Morning
Morning is the period of time between midnight and noon or, more commonly, the interval between sunrise and noon. Morning precedes afternoon, evening, and night in the sequence of a day. Originally, the term referred to sunrise.
Etymology
The name (which comes from the Middle English word morwening) was formed from the analogy of evening using the word "morn" (in Middle English morwen), and originally meant the coming of the sunrise as evening meant the beginning of the close of the day. The Middle English morwen dropped over time and became morwe, then eventually morrow, which properly means "morning", but was soon used to refer to the following day (i.e., "tomorrow"), as in other Germanic languages—English is unique in restricting the word to the newer usage. The Spanish word "mañana" has two meanings in English: "morning," and "tomorrow," along with the word "morgen" in Dutch and German which also means both "morning," and "tomorrow." Max Weber, (General Economic History, pp23) states that the English word "morning" and the German word "Morgen" both signify the size of land strip "which an ox could plow in a day without giving out". "Tagwerk" in German, and "a day's work" in English mean the same. A Good morning in this sense might mean a good day's plow.
Morning (Clare Fischer composition)
"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, would provide fertile ground for Fischer's musical explorations over the next half-century.
Form
"Morning" was Fischer's first - and, to this day, his most famous - contribution to the then recently evolved cha-cha-chá genre. Its structure is the standard A-A-B-A, 32 measures in length. In practice, however, the song's debut recording does take one significant detour, paying unashamed homage to one of its composer's primary musical influences in the process, when, halfway through trombonist Gil Falco's solo, instead of proceeding to the bridge, "Morning" morphs into a 16-bar development of the principal 2-measure motif of "Spring Rounds," the fourth section from Stravinsky's The Rite of Spring.
Picture This (Wet Wet Wet album)
Picture This is the sixth studio album by Wet Wet Wet. It was released on 10 April 1995. Its six offspring singles were "Love Is All Around", "Julia Says", "Don't Want to Forgive Me Now", "Somewhere Somehow", "She's All on My Mind" and "Morning". The album reached #1 in the UK chart.
Track listing
All tracks written by Wet Wet Wet (Clark/Cunningham/Mitchell/Pellow) except:
References
Podcasts:
Morning
ALBUMS
- Morning released: 1970
Morning
ALBUMS
- Moments of Truth released: 2008
- Hour of Joy released: 2005
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by Mud
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by Iron & Wine
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by Chad & Jeremy
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by Killing Heidi
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by Phil Ochs
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by Elvis Jackson
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by Lucy Schwartz
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by Suede
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by X-mal Deutschland
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by Dusty Springfield
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by Zander Bleck
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by Amel Larrieux
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by Lyal Strickland
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by Sting
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by Wet Wet Wet
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by He Who Never
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by Ane Brun
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by Melissa Etheridge
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by Lennon
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by Noa
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by Manbreak
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by Amos Lee
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by Karen Matheson
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by Glenn Tilbrook
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by Jim Ed Brown
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by Connie Lim
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by Kisschasy
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by Balthazar
Morning
by: MudMorning, is the time of day,
When you are far away
That I'll miss you.
Feeling, your body next to mine,
Giving that certain smile,
That you want me.
Oh I wonder.
Yes how I wonder.
Why are you leaving
Maybe you'll stay
While I still pray.
Oh, how I pray.
So I wait for evening.
When the sun goes down.
And you're still home.
Oh I wonder.
Yes how I wonder.
Why are you leaving
Maybe you'll stay
While I still pray.
Oh, how I pray.
Oh, how I pray.
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