Ars nova (Latin: new art) refers to a musical style which flourished in France and the Burgundian Low Countries in the Late Middle Ages: more particularly, in the period between the preparation of the Roman de Fauvel (1310s) and the death of the composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the 14th century. For instance "Italian ars nova" is sometimes used to denote the music of Francesco and his compatriots; however, Trecento music is the more common term for music in Italy). The "ars" in "ars nova" can be read as "technique", or "style". The term was first used in two musical treatises, titled Ars novae musicae (New Technique of Music) (c. 1320) by Johannes de Muris, and a collection of writings attributed to Philippe de Vitry often simply called "Ars nova" today (c. 1322). However, the term was only first used to describe an historical era by Johannes Wolf in 1904.
The term "ars nova" is often used in juxtaposition to another term, "ars antiqua", which refers to the music of the immediately preceding age, usually extending back to take in the period of Notre Dame polyphony (therefore covering the period from about 1170 to 1320). Roughly, then, the "ars antiqua" is the music of the thirteenth century, and the "ars nova" the music of the fourteenth; many music histories use the terms in this more general sense.
Early Netherlandish painting refers to the work of artists, sometimes known as the Flemish Primitives, active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance; especially in the flourishing cities of Bruges, Ghent, Tournai and Brussels. Their work follows the International Gothic style and begins approximately with Robert Campin and Jan van Eyck in the early 1420s. It lasts at least until the death of Gerard David in 1523, although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568. Early Netherlandish painting coincides with the Early and High Italian Renaissance but is seen as an independent artistic culture, separate from the Renaissance humanism that characterised developments in Italy. Because these painters represent the culmination of the northern European medieval artistic heritage and the incorporation of Renaissance ideals, they are sometimes categorised as belonging to both the Early Renaissance and Late Gothic.
Ars nova is a late medieval musical stylistic period, centered in France.
Ars nova may also refer to:
Mother Earth may refer to:
Mat Zemlya, also Matka Ziemia, and Mati Syra Zemlya (literally Damp Mother Earth), is the oldest deity in Slavic mythology, her identity later blended into that of Mokosh. She shares characteristics with Indo-Iranian Ardvi Sura Anahita “Humid Mother of the Earth.”
In the early Middle Ages, Mati Syra Zemlya was one of the most important deities in the Slavic world. Oaths were made binding by touching the Earth and sins were confessed into a hole in the Earth before death. She was worshipped in her natural form and was not given a human personage or likeness. Since the adoption of Christianity in all Slavic lands, she has been identified with Mary, the mother of Jesus.
An example of her importance is seen in this traditional invocation to Matka Ziema, made with a jar of hemp oil:
East – "Mother Earth, subdue every evil and unclean being so that he may not cast a spell on us nor do us any harm." West – "Mother Earth, engulf the unclean power in thy boiling pits, and in thy burning fires." South – "Mother Earth, calm the winds coming from the South and all bad weather. Calm the moving sands and whirlwinds." North – "Mother Earth, calm the North winds and clouds, subdue the snowstorms and the cold." The jar, which held the oil, is buried after each invocation and offering is made at each Quarter. (Slavonic mythology 1977:287)
"Mother Earth" is the third single of Dutch symphonic metal band Within Temptation from their second studio album, Mother Earth. The song peaked at #14 on the Germany Singles Top 100.
Along with the singles Ice Queen and Stand My Ground, Mother Earth has become one of the bands signature songs and is present on the setlist at almost every concert. It was also used as the theme for the German translation of the anime X.
Although it's their third music video, the video for Mother Earth is the first professional one. It was directed by Patric Ullaeus. Filming location was by lake Delsjön near Gothenburg, Sweden. The video has a strong nature/pagan theme, with several aerial shots of lakes and forests as well as different animals. Sharon den Adel is first shown as a woman (presumably "Mother Earth") transforming into an owl that flies around rivers and mountains. She is then depicted as walking around in the forest as a sort of magical spirit, interacting with nature, and performing in a forest glade with the rest of the band.
[Musique: Daniel Mongrain (with the collaboration of François Mongrain)]
[Paroles: François Mongrain]
[Un cadavre repose dans son sang, une vision figée dans le temps; Profanation de l'âme d'un mourant, L'utilisation de la mort pour la gloire de l'argent. Et certains osent appeler ça de l'art.]
[DM-] A BLOODY HAND COLLAPSED
ON THE SOILED GROUND
IT`S FLUID OF LIFE STREAMING
THROUGH THE EARTH`S ENTRAILS
A GOOD ANGLE IS NOT A PROBLEM TO CATCH
THOSE EXPRESSIONS THAT WILL LAST
PERFECT MODELS FOR THE EXPOSURE
BUT IN AN ART GALLERY
WHY DON`T THEY LET THOSE CORPSES DISAPPEAR
'CAN'T CALL THIS IMMORTALITY
[DM+FM-] ARS NOVA, DESECRATION
ARS NOVA, NORMALIZATION ATTEMPT
[DM-] THEY WANT TO SEE THEMSELVES AS ARTISTS
WITH THE FINEST AESTHETIC
BUT I SEE THIS AS VANDALISM
WITH NO RESPECT FOR THE DYING
PRIVILEGE OF SOME PHOTOGRAPHIES
SACRILEGE OF WHAT THEY SEE
PRIVILEGE OF SOME ATROCITIES
DESECRATION
[Lead: Daniel Mongrain]
[DM+FM-] ARS NOVA, DESECRATION
ARS NOVA, NECROPHILLIC TEMPTATION
[DM-] PERFECT MODELS FOR THE EXPOSURE
BUT IN AN ART GALLERY
[DM+FM-] WHY DON`T THEY LET THOSE CORPSES DISAPPEAR
'CAN'T CALL THIS IMMORTALITY