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Morgan Geist, better known by his stage name Storm Queen is an American music producer, songwriter, remixer and DJ from Wayne, New Jersey. He is best known for his song "Look Right Through", which was remixed by Marc Kinchen and had Geist's lyrics sung by Damon C. Scott. Geist is also a member of Brooklyn-based house and nu-disco duo Metro Area. Morgan also remixed many artists including The Rapture, Franz Ferdinand, Telex and many others.
In 2010 Storm Queen released his debut single "Look Right Through" on Geist's own Environ label. In 2011, the follow-up "It Goes On" was released. In July 2012 he released "Let's Make Mistakes" as his third single. On November 3, 2013, a licensed version of the single "Look Right Through" was released via Defected Records/Ministry of Sound. In the United Kingdom, the song entered at the top of the UK Singles Chart on November 10, 2013, becoming Storm Queen's first number one song in The UK, dethroning Eminem and Rihanna's "The Monster" from the top of the chart. In Ireland, the song entered at number thirty on the Irish Singles Chart on November 8, 2013, and peaked at number twenty.
Night or nighttime (sp. night-time or night time) is the period of time between the sunset and the sunrise when the Sun is below the horizon.
This occurs after dusk. The opposite of night is day (or "daytime" to distinguish it from "day" as used for a 24-hour period). The start and end points of time of a night vary based on factors such as season, latitude, longitude and timezone.
At any given time, one side of the planet Earth is bathed in light from the Sun (the daytime) and the other side of the Earth is in the shadow caused by the Earth blocking the light of the sun. This shadow is called the umbra. Natural illumination is still provided by a combination of moonlight, planetary light, starlight, diffuse zodiacal light, gegenschein, and airglow. In some circumstances, bioluminescence, aurorae, and lightning can provide some illumination. The glow provided by artificial illumination is sometimes referred to as light pollution because it can interfere with observational astronomy and ecosystems.
The Time: Night (Russian: Время ночь) is a novella by Russian author Lyudmila Petrushevskaya. It was originally published in Russian in the literary journal Novy Mir in 1992 and translated into English by Sally Laird in 1994. In 1992 it was shortlisted for the Russian Booker Prize.
The Time: Night follows the struggles of the matriarchal Anna Andrionova as she holds together an emotionally unstable and financially decrepit family in early . Writing in first-person, Petrushevskaya presents the novella as a manuscript Anna's family finds after her death, and into which she poured the frustration and sheer power of her parenthood. Anna's struggles throughout to reconcile her intense love for her family with their parasitic lifestyles. The opening pages introduce Anna's daughter, Alyona, through a brief stolen segment of her diary, unveiling her chronic promiscuity and destructive incompetence. Alyona's rambunctious toddler, Tima, for whom Anna shows riveting affection aion, accompanies his grandmother during his mother's escapades. Anna's ex-convict son Andrei makes intermittent appearances at her communal apartment, looking for food and booze money. As the manuscript progresses, Petrushevskaya reveals the pitiful and terminal condition of Anna's mother in a mental hospital, and another illegitimate child of Alyona's. The narrative concludes with Alyona fleeing the apartment with her children in the night, after the death of Anna's mother.
Night Time is the fifth studio album by English post-punk band Killing Joke. It was released in March 1985, through record label E.G.
Night Time was released in March 1985 by record label E.G. It was an international hit, reaching number 11 in the United Kingdom, number 8 in New Zealand and number 50 in Sweden.
The album was remastered and reissued in 2008, with nine bonus tracks. The bonus tracks include the non-album single "A New Day", three remixes and four tracks from a 1984 Kid Jensen BBC radio session.
In his retrospective review, Ned Raggett of AllMusic opines that the album finds the band's music "caught between their earlier aggression and a calmer, more immediately accessible approach. This turned out to be the band's Achilles heel in the end, with later albums in the '80s evidence that the group had turned into an unbelievably boring, generic modern rock band. At this point, however, the tension between the two sides had a perfect balance, and as a result, Night Time is arguably the quartet's freshest album since its debut, with a warm, anthemic quality now supplementing the blasting, driving approach that made the band's name". Adrian Begrand of PopMatters opined that, with the album, the band "perfected" their "balance between antagonism and accessibility" and that "the band are simply on fire on this record".
You took me down
you knocked me out
so fast it wasn't funny
in the first round I found out
how you operate
when I woke up the next day
bleeding on the sidewalk
it was then I knew without a doubt
I had finally found me
my best friend he once was yours
he gave you all his love and money
but you wore him down behind closed doors
even outside on the street
and when he left he wondered why
he wondered how he could deserve you
but now I see that I was worn
cause you weren't all that sweet
So many days have come and gone
and still I always catch you watching
you sit and wait for something wrong
I like to think maybe I've grown
but every night when I walk home
and life it settles on my shoulders
its funny how I just keep on
knowing life is not my own
in a ruthless city
in a ruthless city
in a ruthless city
in a ruthless city
in a ruthless city