Coldcut

Coldcut are an English electronic music duo composed of Matt Black and Jonathan More. Credited as pioneers for pop sampling in the ‘80s, Coldcut are also considered the first stars of UK electronic dance music due to their innovative style, which featured cut-up samples of hip-hop, breaks, jazz, spoken word and various other types of music, as well as video and multimedia. According to Spin, "in ’87 Coldcut pioneered the British fad for ‘DJ records’".

Coldcut's records first introduced the public to pop artists Yazz and Lisa Stansfield, through which these artists achieved pop chart success. In addition, Coldcut has remixed and created productions on tracks by the likes of Eric B & Rakim, James Brown, Queen Latifah, Eurythmics, INXS, Steve Reich, Blondie, The Fall, Pierre Henri, Nina Simone, Fog, Red Snapper, and BBC Radiophonic Workshop.

Beyond their work as a production duo, Coldcut are the founders of Ninja Tune, an independent record label in London, England (with a satellite office in Montreal) with an overall emphasis on encouraging interactive technology and finding innovative uses of software. The label’s first releases (the first four volumes of DJ Food - 'Jazz Brakes') were produced by Coldcut in the early 90s, and composed of instrumental hip-hop cuts that led the duo to help pioneer the trip hop genre, with artists such as Funky Porcini, The Herbaliser and DJ Vadim.

Beat

Beat or beats may refer to:

Business and organisations

Common usage

Beats (video game)

Beats is a rhythm-based video game for the Sony PlayStation Portable handheld gaming system. It was released in 2007 at the PlayStation Store.

Description

In addition to downloading music from the Internet, users may also use their own music to play along to in the My Music Challenge mode. Beats automatically loads the track titles and artist names of the songs it finds on the user's PSP. However, the game will only read up to 127 tracks for the user to choose from. There is as yet no explanation from Sony for this limitation, nor is it obvious how the game determines which 127 tracks are loaded from the library. (What is known is that the game loads the same set of tracks from the user's /MUSIC directory each time.)

During the game, three stationary targets, or landing points, (just one in Novice mode) are spaced evenly at the center of the screen. Symbols appear from off the screen and glide towards these targets in rhythm with the music. The symbols represent notes that players are meant to synchronize their button presses to and are identified by the four PlayStation face buttons: circle, "x", square, and triangle. These notes are generated based on the rhythm of the music using a beat tracking algorithm. While often occurring on the beat, notes can also occur off the beat at times. Tracks with greater emphasis on rhythm, especially techno songs with a strong, well-defined beat or powerful bass lines, generate the best in-game beat patterns.

Beat (music)

In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level (or beat level). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, beat can refer to a variety of related concepts including: tempo, meter, specific rhythms, and groove.

Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications.

Metric levels faster than the beat level are division levels, and slower levels are multiple levels. See Meter (music)#Metric structure. Beat has always been an important part of music.

Downbeat and upbeat

The downbeat is the first beat of the bar, i.e. number 1. The upbeat is the last beat in the previous bar which immediately precedes, and hence anticipates, the downbeat. Both terms correspond to the direction taken by the hand of a conductor.