Count (disambiguation)

Count or The Count may refer to:

Maths

People

Arts, entertainment, and media

Fictional entities

Music

Groups

Songs

Vote counting system

There exist various methods through which the ballots cast at an election may be counted, prior to applying a voting system to obtain one or more winners.

Manual counting

Manual counting requires a physical ballot that represents voter intent. The physical ballots are read and interpreted; then results are individually tabulated. This method is used in Sweden for example, and conducted as follows. The voter casts three ballots, one for each of the three elections (national, regional, and local), each in a sealed envelope. The party and candidate names are pre-printed on the ballot, or the voter can write them in on a blank ballot. When voting has finished, all envelopes are opened on the counting table, for one election at a time. They are sorted in piles according to party, inspecting them for validity. The piles are then counted manually, while witnesses around the table observe. The count is recorded, and the same pile is counted again. If the results do not agree, it is counted a third time. When all piles are counted and the results agree, the result is certified and transmitted for central tabulation. The count as received is made public, to allow anyone to double-check the tabulation and audit the raw data. There appears to be a high level of confidence in this system among the population, as evidenced by the lack of criticism of it.

Count (baseball)

In baseball and softball, the count refers to the number of balls and strikes a batter has in his current plate appearance. It is usually announced as a pair of numbers, for example, 3-1 (pronounced as "three and one," or, alternatively, "a three-one count"), with the first number being the number of balls and the second being the number of strikes.

An individual pitch may also be referred to by the count prior to its delivery, for example, a pitch thrown with a count of three balls and one strike would be called a "three-one pitch."

A count of 1-1 or 2-2 is called even. Zero is commonly pronounced "oh," although a 0-0 count is rarely expressed as such — the count is typically not mentioned until at least one pitch has been thrown.

The home plate umpire will signal the count with the number of balls on his left hand, and the number of strikes on his right hand. (As a result, it reads backwards when viewed from the pitcher's point of view.) Individual umpires vary in how frequently they give this signal; it is often done as a reminder when there has been a slight delay between pitches (such as the batter stepping out of the batter's box). It can also be a signal to the scoreboard operator that an incorrect count is being shown on the board. Some umpires may also give the count verbally, although usually only the batter and the catcher can hear it.

3 Count

3 Count was a professional wrestling stable in World Championship Wrestling (WCW) which formed in 1999. The group consisted of Shane Helms, Shannon Moore and Evan Karagias and they were given a boy band gimmick. For a brief time, Tank Abbott was added to the group as a manager and enforcer.

History

Creation

Shane Helms and Shannon Moore both signed contracts in May 1999. Almost immediately, in December 1999, Jimmy Hart put them together with Evan Karagias as a group to both capitalize on and make fun of the success of boy bands at the time.

Their gimmick was first introduced to the public with vignettes disguised as music videos for their (Hart penned) pop song Can't Get You Outta My Heart. From there they progressed to performing live on WCW Monday Nitro, dancing on green circles in the ring and lip syncing their song before their matches. Later on they recorded a new song, Dance With 3 Count, which replaced Can't Get You Outta My Heart as their theme music. They had a long-standing feud with another cruiserweight trio known as The Jung Dragons.

Remix (I Like The)

"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.

"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.

Critical reception

PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.

Remix (book)

Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.

Monkey (TV series)

Saiyūki (西遊記) (lit. "Journey to the West"), also known by its English title Monkey, also commonly referred to as "Monkey Magic" (the show's title song), is a Japanese television drama based on the Chinese novel, Journey to the West, by Wu Cheng'en. Filmed in north-west China and Inner Mongolia, the show was produced by Nippon Television (NTV) and International Television Films in association with NHK, and broadcast from 1978 to 1980 on Nippon Television.

Release

Two 26-episode seasons ran in Japan: the first season ran from October 1978 to April 1979, and the second one from November 1979 to May 1980, with screenwriters including Mamoru Sasaki, Isao Okishima, Tetsurō Abe, Kei Tasaka, James Miki, Motomu Furuta, Hiroichi Fuse, Yū Tagami, and Fumio Ishimori.

Starting in 1979, Saiyūki was dubbed into English by the BBC, with dialogue written by David Weir. The dubbed BBC version was broadcast under the name Monkey and broadcast in the United Kingdom by the BBC, in New Zealand by TVNZ and in Australia on the ABC.