The Mirror 16 is a class of sailing dinghy which was sponsored by the Daily Mirror newspaper in 1963 and the design project was headed by Jack Holt. Its design was based upon the easy to construct stitch and glue principle introduced by Barry Bucknell for the Mirror 11 dinghy. The Mirror 16 was designed for the racing enthusiast and also the camping/potterer dinghy sailor. The concept was a relatively light dinghy with a large sail area that could easily be reefed. The main sail was designed for slab reefing and the large genoa had roller reefing. The Mirror 16, like the Mirror 11, was produced with distinctive red sails. The Mirror 16 was faster than the Proctor-designed Wayfarer.
There were no plans and boats were built from kits provided by Bell Woodworking Company, the parts being made from templates. Bell Woodworking Company no longer exists and the templates have been lost. Currently a small group of enthusiasts are trying to recreate the design templates.
Mirror is the combined form of the Mini-Cons Rook and Crosswise, the partners of the enigmatic Sideways. Little is known about this tiny combiner's personality or abilities, as he is generally seen only as a passenger for the treacherous bulk's vehicle mode, generally separating when his master transforms so that one of his halves can form Sideways's head.
In his debut episode, Gale, he uses a disguaise to appear more like a motorcyclist. His head looks like a helmet, which is revealed to be a hologram. His body is covered in a leather outfit, which is later revealed to fold into Crosswise's Powerlinx port, or the equivalent of a belt buckle on Mirror. This disguise is never used again. He has no official English-language name, the closest he has being "Twins", as Sideways was originally solicited as "Sideways with Twins" rather than "Sideways with Rook and Crosswise". Thus, one could consider him this decade's equivalent of Bumper.
The Mirror is a very popular sailing dinghy, with more than 70,000 built.
The Mirror was named after the Daily Mirror, a UK newspaper with a largely working class distribution. The Mirror was from the start promoted as an affordable boat, and as a design it has done a great deal to make dinghy sailing accessible to a wide audience. Although most popular in the UK, Mirrors are also sailed in other countries, notably Australia, Ireland, Sweden, Canada, the Netherlands, South Africa, New Zealand, the Philippines and the United States.
The Mirror was designed by Jack Holt and TV do-it-yourself expert Barry Bucknell in 1962. It employed a novel construction method where sheets of marine plywood are held together with copper stitching and fibreglass tape. This is called tack and tape or stitch and glue construction. Buoyancy is provided by four independent integral chambers rather than by bags. It was originally designed to be built with simple tools and little experience, and this meant that the design was quite simple. For example, the characteristic 'pram' front reduces the need for the more complicated curved wooden panels and joinery needed for a pointed bow, and a daggerboard is used instead of a hinged centreboard. The result is a robust, versatile and fairly light boat that can be easily maintained and repaired, and can also be launched into the water very quickly from storage or transport. Although most experienced sailors would carry a paddle rather than oars, if necessary it rows well. If the transom is strengthened, an outboard motor can be used for propulsion.
Mirrors is the sixth studio album by Blue Öyster Cult, released in 1979. Mirrors is the first Blue Öyster Cult album not produced by long-time producer and manager Sandy Pearlman. The album is notable for a collaboration with British fantasy/science-fiction author Michael Moorcock who co-wrote a song based on his novel The Fireclown. "The Great Sun Jester" is the first of several Moorcock co-writing credits with the band.
After the success of 1976's Platinum Agents of Fortune, 1977's Gold Spectres and 1978's Platinum live effort Some Enchanted Evening, the fact that Mirrors struggled to reach Gold status was disappointing to band and label alike. According to interviews with the band and the production staff, the intent for this album was to make a high charting and glossy production; however the backlash felt from this attempt was a reason for their future pairing with Martin Birch, and their attempt to return to a darker sound.
"In Thee" was written by Allen Lanier. It went in to the chart at No. 74. A live version is featured on their 1998 album Heaven Forbid, it features two acoustic guitars and was a popular "in concert" moment from this era. The line "Jim says some destinies should not be delivered" references the Jim Carroll Band song "Day and Night."
[3-2]
Most of my life I slung drugs, with G's and thugs
always quick to bust niggaz know what it was
I must come up in a major way
time tickin boys dyin'out here everyday
they say go get it and leave the game alone
but I eat from the street-fool the street my home
before I'm gone I gotta get a million plus
so I'm whippin up work gettin rid of this dust
no trust niggaz ain't shit no mo'
they'll leave ya ass stuck out behind these hoes
po-po's is slick plant somethin in ya ride
and have ya gone for a ten year ride
southside my nigga yeah the streets is hot
so I'm makin transacts at my low key spot
keep a glock automatic with extended clips
cause I ain't tryna hear that ole weak ass shit
[Chorus x2: 3-2]
Why can't I just live my life
without goin'thru drama every single night
can't trust nobody out here it's raw
gotta watch these niggaz, bitches, and laws
[3-2]
Sleep with one eye open, one eye closed
no telling what'll happen dealin with these hoes
you slip you got back up wide open
got straight white dot to all ya tokens
you smokin with niggaz almost everyday
when the motherfuckers plottin on where you stay
another day, another dollar of this trifflin shit
to keep from killin motherfuckers I just write some hits
stang my licks on the back streets of the hood
watch these laws cause they mean a nigga no good
keep grindin, steadily puttin somethin away
if ya not kill bill ain't no time to play
yeah pay what you owe never duck and hide
everything come to life when you tell them lies
look in my eyes don't you see nothin but real
like folks that go get e'm chasin a mill
[Chorus]
[Sic]
I'm lookin for mine-you simple niggaz lookin to shine
made a stack or two and niggaz think they mastered the grind
and now you a don, gotta fiend to cop you a gun
gotta couple yes niggaz and now you ready to run
but fuck what you want the shit I speak is more then a song
I'm on the highway that's why I'm always gone
niggaz they talk I leave that kind of shit on the streets
pull ya money out nigga we can see who deep
[Playa Pat]
If it ain't one thing it's a motherfuckin 'nother
haters screamin out 'Playa'not realizin they suckers
tell me why can't I just live my life
without the drama or confusin (??)my life at me
so you don't have to wonder why I'm keepin my heat
it's better to die by fire then these bustas in these streets
we do the goverment my nigga fuck the police
until I get a decent answer let the chorus repeat sayin...