Mori

Mori is a Japanese and Italian surname. It is also the name of two clans in Japan, and one in India. There is also a village called Mori in India (East Godavari District, Andhra Pradesh).

Aramaic title of honor

Italian persons named Mori

People of Italian heritage named Mori

Mori (disambiguation)

Mori is a surname and a given name.

Mori may also refer to:

Groups

Places

List of Blame! characters

The universe of the manga Blame! created by Tsutomu Nihei is home to the following fictional characters and locations:

Main characters

Other characters

Safeguard

The Safeguard are a program independent of the netsphere. The netsphere was designed as a means of providing service to those who could log on. However, the netsphere was thrown into chaos (the actual reason is not exactly known, but the prequel manga NOiSE implies that a small group of humans is at fault) and the Safeguard changed their modus operandi from preventing unauthorized users from entering the netsphere to killing off anyone who does not possess Net Terminal Genes. The Safeguard have nine levels of hierarchy, Level 9 being the most powerful. However, their Exterminator (originally the lowest level safeguard) system has a different form of hierarchy where "First Class" is the most powerful.

MIM

MIM may refer to:

Education

Organisations

Political parties

People

Mimi

Mimi may refer to:

People

Places

Arts and entertainment

Businesses

Other uses

La bohème

La bohème (French pronunciation: ​[la bɔ.ɛm], Italian: [la boˈɛm]) is an opera in four acts, composed by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger. The world premiere performance of La bohème was in Turin on 1 February 1896 at the Teatro Regio, conducted by the young Arturo Toscanini; its U.S. premiere took place the next year, 1897, in Los Angeles. Since then, La bohème has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide.

In 1946, fifty years after the opera's premiere, Toscanini conducted a performance of it on radio with the NBC Symphony Orchestra. This performance was eventually released on records and on Compact Disc. It is the only recording of a Puccini opera by its original conductor (see Recordings below).

Origin of the story

According to its title page, the libretto of La bohème is based on Henri Murger's novel, Scènes de la vie de bohème, a collection of vignettes portraying young bohemians living in the Latin Quarter of Paris in the 1840s. Although usually called a novel, it has no unified plot. Like the 1849 play by Murger and Théodore Barrière, the opera's libretto focuses on the relationship between Rodolfo and Mimì, and ends with Mimì's death. Also like the play, the libretto combines two characters from the novel, Mimì and Francine, into a single Mimì character. Early in the composition stage Puccini was in dispute with the composer Leoncavallo, who said that he had offered Puccini a completed libretto and felt that Puccini should defer to him. Puccini responded that he had had no idea of Leoncavallo's interest and that having been working on his own version for some time, he felt that he could not oblige him by discontinuing with the opera. Leoncavallo completed his own version in which Marcello was sung by a tenor and Rodolfo by a baritone. It was unsuccessful and is now rarely performed.