Mold (album)

Mold is the fourth studio album made by the supergroup Praxis, released in 1998.

Track listing

All music composed by Bill Laswell.

Personnel

! (album)

! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.

Track listing

Personnel

The following people were involved in the making of !:

References

"@" (album)

"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.

Reception

Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".

Track listing

All compositions by John Zorn and Thurston Moore

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.

Arthur Mold

Arthur Webb Mold (27 May 1863 – 29 April 1921) was an English professional cricketer who played first-class cricket for Lancashire as a fast bowler between 1889 and 1901. A Wisden Cricketer of the Year in 1892, he was selected for England in three Test matches in 1893. Mold was one of the most effective bowlers in England during the 1890s but his career was overshadowed by controversy over his bowling action. Although he took 1,673 wickets in first-class matches, many commentators viewed his achievements as tainted.

Mold began his professional cricket career playing for Banbury and Northamptonshire in the mid-1880s, but by 1889 had qualified to play for Lancashire at county level. Immediately successful, he quickly established a good bowling partnership with Johnny Briggs and became one of the leading bowlers in the country. However, he only achieved selection for England in one series in 1893. Many critics thought he threw rather than bowled the ball, and he was among several bowlers at the time about whom there were similar suspicions. Controversy erupted in 1900 when Mold was no-balled for throwing by Jim Phillips, an umpire who had targeted several prominent bowlers with dubious bowling actions. After Mold avoided several games in which Phillips was umpire, the affair came to a head in 1901. On the opening morning of a match, Phillips repeatedly no-balled Mold. Several of Mold's team-mates and most Lancashire supporters continued to believe that Mold bowled legally, but his reputation was ruined and, after three more appearances in 1901, he retired at the end of the season. After his departure from the game, throwing ceased to be a concern in English cricket for 50 years.