4,4’-Oxydianiline is an organic compound with the formula O(C6H4NH2)2. It is an ether derivative of aniline. This colourless solid is a useful monomer and cross-linking agent for polymers, especially the polyimides, such as Kapton.
4,4’-Oxydianiline is used in the production of a wide variety of polymer resins. The primary use lies in the production of polyimide and poly(ester)imide resins. These resins are used for their temperature-resistant properties and are utilized in products including wire enamels, coatings, film, adhesives, insulating varnishes, coated fabrics, flame-retardant fibers, oil sealants and retainers, insulation for cables and printed circuits, and laminates and composite for aerospace vehicles.
Other applications of 4,4’-oxydianiline include the production of poly(amide)imide resins (which are used in the manufacture of heat-resistant wire enamels and coatings), as an intermediate in the manufacture of epoxy resins and adhesives, and in the production of aromatic polyether imides.
Demoxytocin (INN) (brand names Sandopart, Odeax, Sandopral), also known as desaminooxytocin or deaminooxytocin, as well as 1-(3-mercaptopropanoic acid)oxytocin ([Mpa1]OT), is an oxytocic peptide drug and synthetic analogue of oxytocin that is marketed in several European countries, including Italy, Czechoslovakia, and Poland. It has the amino acid sequence Mpa-Tyr-Ile-Gln-Asn-Cys-Pro-Leu-Gly-NH2 (Mpa = β-mercaptopropionic acid), and is an analogue of oxytocin wherein the leading cysteine is replaced with β-mercaptopropionic acid. Demoxytocin has similar activities as oxytocin, but is more potent and has a longer half-life in comparison. Unlike oxytocin, which is given via intravenous injection, demoxytocin is administered as a buccal tablet formulation. It is used to induce labor,promote lactation, and to prevent and treat puerperal (postpartum) mastitis (breast inflammation). The drug was first synthesized in 1960 and was introduced into clinical practice in 1971 by Sandoz.
HIStory: Past, Present and Future, Book I (usually shortened to HIStory) is the ninth overall studio album and his fifth under Epic Records by American recording artist Michael Jackson. It was released on June 16, 1995 by Epic Records. This is Jackson's first album on his own label, MJJ Productions, and consists of two discs: the first disc (HIStory Begins) is a compilation of some of his greatest hits from 1979 onward, while the second disc (HIStory Continues) is a studio album composed entirely of new material. The majority of the second disc's tracks were written and produced by Jackson, often in conjunction with collaborators.
HIStory was Jackson's return to releasing music following the accusation of child sexual abuse in August 1993. Many of the 15 songs pertain to the accusations and Jackson's mistreatment in the media, specifically the tabloids. The songs' themes include environmental awareness, isolation, greed, suicide and injustice.
HIStory is Jackson's most controversial album. Jackson was accused of using anti-Semitic lyrics in "They Don't Care About Us". Jackson stated that he did not mean any offense and on multiple occasions denied anti-Semitism. The dispute regarding the lyrics ended with Jackson re-recording them. R. Kelly was accused of plagiarizing one of the album's songs, "You Are Not Alone". In 2007 a judge ruled that the song was plagiarized and the song was subsequently banned from radio stations in Belgium.
"Money" is a song by industrial rock group KMFDM from their 1992 album of the same name. It was released as a single in 1992, and released as a 7" in 2008, as the ninth release of KMFDM's 24/7 series. The song charted at No. 36 in July 1992 on Billboard's Dance/Club Play Songs Chart.
"Money" is a song by the English progressive rock band Pink Floyd from their 1973 album The Dark Side of the Moon. Written by Roger Waters, it opened side two of the LP.
Released as a single, it became the band's first hit in the US, reaching No. 10 in Cashbox magazine and No. 13 on the Billboard Hot 100. "Money" is noted for its unusual 7/4–4/4 time signature, and the tape loop of money-related sound effects (such as a ringing cash register and a jingle of coins) that is heard periodically throughout the song.
Although Roger Waters and David Gilmour stated that the song had been composed primarily in 7/8 time; it was composed in 7/4, as stated by Gilmour in an interview with Guitar World magazine in 1993.
The song changes to 4/4 time for an extended guitar solo. The first of three choruses which comprise the solo was recorded using real-time double tracking. Gilmour played the chorus nearly identically in two passes recorded to two different tracks of a multi-track tape machine. The second chorus is a single guitar. The doubled effect for the third chorus was created using automatic (or "artificial") double-tracking (ADT).
Con el calor de una sonrisa
Y el perfume de la brisa
Llegas tú, llegas tú
Pequeña como los luceros
Y diciéndome un te quiero
Llegas tú, llegas tú
No sé si estás
Pensando en realidad
Que eres mi verdad
Que cada día más
Te quiero
Ven enseñame a soñar
Pues sabes que al marchar
No te podré abrazar (2x)
Si todo el mundo fuera mío
Las estrellas ó el rocío
Fueras tú, fueras tú
Y dando tumbos al vacío
Volaríamos unidos
Porque yo, porque yo
No sé si estás
Pensando en realidad
Que eres mi verdad
Que cada día más
Te quiero
Ven enseñame a soñar
Pues sabes que al marchar
No te podré abrazar (2x)
Te quiero
Ven enseñame a soñar
Pues sabes que al marchar
No te podré abrazar (2x)