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The Jazz Crusaders / The Crusaders | |
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![]() The Crusaders in 1978 |
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Background information | |
Origin | Houston, Texas |
Genres | Jazz, jazz fusion, soul, pop |
Years active | 1952–present |
Labels | Pacific Jazz, ABC/Blue Thumb, MCA, GRP |
Associated acts | Arthur Adams |
Website | www.jazzcrusaders.com |
Members | |
Wayne Henderson Joe Sample Stix Hooper Wilton Felder |
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Past members | |
Hubert Laws Larry Carlton Robert "Pops" Popwell Barry Finnerty |
The Crusaders are an American music group popular in the early 1970s known for their amalgamated jazz, pop and soul sound. Since 1961, more than forty albums have been credited to the group (some live and compilations), 19 of which were recorded under the name "The Jazz Crusaders" (1961–1970).[1]
In 1960, following the demise of a few short-lived Houston-based groups called The Swingsters and the Nite Hawks, pianist Joe Sample, drummer Stix Hooper, saxophonist Wilton Felder and trombonist Wayne Henderson relocated to Los Angeles, CA. After changing their name to "The Jazz Crusaders," the group signed with Pacific Jazz Records, where they would remain throughout the 1960s. Employing a two-manned front-line horn section (trombone and tenor saxophone), the group's sound was rooted in hard bop, with an emphasis on R&B and soul.
The group shortened their name to "The Crusaders" in 1971, and adopted a jazz-funk style. They also incorporated the electric bass and electric guitar into their music. Bass guitarist Robert "Pops" Popwell and guitarist Larry Carlton joined the band, and featured on the group's albums throughout most of the 1970s. With this new style came increased crossover appeal, and the group's recordings started to appear on the Billboard pop charts. The height of the group's commercial success came with 1979's Street Life, which peaked at #18 on the pop album charts and the title track from the album made the Top 10 on the R&B chart and #36 on Billboard's Hot 100 chart.
In 1975, following the release of their 28th album (their ninth as "The Crusaders"), Henderson left the group to pursue a full-time career as a producer. His departure created a void, permanently changing the character of the group. Another founding member, Hooper, left the group in 1983, thus signaling the end to the group's most popular period. Three more albums were recorded in the mid-1980s; however by the 1990s, "The Crusaders", for the most part, had disbanded, with a comprehensive discography behind them.
In 1991, The Crusaders (with Sample and Felder the only original members present) released Healing the Wounds. The album peaked at #1 on the Top Contemporary Jazz chart and #174 on the Billboard 200. The group did not release any more albums during the decade, as Sample focused on a solo career.
Henderson, who had left the group in 1975, revived the "Jazz Crusaders" moniker (despite Sample's objections) for 1995's Happy Again. The lineup for Happy Again included founding member Wilton Felder and former Crusaders guitarist Larry Carlton. The new Jazz Crusaders released a series of recordings in the late 1990s, but the music bore little resemblance to the acoustic, hard bop style of the original group.
In 2003, founding members Sample, Felder and Hooper revived The Crusaders and released Rural Renewal. Ray Parker Jr. and Eric Clapton played guitar on the album. That same year, the Henderson-led Jazz Crusaders released Soul Axess.
In April 2010, Joe Sample announced a reunion tour with Wayne Henderson and Wilton Felder (but not Stix Hooper) - the first reunion of these founding members of the Jazz Crusaders since 1974. Concert dates in Oakland and Long Island have been promoted online, with a full 2010 tour schedule expected to be released shortly.
