway success rising to #2 on Billboard's R&B chart and was #1 on the rap charts. It also registered at #21 pop giving Sermon his highest-charted single on the pop charts as a solo artist and giving Gaye his first posthumous hit in 10 years following 1991's R&B-charted single, "My Last Chance" also bringing Gaye his 41st top 40 pop hit. There is also a version that's played on Adult R&B stations that removes Erick Sermon's rap verses. The song was featured in the 2011 Matthew McConaughey film The Lincoln Lawyer.
Musical Symbols is a Unicode block containing characters for representing modern musical notation.
Yo, yeah girl
Can you hear that? It's playing our song
Are you sleepy? Take a nap
You're not afraid of the dark? Are you?
You hear the beat as it makes ya not wanna go to sleep
I knock on Dakota's door, its locked so I go to creep
'Round the back, with binoculars, not cause I wanna peep
But because I'm hungry, she smells like tacos I wanna eat
Visions of hot chocolaty marshmallows, all so sweet
With sugar plums, oh look, here comes Marshall, he's on your street
He's placing hot, smoldering charcoals beneath your feet
Now walk on 'em, he's dancing with carcasses cheek to cheek
Like a Thanksgiving turkey, a holiday ham
Cinnamon sprinkled on toast, strawberry marmalade jam
Flavor my favorite graham crackers with JonBenét Ramsey
I guess a modern day Jack the Ripper is all that I am
(My music box)
'Cause when the lights are off, I see the girls asleep
(My music box)
But I can hear you, my love, you keep calling me
(My music box)
And when we're worlds apart, you mean the world to me
(My music box)
So if you call, I come, I will answer
(My music box)
(My music box)
'Cause when the lights are off, I see the girls asleep
(My music box)
I hear my music box, playing a song for me
(My music box)
So when she twirls around and do a whirl for me
(My music box)
Won't you be my private little dancer?
(My music box)
I almost look comatose, who wants to be sober? Gross!
I foam like a doberman, mouth open, I overdose
Put coke up my nostrils, in both my holes and I plug my nose
My pupils quadruple in size, eyes are so bugged, I know
I put on my mother's make-up, get naked, and run around
Wavin' the gun around, I think I'm down to a hundred pounds
There's thunder, I wonder how come it rains but the sun is out?
The devil's upset with his wife, they must be sluggin' it out
I must be buggin' the fuck out, but what the fuck about?
Voices are leading me up to the attic, I love my house
They pull and they tug my blouse, the sound of a music box
Comes from inside a toy chest, but what do I do? It's locked
I pick it and open it, but it's stuffed full of human parts
I dig 'til I find it, I wind it up, and the tune just starts
Its playing a song, so beautiful and the room is dark
The moon is full, I smell a funeral, guess I'll loom in the park
(My music box)
'Cause when the lights are off, I see the girls asleep
(My music box)
But I can hear you, my love, you keep calling me
(My music box)
And when we're worlds apart, you mean the world to me
(My music box)
So if you call, I come, I will answer
(My music box)
(My music box)
'Cause when the lights are off, I see the girls asleep
(My music box)
I hear my music box, playing a song for me
(My music box)
So when she twirls around and do a whirl for me
(My music box)
Won't you be my private little dancer?
(My music box)
I'm fixated on asphyxiating and breakin' this little chick's
Neck like a pixie stick the sick Satan worshippin'
Bitches get horse-whippin's, I'm in the back
Through the back door, slippin' through the crack leavin' the corpse drippin'
The mortician of love, sent from above forced
And treat 'em all when cheat them all, stingy I've become
Been doin' this for more than a quarter century, I'm just numb
Am I dreamin', is it real? Someone pinch me on the buns
The time has come to tie her up, gotta roll me the ladder
I've had enough of the chatter, climb up to the window, look at her
Then climb in, slowly shatter her brain matter and batter her
With the bat, a matter of fact that will splatter her
But before I do that, I'll have a chat to flatter her
Give her two compliments, back-to-back, like
"Tabatha, I'm your secret admirer, I'm back to ravish ya"
So strong is your fight, but your no match for Dracula
Prolonging her plight, as I go back to stabbin' her
Dismember her limbs, simple as that, cadaver her
Zoom in with the lens, then pan back, the camera
Stand back, 'cause here comes your man Jack, so Pamela
(My music box)
'Cause when the lights are off, I see the girls asleep
(My music box)
But I can hear you, my love, you keep calling me
(My music box)
And when we're worlds apart, you mean the world to me
(My music box)
So if you call, I come, I will answer
(My music box)
(My music box)
'Cause when the lights are off, I see the girls asleep
(My music box)
I hear my music box, playing a song for me
(My music box)
So when she twirls around and do a whirl for me
(My music box)
Won't you be my private little dancer?