Misty (cigarette)

Misty was first produced in 1990 by Brown and Williamson, which is now a product of R. J. Reynolds Tobacco Company which is known as Reynolds American.

The product comes in lights and ultra lights. They manufacture them in 100mm and 120mm cigarettes. They believe to be cheaper than the two most competitive slim cigarettes in the market Virginia Slims and Capri.

Varieties

Misty (comics)

Misty was a British comic for girls published by Fleetway in London from 4 February 1978 until 1984, after merging with Tammy on 19 January 1980. It consisted of a collection of many small strips, with the stories themselves normally being three or four pages long. As well as the weekly comic, Christmas annuals were also published.

While there were similarities with its Fleetway stablemates Tammy and Jinty, each comic had its own focus, with Misty concentrating on supernatural and horror stories. These consisted of complete stories, text stories, and serials. Complete stories focused on come-uppances, monsters and other menaces, tales of sorrow or lightheartedness, and some made their point without supernatural elements, such as Mr Walenski's Secret and Sticks and Stones. Text stories were initially fictional, but later shifted to retellings of true British ghost stories, some of which were submitted by readers.

Misty had no regular characters except for the cartoon witch, Miss T. This cartoon attracted debate among readers as to whether its comic relief weakened or complemented the dark tones of Misty. After the merger, Miss T joined the Edie strip in Tammy, which eventually became The Crayzees when Snoopa joined in the Tammy and Jinty merger on 28 November 1981, and continued until the Tammy and Princess merger on 7 April 1984. "The Cult of the Cat" and "The Black Widow" were the only Misty stories to have sequels, although the sequel for the latter was published in the merger.

Misty (film)

Misty is a 1961 children's film based on Marguerite Henry's 1947 award-winning children's book Misty of Chincoteague. It recounts the true story of the special bond that develops between two young children and a centuries-old herd of wild ponies living on a coastal island off the coast of Virginia and a real-life Chincoteague Pony named Misty.

The storyline & the 1961 filming

Set on the island of Chincoteague on the Delmarva Peninsula in Virginia, Misty was filmed entirely on-location in Chicoteague, and on the nearby barrier island known as Assateague. The story is based on the annual "Pony Swim", an event held in the Chincoteague area each year, that involves rounding up some of the wild ponies who live on Assateague Island to swim across the channel. Some of the colts and yearlings are then sold at auction as a means of thinning out the herd, and as a benefit for the local Chincoteague Volunteer Fire Department.

The story features two real life characters of Chincoteague, Paul and Maureen Beebe, a young brother and sister who befriend an elusive mare on Assateague named the Phantom, and later come to own her foal, Misty. Using local people from the town in most of the roles, the film stars only six professional actors, including Arthur O'Connell, Anne Seymour, Pam Smith, and future Hollywood executive David Ladd. The horse Misty was played in the film by another pony, although the real Misty can be seen in some scenes.

Eye

Eyes are the organs of vision. They detect light and convert it into electro-chemical impulses in neurons. In higher organisms, the eye is a complex optical system which collects light from the surrounding environment, regulates its intensity through a diaphragm, focuses it through an adjustable assembly of lenses to form an image, converts this image into a set of electrical signals, and transmits these signals to the brain through complex neural pathways that connect the eye via the optic nerve to the visual cortex and other areas of the brain. Eyes with resolving power have come in ten fundamentally different forms, and 96% of animal species possess a complex optical system. Image-resolving eyes are present in molluscs, chordates and arthropods.

The simplest "eyes", such as those in microorganisms, do nothing but detect whether the surroundings are light or dark, which is sufficient for the entrainment of circadian rhythms. From more complex eyes, retinal photosensitive ganglion cells send signals along the retinohypothalamic tract to the suprachiasmatic nuclei to effect circadian adjustment and to the pretectal area to control the pupillary light reflex.

Bud

In botany, a bud is an undeveloped or embryonic shoot and normally occurs in the axil of a leaf or at the tip of a stem. Once formed, a bud may remain for some time in a dormant condition, or it may form a shoot immediately. Buds may be specialized to develop flowers or short shoots, or may have the potential for general shoot development. The term bud is also used in zoology, where it refers to an outgrowth from the body which can develop into a new individual.

Overview

The buds of many woody plants, especially in temperate or cold climates, are protected by a covering of modified leaves called scales which tightly enclose the more delicate parts of the bud. Many bud scales are covered by a gummy substance which serves as added protection. When the bud develops, the scales may enlarge somewhat but usually just drop off, leaving on the surface of the growing stem a series of horizontally-elongated scars. By means of these scars one can determine the age of any young branch, since each year's growth ends in the formation of a bud, the formation of which produces an additional group of bud scale scars. Continued growth of the branch causes these scars to be obliterated after a few years so that the total age of older branches cannot be determined by this means.

Eye (magazine)

For the Toronto-based weekly see Eye Weekly.

Eye magazine, the international review of graphic design, is a quarterly print magazine on graphic design and visual culture.

History

First published in London in 1990, Eye was founded by Rick Poynor, a prolific writer on graphic design and visual communication. Poynor edited the first twenty-four issues (1990-1997). Max Bruinsma was the second editor, editing issues 25–32 (1997–1999), before its current editor John L. Walters took over in 1999. Stephen Coates was art director for issues 1-26, Nick Bell was art director from issues 27-57, and Simon Esterson has been art director since issue 58.

Frequent contributors include Phil Baines, Steven Heller, Steve Hare, Richard Hollis, Robin Kinross, Jan Middendorp, J. Abbott Miller, John O’Reilly, Rick Poynor, Alice Twemlow, Kerry William Purcell, Steve Rigley, Adrian Shaughnessy, David Thompson, Christopher Wilson and many others.

Other contributors have included Nick Bell (creative director from issues 27-57), Gavin Bryars, Anne Burdick, Brendan Dawes, Simon Esterson (art director since issue 58), Malcolm Garrett, Anna Gerber, Jonathan Jones, Emily King, Ellen Lupton, Russell Mills, Quentin Newark, Tom Phillips, Robin Rimbaud, Stefan Sagmeister, Sue Steward, Erik Spiekermann, Teal Triggs, Val Williams and Judith Williamson.