Year | Title | Type | Label | Label-Nr |
---|---|---|---|---|
1961 | Freedom Sound | Studio | Pacific Jazz | ST-27 |
1962 | Lookin' Ahead | Studio | Pacific Jazz | ST-43 |
1962 | The Jazz Crusaders at the Lighthouse | Live | Pacific Jazz | ST-57 |
1963 | Tough Talk | Studio | Pacific Jazz | ST-68 |
1963 | Heat Wave | Studio | Pacific Jazz | ST-76 |
1963 | Jazz Waltz (w. Les McCann) | Studio | Pacific Jazz | ST-81 |
1964 | Stretchin' Out | Studio | Pacific Jazz | ST-83 |
1965 | The Thing | Studio | Pacific Jazz | ST-87 |
1965 | Chile Con Soul | Studio | Pacific Jazz | ST-20092 |
1966 | Live at the Lighthouse '66 | Live | Pacific Jazz | ST-20098 |
1966 | Talk That Talk | Studio | Pacific Jazz | ST-20106 |
1966 | The Festival Album | Live | Pacific Jazz | ST-20115 |
1967 | Uh Huh | Studio | Pacific Jazz | ST-20124 |
1968 | Lighthouse '68 | Live | Pacific Jazz | ST-20131 |
1968 | Powerhouse | Studio | Pacific Jazz | ST-20136 |
1969 | Lighthouse '69 | Live | Pacific Jazz | ST-20165 |
1970 | Give Peace a Chance | Studio | Liberty | LST-11005 |
1970 | Old Socks, New Shoes | Studio | Chisa | CS-804 |
Year | Title | Label | Label-Nr |
---|---|---|---|
1969 | The Best of the Jazz Crusaders | World Pacific | ST-20175 |
1973 | Tough Talk | Blue Note | BN-LA170-G2 |
1975 | The Young Rabbits | Blue Note | BN-LA530-H2 |
1980 | Live Sides | Blue Note | LT-1046 |
1993 | The Best Of | Pacific Jazz | CDP 077778928324 |
2005 | The Pacific Jazz Quintet Studio Sessions | Mosaic | MD6-230 |
Year | Title | Type | Label | Label-Nr |
---|---|---|---|---|
1995 | Happy Again | Studio | Sin-Drome | 9950322 |
1996 | Louisiana Hot Sauce | Studio | Sin-Drome | SD-8924 |
1998 | Breakin' Da Rulz! | Studio | Indigo Blue | 4634170792 |
2000 | Power of Our Music - The Endangered Species
Cookin' Live, Wild In South Africa |
Live | Indigo Blue | 1144790972 |
2003 | Soul Axess | Studio | True Life Jazz | |
2006 | Alive in South Africa | Live (Reissue) | True Life Jazz |
Year | Title | Type | Label | Label-Nr |
---|---|---|---|---|
1971 | Pass the Plate | Studio | Chisa | CS-813 |
1972 | Hollywood | Studio | MoWest | MW-118L |
1972 | 1 | Studio | Blue Thumb | BTS-6001 |
1973 | The 2nd Crusade | Studio | Blue Thumb | BTS-7000 |
1973 | Unsung Heroes | Studio | Blue Thumb | BTS-6007 |
1974 | Scratch | Live | Blue Thumb | BTS-6010 |
1974 | Southern Comfort | Studio | Blue Thumb | BTSY-9002 |
1975 | Chain Reaction | Studio | Blue Thumb | BTSD-6022 |
1976 | Those Southern Knights | Studio | Blue Thumb | BTSD-6024 |
1977 | Free as the Wind | Studio | Blue Thumb | |
1978 | Images | Studio | Blue Thumb | BA-6030 |
1979 | Street Life | Studio | MCA | |
1980 | Rhapsody and Blues | Studio | MCA | MCAD-1662 |
1981 | Ongaku Kai - Live in Japan | Live | Crusaders | CRP-16002 |
1981 | Standing Tall | Studio | MCA | 5254 |
1982 | Royal Jam | Live | MCA | 2-9017 |
1984 | Ghetto Blaster | Studio | MCA | |
1986 | The Good and the Bad Times | Studio | MCA | 5781 |
1988 | Life in the Modern World | Studio | MCA | 42168 |
1991 | Healing the Wounds | Studio | GRP | GRD-9638 |
2003 | Rural Renewal | Studio | PRA/Verve | |
2004 | Live in Japan 2003 (only released in Japan) | Live | PRA | VACM-1252 |
Year | Title | Label | Label-Nr |
---|---|---|---|
1973 | At Their Best | Motown | M-796V1 |
1976 | The Best of the Crusaders | ABC Blue Thumb | BTSY-6027 |
1987 | The Vocal Album | MCA | 42057 |
1988 | Sample a Decade | Connoisseur | VSOP-LP131 (UK) |
1990 | 16 Original World Hits | MCA | 2292-56787-2 LZ (Germany) |
1992 | The Golden Years | GRP | GRD-3-5007 |
1994 | Best of Best | MCA | MVCZ-15020 (Japan) |
1994 | And Beyond... | Music Collection | MCCD-163 (UK) |
1994 | Best | Pickwick | PWKS-4231 (UK) |
1995 | The Ultimate Compilation | Nectar | NTRCD035 (UK) |
1995 | The Greatest Crusade | Calibre | CLBCD-5501 (UK) |
1995 | The Ultimate | Castle | CCS-CD-420 (UK) |
1995 | Soul Shadows | Connoisseur | VSOP-CD-212 (UK) |
