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4hero are an electronic music group from Dollis Hill, London, comprising producers Mark "Marc Mac" Clair & Dennis "Dego" McFarlane. While the band is often cited as "4 Hero" or "4-Hero", the name is presented as "4hero" on their own albums and websites.
4hero are known as early pioneers of breakbeat hardcore and drum and bass music, and the group obtained a Mercury Music Prize nomination for their 1998 album Two Pages. More recently, on their 2007 album, Play with the Changes, 4hero has experimented with downtempo and nu jazz. Marc Mac and Dego continue to produce music as 4hero as well as a variety of other aliases they've developed over the years.
4hero had a show on Sunday nights on Kiss 100 FM 1am to 3am called R Solutions, which ran from 1998 to 2001.
4hero's style was initially uptempo breakbeat, house and techno, and has progressed to breakbeat hardcore, oldschool jungle, and drum and bass. Comparisons have been drawn between them and East London band Shut Up and Dance, with both bands evolving in the early 1990s as a rapprochement between the breakbeat-driven African-diasporic musical structures of hip-hop and reggae, and the dark, European reconstruction of the techno sound popularised by the likes of Joey Beltram, CJ Bolland and Mundo Muzique. 4hero both embraced the dynamics of populist rave culture, and maintained an avant-garde status as innovative and experimental producers. They trailblazed genre-crossing studio techniques such as timestretching and pitch-shifting.
Morning is the period of time between midnight and noon or, more commonly, the interval between sunrise and noon. Morning precedes afternoon, evening, and night in the sequence of a day. Originally, the term referred to sunrise.
The name (which comes from the Middle English word morwening) was formed from the analogy of evening using the word "morn" (in Middle English morwen), and originally meant the coming of the sunrise as evening meant the beginning of the close of the day. The Middle English morwen dropped over time and became morwe, then eventually morrow, which properly means "morning", but was soon used to refer to the following day (i.e., "tomorrow"), as in other Germanic languages—English is unique in restricting the word to the newer usage. The Spanish word "mañana" has two meanings in English: "morning," and "tomorrow," along with the word "morgen" in Dutch and German which also means both "morning," and "tomorrow." Max Weber, (General Economic History, pp23) states that the English word "morning" and the German word "Morgen" both signify the size of land strip "which an ox could plow in a day without giving out". "Tagwerk" in German, and "a day's work" in English mean the same. A Good morning in this sense might mean a good day's plow.
"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, would provide fertile ground for Fischer's musical explorations over the next half-century.
"Morning" was Fischer's first - and, to this day, his most famous - contribution to the then recently evolved cha-cha-chá genre. Its structure is the standard A-A-B-A, 32 measures in length. In practice, however, the song's debut recording does take one significant detour, paying unashamed homage to one of its composer's primary musical influences in the process, when, halfway through trombonist Gil Falco's solo, instead of proceeding to the bridge, "Morning" morphs into a 16-bar development of the principal 2-measure motif of "Spring Rounds," the fourth section from Stravinsky's The Rite of Spring.
Picture This is the sixth studio album by Wet Wet Wet. It was released on 10 April 1995. Its six offspring singles were "Love Is All Around", "Julia Says", "Don't Want to Forgive Me Now", "Somewhere Somehow", "She's All on My Mind" and "Morning". The album reached #1 in the UK chart.
All tracks written by Wet Wet Wet (Clark/Cunningham/Mitchell/Pellow) except:
(Hess/Lesperance)
Anyway that I could reach you
I'm justified to do
Anyway that I'll convince you
A cold desire looms
Take a bus, buy a ticket, find a mission
Try to leave the pain
Taking tracks from the needles
Never leads the way
Run, in emotional fields you lay
Run, devour and seize the day
Come down from your ivory hilltop
Enough of your morning grey
Bitter ways they follow beside you
And crawl inside your tomb
And when you think it's all behind you
The more it decides to bloom
Old desires, both feet in the fire
Do you feel the shame
Your mind is slightly polluted
'Cos you need a change
I don't wanna leave this sphere is home
I worship/believe in miracles
The dying hope there's love inside the rage
'Cos no one ever knows how long we have to stay