Modern

Modern may refer to:

  • Modern history
  • Early Modern period
  • Late Modern period
  • 18th century
  • 19th century
  • 20th century
  • Contemporary history
  • Moderns, a faction of Freemasonry that existed in the 18th century
  • Modernity, a loosely defined concept delineating a number of societal, economic and ideological features that contrast with "pre-modern" times or societies
  • Late modernity
  • Modernism
  • Modernist poetry
  • Modern art, a form of art
  • Modern dance, a dance form developed in the early 20th century
  • Modern architecture, a broad movement and period in architectural history
  • Modern music (disambiguation)
  • Geography

  • Modra, a Slovak city, referred to in the German language as "Modern"
  • Fonts

  • Modern (typeface), a raster font packaged with Windows XP
  • Another name for the typeface classification known as Didone (typography)
  • Modern, a generic font family name for fixed-pitch serif and sans serif fonts (for example, Courier and Pica), used e.g. in OpenDocument format or Rich Text Format
  • Modern (political party)

    Modern (Polish: Nowoczesna, styled as .Nowoczesna), is a liberal political party in Poland founded in late May 2015 by the economist Ryszard Petru.

    The party received 7.6% of votes in the 2015 Polish parliamentary election, which resulted in winning 28 seats in Sejm. Paweł Kobyliński, elected to the Sejm from Kukiz'15's electoral list moved to Modern's parliamentary group in December 2015, thus the party now has 29 seats.

    Formation

    The movement was founded in late May 2015 as NowoczesnaPL (ModernPL) by economist Ryszard Petru. Due to some controversy over its name – there had already been a non-governmental organization called Fundacja Nowoczesna Polska (Modern Poland Foundation) – in August 2015, the movement's name was changed to .Modern (.Nowoczesna). Around the same time, the party's new logo was presented, and Kamila Gasiuk-Pihowicz became its spokesperson.

    Election results

    Sejm

    References

    External links

  • Official website
  • Metro (design language)

    Metro is a typography- and geometry-focused design language created by Microsoft primarily for user interfaces. A key design principle is better focus on the content of applications, relying more on typography and less on graphics ("content before chrome"). Early examples of Metro principles can be found in Encarta 95 and MSN 2.0. The design language evolved in Windows Media Center and Zune and was formally introduced as "Metro" during the unveiling of Windows Phone 7. It has since been incorporated into several of the company's other products, including the Xbox 360 system software, Xbox One, Windows 8, Windows Phone, and Outlook.com under the names Microsoft design language and Modern UI after Microsoft discontinued the name "Metro" allegedly because of trademark issues.

    History

    The design language is based on the design principles of classic Swiss graphic design. Early glimpses of this style could be seen in Windows Media Center for Windows XP Media Center Edition, which favored text as the primary form of navigation. This interface carried over into later iterations of Media Center. In 2006, Zune refreshed its interface using these principles. Microsoft designers decided to redesign the interface and with more focus on clean typography and less on UI chrome. These principles and the new Zune UI were carried over to Windows Phone (from which much was drawn for Windows 8). The Zune Desktop Client was also redesigned with an emphasis on typography and clean design that was different from the Zune's previous Portable Media Center based UI. Flat colored "live tiles" were introduced into the design language during the early Windows Phone's studies.

    Modern dance

    Modern dance is a broad genre of western concert or theatrical dance (as opposed to participation dance), primarily arising out of Germany and the United States in the late 19th and early 20th centuries.

    The oversimplification of modern dance's history often leads to the erroneous explanation that the art form emerged merely as a rejection of, or rebellion against classical ballet. An in-depth analysis of the context of the emergence of modern dance reveals that as early as the 1880s, a range of socioeconomic changes in both the United States and Europe was initiating tremendous shifts in the dance world.

    In America, increasing industrialization, the rise of a middle class (which had more disposable income and free time), and the decline of Victorian social strictures led to, among other changes, a new interest in health and physical fitness. "It was in this atmosphere that a 'new dance' was emerging as much from a rejection of social structures as from a dissatisfaction with ballet." During that same period, "the champions of physical education helped to prepare the way for modern dance, and gymnastic exercises served as technical starting points for young women who longed to dance"—and women's colleges were already offering "aesthetic dance" courses by the end of the 1880s

    Modern (Amber Smith album)

    Modern is the sixth studio album recorded by Amber Smith. The album was released on 6th April 2015 by the German Kalinkaland Records. This was the first record with guitarist Tamás Faragó and bassist Oleg Zubkov.

    Track listing

  • "The Day After
  • " Barking Dog
  • " Hold On To Your Love
  • " Let Go
  • " Flame To The Fire
  • " Memories of TV
  • " Same Old Tune
  • " Batman vs Joker
  • " The Return
  • " Into the Blue
  • Personnel

    The following people contributed to Modern:

    References

    External links

  • Amber Smith at Kalinkaland's webpage
  • Amber Smith at Amber Smith's webpage
  • Didone (typography)

    Didone is a genre of serif typeface that emerged in the late 18th century and is particularly popular in Europe. It is characterized by:

  • Narrow and unbracketed (hairline) serifs. (The serifs have a constant width along their length.)
  • Vertical orientation of weight axes. (The vertical strokes of letters are thick.)
  • Strong contrast between thick and thin lines. (Horizontal parts of letters are thin in comparison to the vertical parts.)
  • Some stroke endings show ball terminals. (Many lines end in a teardrop or circle shape, rather than a plain wedge-shaped serif.)
  • An unornamented, "modern" appearance.
  • The category is also known as modern or modern face serif fonts, in contrast to old style serif designs, which date to the Renaissance period.

    History

    Didone types were developed by printers including Firmin Didot, Giambattista Bodoni and Justus Erich Walbaum, whose eponymous typefaces, Bodoni, Didot, and Walbaum, remain in use today. Their goals were to create more elegant, classical designs of printed text, developing the work of John Baskerville in Birmingham and Fournier in France towards a more extreme, precise design with intense precision and contrast, showing off the increasingly refined printing and paper-making technologies of the period. These trends were also accompanied by changes to page layout conventions and the abolition of the long s.

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