Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
"Mississippi" is the second song on Bob Dylan's 2001 album Love and Theft. The song was originally recorded during the Time Out of Mind sessions (demo sessions in Fall 1996; official album sessions in January 1997), but it was ultimately left off the album. Dylan rerecorded the song for Love and Theft in May 2001. Described as having beauty and gravitas, the song features a pop chord progression and with a riff and lyrical theme similar to "Stuck Inside of Mobile with the Memphis Blues Again".
Three outtakes of the song from the Time Out Of Mind sessions were included in Dylan's 2008 "official" bootleg album Tell Tale Signs: Rare and Unreleased 1989–2006 (two versions on the generally released discs and one on a bonus disc included with the Deluxe Edition of the album).
Dylan offered the song to Sheryl Crow, who recorded it for her The Globe Sessions, released in 1998, before Dylan revisited it for Love and Theft. Crow's version reworked the song's melody, phrasing, and arrangement, and has been described contrastingly as "remarkable" and as "forgettable, head-bopping pop".
Mississippi i/ˌmɪsᵻˈsɪpi/ is a state located in the southern region of the United States.
Jackson is the state capital and largest city, with a population of around 175,000 people. The state overall has a population of around 3 million people. Mississippi is the 32nd most extensive and the 32nd most populous of the 50 United States.
The state is heavily forested outside of the Mississippi Delta area. Its riverfront areas were cleared for slave-cultivated cotton production before the American Civil War, but after the war, the bottomlands were cleared mostly by freedmen. African Americans made up two-thirds of the property owners in the Delta by the end of the 19th century, but timber and railroad companies acquired much of the land. Clearing altered the ecology of the Delta, increasing the severity of flooding along the Mississippi. Much land is now held by agribusinesses. A largely rural state with agricultural areas dominated by industrial farms, Mississippi is ranked low or last among the states in such measures as health, educational attainment, and median household income. The state's catfish aquaculture farms produce the majority of farm-raised catfish consumed in the United States.
Mississippi was an Australian band (1972–1975), which featured some big names in Australian rock music including Graeham Goble, Beeb Birtles and Kerryn Tolhurst. The band started as Allison Gros in Adelaide, South Australia in 1970 and moved to Melbourne in 1971 where they recorded as Allison Gros, Drummond and in 1972 became Mississippi which eventually evolved into Little River Band by 1975.
"Allison Gross" is a traditional English folk ballad with the most widely recognised version recorded by Steeleye Span on their 1973 album Parcel of Rogues. The Adelaide based folk-rock band Allison Gros is believed to be named after this folk ballad and consisted of Graeham Goble (vocals, guitar), Russ Johnson (vocals, guitar), John Mower (vocals, guitar) and Shane Simons (drums). They recorded one single on independent label Gamba "Naturally" released in 1970. The band moved to Melbourne in 1971 and signed to the Fable Records label and released two singles; "If I Ask You" and "All the Days". Under the pseudonym Drummond they recorded a 'chipmunk' version of the 1950s rock song "Daddy Cool", which spent 7 weeks at the top of the Australian national charts from September 1971. The success of their single rode largely on the back of the success of Australian band Daddy Cool, who had scored a number one hit for 10 weeks with "Eagle Rock", which Drummond's single replaced at #1.
Mississippi is a state of the United States of America.
Mississippi also may refer to: