"Move It" is a song written by Ian Samwell and recorded by Cliff Richard and the Drifters (the UK band that would evolve into The Shadows). Originally intended as the B-side to "Schoolboy Crush", it was released as Richard's debut single on 29 August 1958 and became his first hit record, reaching no.2 on the UK singles chart. It is credited with being one of the first authentic rock and roll songs produced outside the United States.
"Schoolboy Crush", written by Aaron Schroeder and Sharon Gilbert, had already been recorded in the US by Bobby Helms. Cliff Richard and the Drifters recorded their own version, which was intended to be the A-side of their debut single. However "Move It" was heard by producer Jack Good, who insisted that if Richard was to appear on his TV show Oh Boy!, he would have to sing "Move It". The planned single was flipped, and climbed to number 2 in the charts, starting Cliff Richard on a career which included British hits through six decades. His first no.1 record was "Living Doll" in 1959.
In ballet, a pas de deux [pɑ d(ə) dø] (French, literally "step of two") is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including Sleeping Beauty, Swan Lake, and Giselle. It is most often performed by a male and a female (a danseur and a ballerina) though there are exceptions, such as in the film White Nights, in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines.
A grand pas de deux is a structured pas de deux that typically has five parts, consisting of an entrée (introduction), an adagio, two variations (a solo for each dancer), and a coda (conclusion). It is effectively a suite of dances that share a common theme, often symbolic of a love story or the partnership inherent in love, with the dancers portraying expressions of affectionate feelings and thoughts between romantic partners. It is often considered to be the pièce de résistance and bravura highlight of a ballet and is usually performed by a leading pair of principal dancers.
Pas de deux (released as Duo in the United States) is a 1968 short dance film by Norman McLaren, produced by the National Film Board of Canada.
The film was photographed on high contrast stock, with optical, step-and-repeat printing, for a sensuous and almost stroboscopic appearance. It shows a ballerina (Margaret Mercier) dancing by herself (or rather, with images of herself), before being joined by a male dancer (Vincent Warren), to perform the pas de deux of the title, as choreographed by Ludmilla Chiriaeff.
The film is choreographed to Romanian pan pipe music.
Pas de deux received 17 awards, including the 1969 BAFTA Award for Best Animated Film and an Academy Award nomination, as Duo.
A pas de deux is an equestrian performance using two horses. The horses perform dressage movements, usually mirroring each other, and almost always accompanied by music. Pas de deux are often performed in exhibitions at special events, and are also used by professional acts, particularly the Spanish Riding School.
"Pas de deux" means "steps of two" in French. The term is also used in ballet to mean a dance with two people.
Pas de deux are often seen at exhibitions. For special events, they are often performed by two riders who compete alone, and choose to choreograph a piece to challenge their ability to harmonize with another horse-and-rider pair. Pas de deux are also used by professional equestrian acts, such as the Spanish Riding School and Cavalia.
Both the USDF and British Dressage allow pas de deux in competitions. They are scored similarly to musical kur, also known as freestyle dressage. The choreography must include the elements required at the level that the pair chooses to do. The performance is judged based on the choreography and how well it is performed by each horse-and-rider pair, as well as on the suitability of the music and harmony between the pairs. Pas de deux performed in competition tend to be more conservative in music and turnout than those performed at exhibitions.
Kill the Lights is the fifth studio album by American country music artist Luke Bryan. It was released on August 7, 2015, through Capitol Nashville. The album's lead single, "Kick the Dust Up", was released to radio on May 19, 2015. "Strip It Down" was released as the second single from the album on August 4, 2015. The album's third single, "Home Alone Tonight", was released to country radio on November 23, 2015.
Kill the Lights garnered positive reviews from music critics. The album debuted at number one on the US Billboard 200 chart, moving 345,000 equivalent units in the week ending August 13.
Kill the Lights has received mostly positive reviews from music critics. At Metacritic, which assigns a "weighted average" rating out of 100 from selected independent ratings and reviews from mainstream critics, the album received a Metascore of 69/100, based on nine reviews, indicating "generally favorable" reviews.Stephen Thomas Erlewine of AllMusic rates the album four stars conveying: "Kill the Lights winds up feeling happy and generous, an inclusive record that plays to teenage desires as effectively as memories of an adolescence left behind. " The publication Billboard rates the album three and a half stars, and Jewly Hight commenting: "the fact that Kill the Lights features a pensive, black-and-white cover shot -- the rare photo in which he's not smiling even a little -- is a hint: He isn't simply going about his business-as-usual fun on this album."Brian Mansfield rates the album three stars out of four at USA Today proffering: "The hits are fine, but that's the guy who's really worth getting to know." Maura Johnston gives the album a positive review on behalf of The Boston Globe suggesting: "Bryan might have broken up with spring break, but crashing pop’s party will probably offer him just as good a time."
"Move" is a single by CSS, it is the third released from the album Donkey. It was released on October 13, 2008. It was remixed by Cut Copy and Frankmusik. The single failed to chart everywhere, except for Italy. It is featured in the forever 21 playlist. A remix of the song was used for a jazz routine on So You Think You Can Dance season 5, which was performed by Janette Manrana and Evan Kasprzak, and later season 8 for a solo by jazz dancer Missy Morelli.
There's a music video for the song directed by Keith Schofield, shot in Barcelona. It can be seen on YouTube and on CSS's official MySpace.
In game theory, player's strategy is any of the options he or she can choose in a setting where the outcome depends not only on his own actions but on the action of others. A player's strategy will determine the action the player will take at any stage of the game.
The strategy concept is sometimes (wrongly) confused with that of a move. A move is an action taken by a player at some point during the play of a game (e.g., in chess, moving white's Bishop a2 to b3). A strategy on the other hand is a complete algorithm for playing the game, telling a player what to do for every possible situation throughout the game.
A strategy profile (sometimes called a strategy combination) is a set of strategies for all players which fully specifies all actions in a game. A strategy profile must include one and only one strategy for every player.
A player's strategy set defines what strategies are available for them to play.
A player has a finite strategy set if they have a number of discrete strategies available to them. For instance, in a single game of rock-paper-scissors, each player has the finite strategy set {rock, paper, scissors}.
Sugar, ah honey honey
You are my candy girl
And you've got me wanting you.
Honey, ah sugar sugar
You are my candy girls
And you got me wanting you
I just can't believe the lovliness of loving you,
(I just can't believe it's true)
I just can't believe the one to love this feeling to
(I just can't believe it's true)
Sugar, ah honey hiney
you are my candy girl
and you got me wanting you
honey, ah sugar sugar
you are my candy girl
and you got me wanting you
When i kissed you girl I knew how sweet a kiss could be
(I know how sweet a kiss could be)
Like the summer sunshine pour you sweetness over me
(Pour your sweetness over me)
Pour a little sugar on it honey
Pour a little sugar on it Baby
I'm gonna make your life so sweet, yeah yeah yeah
pour a little sugar on it yeah
pour a little sugar on it honey
pour a little sugar on it baby
I'm gonna make your life so sweet, yeah yeah yeah
pour a little sugar on it honey
Ah sugar, ah honey honey
you are my candy girl
and you got me wanting you
Oh honey honey, sugar sugar..............