1996 | The Best of the Crusaders | MCA | MCBD-19528 (UK) |
1996 | Way Back Home | Blue Thumb | BTD-4-700 |
1998 | Priceless Jazz Collection | GRP | GRD-9892 |
2000 | The Crusaders' Finest Hour | Verve | 543762-2 (Germany) |
2003 | Groove Crusade | Blue Thumb | 0731458994428 (UK) |
2007 | Gold | Hip-O / Verve | B0008268-02 |
Year | Title | From album | Label | Label-Nr |
---|---|---|---|---|
1959 | Chicken Grabber / Big Top | (only on 45) | Del-Fi | 4122 |
Year | Title | From album | Label | Label-Nr |
---|---|---|---|---|
1961 | Bunny Ride / Sweetie Lester | (only on 45) | Pacific Jazz | X-352 |
Year | Title | From album | Label | Label-Nr |
---|---|---|---|---|
1962 | Tonight / Sinnin' Sam | Lookin' Ahead | Pacific Jazz | X-340 |
1962 | The Young Rabbits / Song of India | Lookin' Ahead | Pacific Jazz | X-342 |
1962 | Congolese Sermon / Weather Beat | (only on 45) | Pacific Jazz | X-357 |
1963 | No Name Samba / Tough Talk | Tough Talk | World Pacific | X-371 |
1963 | Turkish Black / Boopie | Tough Talk | World Pacific | X-388 |
1963 | Spanish Castles / Bluesette | Jazz Waltz (w. Les McCann) | World Pacific | 406 |
1964 | Heat Wave / On Broadway | Heat Wave | World Pacific | 401 |
1964 | I Remember Tomorrow / Long John | Stretchin' Out | World Pacific | 412 |
1965 | Tough Talk / The Thing | The Thing | World Pacific | 77800 |
1965 | Aqua Dulce / Soul Bourgeoisie | Chile Con Soul | World Pacific | 77806 |
1966 | Scratch / Uptight | Talk That Talk | Pacific Jazz | 88125 |
1968 | Ooga-Boo-Ga-Loo / Eleanor Rigby | Lighthouse '68 | Pacific Jazz | 88144 |
1968 | Hey Jude / Love and Peace | Powerhouse | Pacific Jazz | 88146 |
1969 | Get Back / Willie and Laura Mae Jones | Lighthouse '69 | Word Pacific Jazz | 88153 |
1970 | Way Back Home / Jackson | Old Socks, New Shoes | Chisa | C-8010 |
Year | Title | From album | Label | Label-Nr |
---|---|---|---|---|
1971 | Pass the Plate / Greasy Spoon | Pass the Plate | Chisa | C-8013 |
1972 | Spanish Harlem / Papa Hooper's Barrelhouse Groove | Hollywood | MoWest | MW-5025F |
1972 | Mosadi / Put It Where You Want It | 1 | Blue Thumb | BTA-208 |
1972 | So Far Away / That's How I Feel | 1 | Blue Thumb | BTA-217 |
1973 | Don't Let It Get You Down / Journey from Within | Second Crusade | Blue Thumb | BTA-225 |
1973 | That's How I Feel / Take It or Leave It | 1 | Blue Thumb | BTA-232 |
1974 | Lay It on the Line / Let's Boogie | Unsung Heroes | Blue Thumb | BTA-245 |
1974 | Scratch / Way Back Home | Scratch | Blue Thumb | BTA-249 |
1974 | Stomp and Buck Dance / A Ballad for Joe (Louis) | Southern Comfort | ABC Blue Thumb | BTA-261 |
1975 | Creole / I Felt The Love | Chain Reaction | ABC Blue Thumb | BTA-267 |
1976 | Keep That Same Old Feeling / Til' the Sun Shines | Those Southern Knights | ABC Blue Thumb | BTA-269 |
1976 | And Then There Was the Blues / Feeling Funky | Those Southern Knights | ABC Blue Thumb | BTA-270 |
1977 | Feel It / The Way We Was | Free As The Wind | ABC Blue Thumb | BT-272 |
1977 | Free as the Wind / The Way We Was | Free as the Wind | ABC Blue Thumb | BTA-273 |
1978 | Covert Action / Bajou Bottoms | Images | ABC Blue Thumb | BT-278 |
1979 | Street Life / The Hustler | Street Life | MCA | 41052 |
1980 | Soul Shadows / Sweet Gentle Love | Rhapsody & Blues | MCA | 41295 |
1981 | I'm So Glad I'm Standing Here Today / Standing Tall | Standing Tall | MCA | 51177 |
1981 | This Old World's Too Funky for Me / Standing Tall | Standing Tall | MCA | 51222 |
1984 | New Moves / Dead End | Ghetto Blaster | MCA | 52365 |
1986 | The Way It Goes / Good Times | The Good and Bad Times | MCA | 52966 |
1988 | A.C. (Alternating Currents) / Mullholland Nights | Life in the Modern World | MCA | 53330 |
The Crusaders is a 2001 Italian television mini-series (Crociati) made into a color feature film written by Andrea Porporati and directed by Dominique Othenin-Girard. The movie shows in English. Also known as Die Kreuzritter (Germany).
