Matmos

Matmos is an experimental electronic music duo originally from San Francisco but now residing in Baltimore. M. C. (Martin) Schmidt and Drew Daniel are the core members, but they frequently include other artists on their records and in their performances, including notably J Lesser. Apart from releasing seven full-length studio albums and numerous collaborative works, Matmos is also well known for their collaboration with Icelandic singer and musician Björk, both on studio recordings and live tours. After being signed to Matador Records for nine years, Matmos signed with Thrill Jockey in 2012. The name Matmos refers to the seething lake of evil slime beneath the city Sogo in the 1968 film Barbarella.

Notable work

In 1998, Matmos remixed the Björk single Alarm Call. Subsequently, Matmos worked with Björk on her albums Vespertine (2001) and Medúlla (2004), as well as her Vespertine and Greatest Hits tours. In November 2004, Matmos spent 97 hours in the Yerba Buena Center for the Arts as artists in residence, performing music with friends, musical guests and onlookers. The live album Work, Work, Work, essentially a "best of" collection of the session, was released as a free download from their website.

Matmos (album)

Matmos is the 1997 debut album of American electronic music duo Matmos. The album features field recordings of everyday activities as well as more unusual things, such as nerve activity of a crayfish, on "Verber: amplified synapse".

The album is of an experimental nature and has elements of different genres of electronic music such as drum 'n bass, minimal techno and glitch.

Track listing

References

Morning

Morning is the period of time between midnight and noon or, more commonly, the interval between sunrise and noon. Morning precedes afternoon, evening, and night in the sequence of a day. Originally, the term referred to sunrise.

Etymology

The name (which comes from the Middle English word morwening) was formed from the analogy of evening using the word "morn" (in Middle English morwen), and originally meant the coming of the sunrise as evening meant the beginning of the close of the day. The Middle English morwen dropped over time and became morwe, then eventually morrow, which properly means "morning", but was soon used to refer to the following day (i.e., "tomorrow"), as in other Germanic languages—English is unique in restricting the word to the newer usage. The Spanish word "mañana" has two meanings in English: "morning," and "tomorrow," along with the word "morgen" in Dutch and German which also means both "morning," and "tomorrow." Max Weber, (General Economic History, pp23) states that the English word "morning" and the German word "Morgen" both signify the size of land strip "which an ox could plow in a day without giving out". "Tagwerk" in German, and "a day's work" in English mean the same. A Good morning in this sense might mean a good day's plow.

Morning (Clare Fischer composition)

"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, would provide fertile ground for Fischer's musical explorations over the next half-century.

Form

"Morning" was Fischer's first - and, to this day, his most famous - contribution to the then recently evolved cha-cha-chá genre. Its structure is the standard A-A-B-A, 32 measures in length. In practice, however, the song's debut recording does take one significant detour, paying unashamed homage to one of its composer's primary musical influences in the process, when, halfway through trombonist Gil Falco's solo, instead of proceeding to the bridge, "Morning" morphs into a 16-bar development of the principal 2-measure motif of "Spring Rounds," the fourth section from Stravinsky's The Rite of Spring.

Picture This (Wet Wet Wet album)

Picture This is the sixth studio album by Wet Wet Wet. It was released on 10 April 1995. Its six offspring singles were "Love Is All Around", "Julia Says", "Don't Want to Forgive Me Now", "Somewhere Somehow", "She's All on My Mind" and "Morning". The album reached #1 in the UK chart.

Track listing

All tracks written by Wet Wet Wet (Clark/Cunningham/Mitchell/Pellow) except:

References