Insight is an American religious-themed weekly anthology series that aired in syndication from October 1960 to 1983. Produced by Paulist Productions in Los Angeles, the series presented half-hour dramas illuminating the contemporary search for meaning, freedom, and love. Insight was an anthology series, using an eclectic set of story telling forms including comedy, melodrama, and fantasy to explore moral dilemmas.
The series was created by Roman Catholic priest Ellwood E. "Bud" Kieser, the founder of Paulist Productions. A member of the Paulist Fathers, an evangelistic Catholic order of priests, he worked in the entertainment community in Hollywood as a priest-producer and occasional host, using television as a vehicle of spiritual enrichment. Many of the episodes of the series were videotaped at CBS Television City and then Metromedia Square.
The anthology format and the religious nature of the program attracted a wide variety of actors (including Jeff Hunter, Ed Asner, Jack Albertson, Beau Bridges, Carol Burnett, Ron Howard, Cindy Williams, Patty Duke, Ann Jillian, Wesley Eure, Bob Hastings, Cicely Tyson, James Doohan, Ricky Kelman, Jack Klugman, Robert Lansing, Randolph Mantooth, Walter Matthau, Deborah Winters, Bob Newhart, Bill Bixby, John Ritter, Bill Mumy, Mark Hamill, Flip Wilson, Keenan Wynn, Marty Feldman, Michael Shea, and Martin Sheen), directors (such as Marc Daniels, Arthur Hiller, Norman Lloyd, Delbert Mann, Ted Post, Jay Sandrich, and Jack Shea), and writers (Rod Serling, John T. Dugan, Lan O'Kun, and Michael Crichton) to work on the series.
Edan Portnoy, better known mononymously as Edan, is an American alternative hip hop artist from Rockville, Maryland. He is an alumnus of Berklee College of Music.
Edan released the first album, Primitive Plus, on Lewis Recordings in 2002. It was described by The A.V. Club as "one of the year's most promising debuts". He released the EP, Sprain Your Tapedeck, later that year.
His second album, Beauty and the Beat, was released in 2005. It features vocal contributions from Mr. Lif and Insight.
Edan released the 29-minute mixtape, Echo Party, in 2009.
Insight is an album by saxophonist/flautist Prince Lasha which was recorded in England in 1966 and originally released on the CBS label.
Allmusic awarded the album 4 stars with its review by Thom Jurek stating: "this is not an exploratory outside date, but a straight-ahead session of originals and standards, divided between uptempo numbers and ballads. ...For all its traditionalism, this is indeed a major date for Lasha and reveals how deeply ensconced he was in the bop and swing lineages".
All compositions by Prince Lasha except as indicated
In user interface design, a mode is a distinct setting within a computer program or any physical machine interface, in which the same user input will produce perceived different results than it would in other settings. The best-known modal interface components are probably the Caps lock and Insert keys on the standard computer keyboard, both of which put the user's typing into a different mode after being pressed, then return it to the regular mode after being re-pressed.
An interface that uses no modes is known as a modeless interface. Modeless interfaces intend to avoid mode errors by making it impossible for the user to commit them.
A precise definition is given by Jef Raskin in his book The Humane Interface:
"An human-machine interface is modal with respect to a given gesture when (1) the current state of the interface is not the user's locus of attention and (2) the interface will execute one among several different responses to the gesture, depending on the system's current state." (Page 42).
In literature, a mode is an employed method or approach, identifiable within a written work. As descriptive terms, form and genre are often used inaccurately instead of mode; for example, the pastoral mode is often mistakenly identified as a genre. The Writers Web site feature, A List of Important Literary Terms, defines mode thus:
In his Poetics, the ancient Greek philosopher Aristotle uses 'mode' in a more specific sense. Kinds of 'poetry' (the term includes drama, flute music, and lyre music for Aristotle), he writes, may be differentiated in three ways: according to their medium of imitation, according to their objects of imitation, and according to their mode or 'manner' of imitation (section I). "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III). According to this definition, 'narrative' and 'dramatic' are modes of fiction:
In linguistics, grammatical mood (also mode) is a grammatical feature of verbs, used for signaling modality. That is, it is the use of verbal inflections that allow speakers to express their attitude toward what they are saying (e.g. a statement of fact, of desire, of command, etc.). The term is also used more broadly to describe the syntactic expression of modality, that is, the use of verb phrases that do not involve inflexion of the verb itself.
Mood is distinct from grammatical tense or grammatical aspect, although the same word patterns are used for expressing more than one of these meanings at the same time in many languages, including English and most other modern Indo-European languages. (See tense–aspect–mood for a discussion of this.)
Some examples of moods are indicative, interrogatory, imperative, emphatic, subjunctive, injunctive, optative, potential. These are all finite forms of the verb. Infinitives, gerunds, and participles, which are non-finite forms of the verb, are not considered to be examples of moods.