Monona, Iowa

Monona is a city in Clayton County, Iowa, United States. The population was 1,549 at the 2010 census.

History

The name Monona is of American Indian origin.

In 1916, Monona contained a public house, two stores, and several mechanic shops.

Geography

Monona is located at 43°3′5″N 91°23′26″W / 43.05139°N 91.39056°W / 43.05139; -91.39056 (43.051258, -91.390529).

According to the United States Census Bureau, the city has a total area of 1.17 square miles (3.03 km²), all of it land.

Demographics

2010 census

As of the census of 2010, there were 1,549 people, 675 households, and 440 families residing in the city. The population density was 1,323.9 inhabitants per square mile (511.2/km²). There were 725 housing units at an average density of 619.7 per square mile (239.3/km²). The racial makeup of the city was 98.3% White, 0.5% African American, 0.1% Native American, 0.3% Asian, 0.3% from other races, and 0.6% from two or more races. Hispanic or Latino of any race were 1.0% of the population.

Iowa

Iowa (ⁱ/ˈaɪ.əwə/) is a U.S. state in the Midwestern United States, bordered by the Mississippi River on the east and the Missouri River and the Big Sioux River on the west, by Wisconsin and Illinois to the east, Missouri to the south, Nebraska and South Dakota to the west, and Minnesota to the north.

In colonial times, Iowa was a part of French Louisiana and Spanish Louisiana; its state flag is patterned after the flag of France. After the Louisiana Purchase, settlers laid the foundation for an agriculture-based economy in the heart of the Corn Belt.

In the latter half of the 20th century, Iowa's agricultural economy made the transition to a diversified economy of advanced manufacturing, processing, financial services, information technology, biotechnology, and green energy production. Iowa is the 26th most extensive in land area and the 30th most populous of the 50 United States. Its capital and largest city is Des Moines. Iowa has been listed as one of the safest states in which to live. Its nickname is the Hawkeye State.

Iowa (steamboat)

The Steamboat Iowa was revered as one of the largest and fastest boats on the Mississippi in the mid 19th century; it is incorporated into the official Seal of Iowa. Built in 1838, the Iowa was the first vessel named for the newly formed Territory of Iowa. It weighed 112 tons, could pull 10 keelboats, and it set the speed record from Galena, Illinois to St. Louis in 1843, making the trip in 44 hours, a record that held until 1849. The Iowa was hired by Mormon supporters of Joseph Smith, Jr. as part of a plan to rescue him from jail in June 1843; the excursion was cancelled after Smith was murdered in jail. The Iowa sunk after a collision with the steamboat Declaration on Oct. 1, 1847 while traveling from New Orleans to St. Louis. This liability for this collision was ultimately decided by the U.S. Supreme Court case John Walsh v. Patrick Rogers (54 U.S. 283- 1852). However, the Iowa was apparently rebuilt, or a new steamboat was later rechristened Iowa, since similar side-wheeler appeared twice in Barber and Howe's 1865 Loyal West in the Time of Rebellion, and there is reference to the Iowa being used as a troop transport during the Civil War.

IOWA

IOWA is an independent neo-noir film directed, written and starring Matt Farnsworth. The film follows two young Iowan lovers who decide to cook their own methamphetamine. The film was met with highly negative reviews.

Plot

After his father dies, Esper Harte learns that he may collect on his father's insurance. However, his mother and a crooked cop want to get rid of him so that they can take the money. Desperate to escape their problems, Esper and his girlfriend, Donna Huffman, decide to cook their own methamphetamine.

Cast

Release

IOWA premiered at the Tribeca Film Festival on April 22, 2005.

Reception

The film received negative reviews. Rotten Tomatoes reports 15% of surveyed critics liked it, with a 3.9/10 rating average out of 13 reviews.Metacritic gave it a score of 35/100, indicating "generally unfavorable reviews".

Slant Magazine called the film "stupendously slipshod" and "meandering, amateurish sleaze", while The New York Times criticized the lack of subtlety. In a more positive review, The Village Voice praised the film's energy and acting.Monsters and Critics said "This story and the characters in it are as real as the day is long and faithful to all that is good and bad about growing up with ever shrinking horizons."