In the 11th century three men flee from an Italian city and make their way to the Holy Land to take part in the First Crusade (AD 1096-1099).
The Crusaders or Jerusalem Liberated (Italian:La Gerusalemme liberata) is a 1918 Italian silent historical film directed by Enrico Guazzoni. It is based on the poem Jerusalem Delivered by Torquato Tasso. The film is set during the Crusades.
.mr is the Internet country code top-level domain (ccTLD) for Mauritania. A local contact is required to register a domain name under .mr. Registrations are taken directly at the second level, but a .gov.mr second level domain exists in which governmental sites can be found at the third level.
Mister, usually written in its abbreviated form Mr. (US) or Mr (US & UK), is a commonly-used English honorific for men under the rank of knighthood. The title derived from earlier forms of master, as the equivalent female titles Mrs, Miss, and Ms all derived from earlier forms of mistress. Master is sometimes still used as an honorific for boys and young men, but its use is increasingly uncommon.
The modern plural form is Misters, although its usual formal abbreviation Messrs(.) derives from use of the French title messieurs in the 18th century.Messieurs is the plural of monsieur (originally mon sieur, "my lord"), formed by declining both of its constituent parts separately.
Historically, mister—like Sir or my lord—was applied only to those above one's own status in the peerage. This understanding is now obsolete, as it was gradually expanded as a mark of respect to those of equal status and then to all gentlemen. It is now used indiscriminately.
In past centuries, Mr was used with a first name to distinguish among family members who might otherwise be confused in conversation: Mr Doe would be the eldest present; younger brothers or cousins were then referred to as Mr Richard Doe and Mr William Doe and so on. Such usage survived longer in family-owned business or when domestic servants were referring to adult male family members with the same surname: "Mr Robert and Mr Richard will be out this evening, but Mr Edward is dining in," but such usage today is rare in American culture but still quite common in others as a sign of respect when first names are being used, the last name is not known, or where English is not the mother tongue.
Mister also known as Mr. is a Hong Kong, Chinese rock band composed of lead vocalist Alan Po, rhythm guitarist Ronny Lay, lead guitarist Quincy Tam, bassist and backing vocalist Desmond Tam, and drummer Tom To.
The quintet originated from the underground indie scene where they were known as White Noise. Their breakthrough performance was their gig at Alan Tam's birthday party. They were subsequently recommended to Universal Music by himself who was deeply impressed by their skill and talent.
STREET LIFE
Randy Crawford & the Crusaders
I still hang around neither lost nor found
Hear the lonely sound of music in the night
Nights are always bright
That's all that's left for me, yeah
I play the street life
Because there's no place I can go
Street life, it's the only way I know
Street life
And there's a thousand cards to play
Until you play your life away
You dress and walk and talk
You're who you think you are
Street life, you can run away from time
Street life, for a nickel, for a dime
Street life, but you better not get old
Or you're gonna feel the cold
There's always love for sale
A grown up fairy tale
Prince charming always smiles
Behind a silver spoon
And if you keep t young
Your song is always sung
Your love will pay your way beneath the silver moon
Street life, street life, street life, oh street life...
From: "R. de jong"